Street Pictures (large edit)
300 images Created 26 Jun 2010
In this gallery of thematic coincidences and repetitions one follows carefully edited sequences of street incidents that use colour, circumstance and form as threads. They originate from the early 90s to the present and include the workman; dogs; faces; mannequins; backdrops; seasides; spillages.
Returning from aviation projects (Red Arrows, 2005) I have been drawn again into public places, spurred on after reports of farcical incidents when tourists were suspected of terrorist surveillance.
It's hugely exciting (and overwhelming) to venture from home and take street pictures. But while it is an exercise of unconstrained, spontaneous possibilities there can be no better examples of wasted days when walking pavements yields nothing but sore feet. People and landscapes are fickle and it's also easy to become paranoid at what one might miss simply by looking say, a few degrees to the left, mere feet from where the most magical moment has occurred.
While I prefer to seek the overly complex and complicated I tend to find the minimal and simple; the poignant and quietly incongruous. This isn't so much an annoyance as a surprise to me that I come home with twos and threes of people and objects rather than multiples. Outs become stock, laden with suggestive conceptual keywords: Worry; nerves; suspicion; tension; romance and oddity.
I would urge the viewer to see this gallery as a slideshow in full-screen mode and to watch until the end, where many of my favourite pictures have been deliberately placed. And if you care to help me edit this work, I will willingly send you an invite to rate the images within a lightbox.
A small edit of the Top 30 is here:
http://bit.ly/13sLIMX
Returning from aviation projects (Red Arrows, 2005) I have been drawn again into public places, spurred on after reports of farcical incidents when tourists were suspected of terrorist surveillance.
It's hugely exciting (and overwhelming) to venture from home and take street pictures. But while it is an exercise of unconstrained, spontaneous possibilities there can be no better examples of wasted days when walking pavements yields nothing but sore feet. People and landscapes are fickle and it's also easy to become paranoid at what one might miss simply by looking say, a few degrees to the left, mere feet from where the most magical moment has occurred.
While I prefer to seek the overly complex and complicated I tend to find the minimal and simple; the poignant and quietly incongruous. This isn't so much an annoyance as a surprise to me that I come home with twos and threes of people and objects rather than multiples. Outs become stock, laden with suggestive conceptual keywords: Worry; nerves; suspicion; tension; romance and oddity.
I would urge the viewer to see this gallery as a slideshow in full-screen mode and to watch until the end, where many of my favourite pictures have been deliberately placed. And if you care to help me edit this work, I will willingly send you an invite to rate the images within a lightbox.
A small edit of the Top 30 is here:
http://bit.ly/13sLIMX
