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  • Exterior of the 250-seat temporary wood panelled auditorium for the National Theatre (NT) designed by architect Haworth Tompkins, entitled The Shed on London's Southbank.
    southbank_shed04-04-06-2013.jpg
  • Exterior of the 250-seat temporary wood panelled auditorium for the National Theatre (NT) designed by architect Haworth Tompkins, entitled The Shed on London's Southbank.
    southbank_shed03-04-06-2013.jpg
  • Exterior of the 250-seat temporary wood panelled auditorium for the National Theatre (NT) designed by architect Haworth Tompkins, entitled The Shed on London's Southbank.
    southbank_shed02-04-06-2013.jpg
  • Exterior of the 250-seat temporary wood panelled auditorium for the National Theatre (NT) designed by architect Haworth Tompkins, entitled The Shed on London's Southbank.
    southbank_shed07-04-06-2013.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-23-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-21-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-19-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-15-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-13-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-10-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-02-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-09-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-05-07-07-2020.jpg
  • Francis Rossi (left) and Rick Parfitt (right) of Status Quo face an auditorium, with their backs to the viewer  while sitting on the edge of their stage after a sound check in l'Aeronef in Lille, France during their 2007 European Tour. Rossi adjusts his thin pony tail that he has sported since his early days in rock and roll. Parfitt and Rossi are the two original members of the band, having met as school boys in the early 60s. Their distinctive three-chord guitar riff has made them a household name with hits like: Rockin' All Over the World and Sweet Caroline; selling 118 million albums. Over their 40 years of performing, QUO have played over 6000 live shows to an audience of 25 million people and travelling four million miles and spent 23 years away from home..
    status_quo038-15-10-2007.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-24-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-22-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-20-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-16-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-14-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-11-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-12-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-08-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-07-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-06-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-03-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-04-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-01-07-07-2020.jpg
  • Seen low from behind stage, a male voice choir are lined up to sing during their performance at an open-air temporary auditorium during the Lambeth Show, an inner-city cultural and family event held annually in Dulwich Park, a leafy suburb of South London. The choristers are dressed in white shirts which are untidily untucked from their dark trousers (pants). Their heads echo the purple, yellow and red spots from the overhead lights. The front of stage is covered by a curved ribbed roof structure that arches over the mens' heads. The singers look small in scale to the cavernous height of this ceiling, occupying a small percentage of the frame. We cannot see the choir's conductor, nor their audience but we get an impression of wide area in which to project their voices
    RB-0065.jpg
  • Opera-lovers await the start of a rehearsal of the first socially-distanced performance by English National Opera (ENO) in the London Coliseum which has remained closed throughout the Coronavirus pandemic lockdown, on 24th October 2020, in London, England. Musicians and singers on stage are separated appropriate to government restrictions and audience members are seated with same household groups. The Marriage of Figaro was ENO's last show on 14th March, and the Coliseum has stayed closed until now. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.00
    ENO_Coliseum02-24-10-2020.jpg
  • Opera-lovers await the start of a rehearsal of the first socially-distanced performance by English National Opera (ENO) in the London Coliseum which has remained closed throughout the Coronavirus pandemic lockdown, on 24th October 2020, in London, England. Musicians and singers on stage are separated appropriate to government restrictions and audience members are seated with same household groups. The Marriage of Figaro was ENO's last show on 14th March, and the Coliseum has stayed closed until now. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.00
    ENO_Coliseum01-24-10-2020.jpg
  • Firefighters assess charred remains damage of the Savoy Theatre fire, on 14th February 1990, in London, England. While the theatre was being renovated in February 1990, a fire gutted the building, except for the stage and backstage areas.
    savoy_fire-14-02-1990.jpg
  • The Italian operatic tenor Luciano Pavarotti performs in London during the free Party in the Park concert to celebrate his 30 years in opera. A crowd of 100,000 stood in the London rain to watch Pavarotti perform 20 arias by Verdi, Puccini, Bizet and Wagner. VIPs the Princess of Wales, Prime Minister John Major and Michael Caine got soaked in heavy rain along with everyone else sitting on the grass cowering beneath tarpaulins. We see the rotund Operatic maestro in full flow, belting out an aria while dressed in formal tails and wastecoat and holding his customary scarf that he uses to dab the sweat from his brow. Pavarotti helped bring an otherwise high-brow artform to the ordinary Man after the BBC used his rendition of Nessun Dorma to theme their World Cup TV coverage. This lead the way to Opera reaching the Common Man in Britain.
    RB_041-30-07-1991.jpg
  • Country and Western singer George Hamilton IV performs in front of British Christians during Mission 89, a series of evangelical revival rallies in London, England held by Baptist Christian Billy Graham. Hamilton is a Singer/guitarist/songwriter of country, rock, folk, Christian and gospel songs with 40 on Billboard's country music charts in 1960s and '70s. He is a member of the Grand Ole Opry with best-sellers like Abilene and A Rose And A Baby Ruth. George has been a frequent guest singer with the Dr. Billy Graham Crusades such as this in 1989.
    george_hamilton-14-06-1989.jpg
  • Roadies of rock band Status Quo roll gig equipment in travel cases off stage in Lille, france durin group's European tour.
    status_quo179-15-10-2007.jpg
  • Drummer Matt Letley and blonde Rick Parfitt of Status Quo play on stage during on European tour at at L'Aeronef, Lille, France.
    status_quo051-15-10-2007.jpg
  • Stage hand of the rock band Status Quo adjusts overhead lights high above the stage while on European tour at in Lille, France.
    status_quo002-15-10-2007.jpg
  • Rick Parfitt of  the rock band Status Quo comes off stage after gig during European tour at L'Aeronef in Lille, France.
    status_quo162-15-10-2007.jpg
  • Francis Rossi and musician John (Rhino) Edwards of rock band Status Quo play guitar during gig on European tour in France..
    status_quo138-15-10-2007.jpg
  • Rick Parfitt and Francis Rossi of rock band Status Quo play guitar riffs during gig