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  • The eyes of American rocker, Alice Copper look out from the side of a London bus, an ad to promote his new studio album entitled 'Detroit Stories', on 22 February 2021, in Camberwell, south London, England.
    bus_eyes02-22-02-2021.jpg
  • The eyes of American rocker, Alice Copper look out from the side of a London bus, an ad to promote his new studio album entitled 'Detroit Stories', on 22 February 2021, in Camberwell, south London, England.
    bus_eyes01-22-02-2021.jpg
  • The eyes of American rocker, Alice Copper look out from the side of a London bus, an ad to promote his new studio album entitled 'Detroit Stories', on 22 February 2021, in Camberwell, south London, England.
    bus_eyes03-22-02-2021.jpg
  • Family album of photos framed and attached to a tree in a south London cemetery.
    family_pictures02-25-02-2014.jpg
  • The new mural of iconic musician and singer David Bowie has appeared on the wall of Morleys department store in Brixton, Lambeth, south London. The Bowie face is sourced (by artist James Cochran, aka Jimmy C) from the cover of his 1973 album Aladdin Sane at the height of his 1970s fame. The pop icon lived at 40 Stansfield Road, Brixton, from his birth in 1947 until 1953. This cover appeared in Rolling Stone’s list of the 500 greatest albums of all time, making #277.
    bowie_brixton11-18-06-2013.jpg
  • An elderly lady walks past the new mural of iconic musician and singer David Bowie has appeared on the wall of Morleys department store in Brixton, Lambeth, south London. The Bowie face is sourced (by artist James Cochran, aka Jimmy C) from the cover of his 1973 album Aladdin Sane at the height of his 1970s fame. The pop icon lived at 40 Stansfield Road, Brixton, from his birth in 1947 until 1953. This cover appeared in Rolling Stone’s list of the 500 greatest albums of all time, making #277.
    bowie_brixton06-18-06-2013.jpg
  • An elderly lady walks past the new mural of iconic musician and singer David Bowie has appeared on the wall of Morleys department store in Brixton, Lambeth, south London. The Bowie face is sourced (by artist James Cochran, aka Jimmy C) from the cover of his 1973 album Aladdin Sane at the height of his 1970s fame. The pop icon lived at 40 Stansfield Road, Brixton, from his birth in 1947 until 1953. This cover appeared in Rolling Stone’s list of the 500 greatest albums of all time, making #277.
    bowie_brixton21-18-06-2013.jpg
  • A mother and child walk past the new mural of iconic musician and singer David Bowie has appeared on the wall of Morleys department store in Brixton, Lambeth, south London. The Bowie face is sourced (by artist James Cochran, aka Jimmy C) from the cover of his 1973 album Aladdin Sane at the height of his 1970s fame. The pop icon lived at 40 Stansfield Road, Brixton, from his birth in 1947 until 1953. This cover appeared in Rolling Stone’s list of the 500 greatest albums of all time, making #277.
    bowie_brixton19-18-06-2013.jpg
  • Women walk past the new mural of iconic musician and singer David Bowie has appeared on the wall of Morleys department store in Brixton, Lambeth, south London. The Bowie face is sourced (by artist James Cochran, aka Jimmy C) from the cover of his 1973 album Aladdin Sane at the height of his 1970s fame. The pop icon lived at 40 Stansfield Road, Brixton, from his birth in 1947 until 1953. This cover appeared in Rolling Stone’s list of the 500 greatest albums of all time, making #277.
    bowie_brixton03-18-06-2013.jpg
  • Women walk past the new mural of iconic musician and singer David Bowie has appeared on the wall of Morleys department store in Brixton, Lambeth, south London. The Bowie face is sourced (by artist James Cochran, aka Jimmy C) from the cover of his 1973 album Aladdin Sane at the height of his 1970s fame. The pop icon lived at 40 Stansfield Road, Brixton, from his birth in 1947 until 1953. This cover appeared in Rolling Stone’s list of the 500 greatest albums of all time, making #277.
    bowie_brixton08-18-06-2013.jpg
  • Teenagers walk past the mural of iconic musician and singer David Bowie has appeared on the wall of Morleys department store in Brixton, Lambeth, south London. The Bowie face is sourced (by artist James Cochran, aka Jimmy C) from the cover of his 1973 album Aladdin Sane at the height of his 1970s fame. The pop icon lived at 40 Stansfield Road, Brixton, from his birth in 1947 until 1953. This cover appeared in Rolling Stone’s list of the 500 greatest albums of all time, making #277.
    bowie_brixton16-18-06-2013.jpg
  • The new mural of iconic musician and singer David Bowie has appeared on the wall of Morleys department store in Brixton, Lambeth, south London. The Bowie face is sourced (by artist James Cochran, aka Jimmy C) from the cover of his 1973 album Aladdin Sane at the height of his 1970s fame. The pop icon lived at 40 Stansfield Road, Brixton, from his birth in 1947 until 1953. This cover appeared in Rolling Stone’s list of the 500 greatest albums of all time, making #277.
    bowie_brixton04-18-06-2013.jpg
  • A Muslim mother and children walk past new mural of iconic musician and singer David Bowie has appeared on the wall of Morleys department store in Brixton, Lambeth, south London. The Bowie face is sourced (by artist James Cochran, aka Jimmy C) from the cover of Bowie's 1973 album Aladdin Sane at the height of his 1970s fame. The pop icon lived at 40 Stansfield Road, Brixton, from his birth in 1947 until 1953. This cover appeared in Rolling Stone’s list of the 500 greatest albums of all time, making #277.
    bowie_brixton13-18-06-2013.jpg
  • A mother and children walk past the new mural of iconic musician and singer David Bowie has appeared on the wall of Morleys department store in Brixton, Lambeth, south London. The Bowie face is sourced (by artist James Cochran, aka Jimmy C) from the cover of his 1973 album Aladdin Sane at the height of his 1970s fame. The pop icon lived at 40 Stansfield Road, Brixton, from his birth in 1947 until 1953. This cover appeared in Rolling Stone’s list of the 500 greatest albums of all time, making #277.
    bowie_brixton12-18-06-2013.jpg
  • Teenagers walk past the mural of iconic musician and singer David Bowie has appeared on the wall of Morleys department store in Brixton, Lambeth, south London. The Bowie face is sourced (by artist James Cochran, aka Jimmy C) from the cover of his 1973 album Aladdin Sane at the height of his 1970s fame. The pop icon lived at 40 Stansfield Road, Brixton, from his birth in 1947 until 1953. This cover appeared in Rolling Stone’s list of the 500 greatest albums of all time, making #277.
    bowie_brixton17-18-06-2013.jpg
  • An elderly lady uses a 1970s model of Kodak Instamatic film camera whilst visiting an English country garden. With her eye pressed to the viewfinder, this amateur photographer is a pensioner on a day trip to the country and she takes a snapshot to record the beautiful view of flower beds and neatly-trimmed lawns. The Instamatic was a series of inexpensive, easy-to-load 126 and 110 cameras made by Kodak from 1963 and it was immensely successful, introducing a generation to low-cost photography and helping the growth of the contemporary photographic family album. More than 50 million Instamatic cameras were produced between 1963 and 1970. Kodak even gave away a considerable number in a joint promotion with Scott paper towels in the early 1970s in order to generate a large number of new photographers and stimulate lasting demand for its film business.
    kodak_camera_lady-23-08-1996.jpg
  • A young boy of about 5 years-old from the mid-sixties plays amongst lavender in his parents' property. He has the face of boyhood innocence as he traipses through the garden. It is the summer of 1967 and the colours are muted on this Kodachrome film slide which has a wonderful magenta colour cast in the mid-tones reminiscent of the classic days of early photography when shifts in color gave a faded look.
    hughes_family.jpg
  • With a look of delight on her face, a four year-old girl stamps through fallen snow in a field near her home in Bielefeld, Germany. Wearing a vibrant red bobble hat and matching coat, she smiles towards the viewer with the pleasure of any child enjoying the excitement of fresh snow. Ski or sledge tracks can be seen at her feet but she is the only person in this empty landscape, as if she's walking on her own through the snowy hills. It is the winter of 1967 and the reds are very vibrant and dominant from the Kodachrome film used which also has a wonderful muted blue colour cast in the mid-tones giving the picture a chilly, wintry feel reminiscent of the classic days of early photography when shifts in color gave a faded and dated look.
    family_archive2820-12_1967.jpg
  • A young blonde girl of approximately 3 years-old stands on a lawn looking delighted. She giggles with great mirth at something that pleases her - possibly the way her father has posed her as if she's a ballerina, or maybe because it is her birthday and her present is the blue dress she is showing off to the viewer. The girl holds out her arms while holding a special pair of sunglasses. It is the summer of 1967 and this is a housing estate for British soldiers stationed in Bielefeld, Germany still during the Cold War. The girl's father is a solder serving in the British Army and the they all live in a house nearby with other expat families. Kodachrome film has a wonderful magenta colour cast in mid-tones and where a small light-leak has affected the far right, reminiscent of the classic days of early photography when shifts in color gave a faded look.
    family_archive2713-05_1967.jpg
  • A young lad of 10 poses for a portrait taken by his brother while holding the hand of his young nephew. Confusingly, the 10 year-old uncle and the 1 year-old child are closer in age than the two brothers. The older boy is on holiday in Malawi visiting expat family in the then capital, Blantyre, so named after the town in South Lanarkshire, Scotland, where the explorer David Livingstone was born. Both boys stand in the dust of a back yard where a broken windmill remains upright in the intense brightness of mid-day. It is a scene of awkward and gangly boyhood versus the confidence and innocence of young childhood and their posture is exaggerated by differing heights. Kodachrome film has a wonderful magenta colour cast in mid-tones reminiscent of the classic days of early photography when shifts in color gave a faded look.
    family_archive2620-07_1970.jpg
  • A little boy wearing a blue jump suit stands on the pavement outside his house holding the handlebars of a favourite matching blue coloured tricycle. He looks upwards towards the viewer slightly bemused about having his picture taken by his father who looks down from a standing position. Meanwhile, the boys sister towers above him dressed in a bright red coat and clean white gloves and short white socks. Alongside her is a friend also wearing gloves and a knee-length skirt but we see only their lower bodies and not their faces so they are unrecognisable - an older sibling and a girl friend. It is the summer of 1960 and while the red is vibrant, the blues and greens are more muted in this Kodachrome film which has a wonderful magenta colour cast in the mid-tones reminiscent of the classic days of early photography when shifts in color gave a faded look
    family_archive2420-11_1960.jpg
  • A portrait of a mother in her 41st year has been gathering heather in handfuls and holds up her young child who grins towards his father who is taking the picture at a park near the Essex seaside town of Southend. It is the summer of 1960 and the mum's dress is styled from the previous decade: blue with white spots and pearl necklace. She too is smiling as she grasps the flowers and her child on a warm day. Oddly, the boy looks as though he is wearing a girl's dress which may have been a hand-me-down from an older sibling or just the trend then.
    family_archive2315-06_1960.jpg
  • A portrait of three brothers of the same family have their picture taken outside their parents' home in Westcliff, England. The eldest is a teenager of approximately 17 and  is holding his youngest brother who is still only 12 months-old. The third boy is biting his lip while looking to the viewer, more anxiously than the other two. He is possibly 14 but both the elder lads wear identically-designed jumpers that cut across the throat to allow their clean white shirts and ties to remain visible. Apart from the young child, the elders share the same dark hair colour but genetically, they share one chromosome that has given them heavy eyebrows, a family trait. This was taken on Kodachrome film stock in the spring of 1961 so the look and feel of the image is dated with wonderfully muted colours that this Kodak film offered to consumers in the early 60s.
    family_archive2515-03_1961.jpg
  • A 1960s mother stands for a family picture in woodland with her 5 year-old son and 4 year-old daughter
    60s_mother01-01-07-1967.jpg
  • A glam rock David Bowie tribute band perform the entire 'Ziggy Stardust' album at a private party in Wales.
    glam_rock07-25-10-2014.jpg
  • A glam rock David Bowie tribute band perform the entire 'Ziggy Stardust' album at a private party in Wales.
    glam_rock01-25-10-2014.jpg
  • London 2012 Olympic mascots Mandeville (L) and Wenlock (R), a backdrop for family album portraits. Wenlock is named after the Shropshire town, and Mandeville after the hospital. .
    olympic_stratford06-22-05-2012.jpg
  • A glam rock David Bowie tribute band perform the entire 'Ziggy Stardust' album at a private party in Wales.
    glam_rock06-25-10-2014.jpg
  • A glam rock David Bowie tribute band perform the entire 'Ziggy Stardust' album at a private party in Wales.
    glam_rock05-25-10-2014.jpg
  • A glam rock David Bowie tribute band perform the entire 'Ziggy Stardust' album at a private party in Wales.
    glam_rock04-25-10-2014.jpg
  • A glam rock David Bowie tribute band perform the entire 'Ziggy Stardust' album at a private party in Wales.
    glam_rock03-25-10-2014.jpg
  • A glam rock David Bowie tribute band perform the entire 'Ziggy Stardust' album at a private party in Wales.
    glam_rock02-25-10-2014.jpg
  • London 2012 Olympic mascots Mandeville (L) and Wenlock (R), a backdrop for family album portraits. Wenlock is named after the Shropshire town, and Mandeville after the hospital. .
    olympic_stratford07-22-05-2012.jpg
  • The four great chimneys of the Grade II listed Battersea Power Station rise to become one of South London's most notorious landmarks. In the foreground on Battersea Park Road is construction hoardings that yew hedges that act as an incongruous background with a bent phone box, recently damaged in a collision, and a bus stop at which a passenger awaits the next bus. Once a coal-fired power station located on the south bank of the River Thames, near Battersea in London, Battersea A Power Station was built first in the 1930s, with Battersea B Power Station to its east in the 1950s. The two stations were built to an identical design, providing the well known, four chimney layout. The station was decommissioned from generating electricity in 1983. The was used in The Beatles' 1965 movie Help! and on the cover of Pink Floyd's 1977 album Animals.
    Battersea03-20-03_2009.jpg
  • Francis Rossi (left) and Rick Parfitt (right) of Status Quo face an auditorium, with their backs to the viewer  while sitting on the edge of their stage after a sound check in l'Aeronef in Lille, France during their 2007 European Tour. Rossi adjusts his thin pony tail that he has sported since his early days in rock and roll. Parfitt and Rossi are the two original members of the band, having met as school boys in the early 60s. Their distinctive three-chord guitar riff has made them a household name with hits like: Rockin' All Over the World and Sweet Caroline; selling 118 million albums. Over their 40 years of performing, QUO have played over 6000 live shows to an audience of 25 million people and travelling four million miles and spent 23 years away from home..
    status_quo038-15-10-2007.jpg
  • On stage during their show, Rick Parfitt of the band Status Quo stops playing his guitar and leans forward towards the enthusiastic audience in the front row at l'Aeronef in Lille, France during their 2007 European Tour. Parfitt and Francis Rossi are the two original members of the band, having met as school boys in the early 60s. Their distinctive three-chord guitar riff has made them a household name with hits like: Rockin' All Over the World and Sweet Caroline; selling 118 million albums. Over their 40 years of performing, QUO have played over 6000 live shows to an audience of 25 million people and travelling four million miles and spent 23 years away from home.
    status_quo130-15-10-2007.jpg
  • Guitarist Rick Parfitt of the British rock and roll band Status Quo bows his head while playing his electric instrument on stage at l'Aeronef in Lille, France during their 2007 European Tour. His shoulder-length blonde hair tumbles over his face as he bends forward towards the audience, exhausted nearing the end of the 90-minute show. Parfitt and Francis Rossi are the two original members of the band, having met as school boys in the early 60s. Their distinctive three-chord guitar riff has made them a household name with hits like: Rockin' All Over the World and Sweet Caroline; selling 118 million albums. Over their 40 years of performing, QUO have played over 6000 live shows to an audience of 25 million people and travelling four million miles and spent 23 years away from home.
    status_quo147-15-10-2007.jpg
  • On stage during their show, Francis Rossi (foreground) and Rick Parfitt of the band Status Quo play from their 90-minute repertoire of classic rock and roll songs. We see Rossi pausing to point to the photographer as Parfitt plays facing the audience whose front row members are jumping up and down in time with the beat, in l'Aeronef in Lille, France during their 2007 European Tour. Parfitt and Rossi are the two original members of the band, having met as school boys in the early 60s. Their distinctive three-chord guitar riff has made them a household name with hits like: Rockin' All Over the World and Sweet Caroline; selling 118 million albums. Over their 40 years of performing, QUO have played over 6000 live shows to an audience of 25 million people and travelling four million miles and spent 23 years away from home.
    status_quo048-15-10-2007.jpg
  • Tomb of the punk singer and musician Mano Solo in the Pere Lachaise cemetery, Paris. Mano Solo (1963-2010), Mano Solo developed other talents, including art. He designed the covers of some of his albums. He founded his own publishing imprint (La Marmaille Nue), which released two of his own books: a poetry anthology, Je suis là ("I am here") (1995), and a novel, Joseph sous la pluie ("Joseph in the rain") (1996). From 2001, Solo became interested in the Internet creating his own website around his artistic, social, and political interests, while encouraging his visitors to be creative themselves..Solo, who suffered from HIV/AIDS, was rushed to a hospital after a concert in Paris.
    pere_lachaise20-19-08-2012.jpg
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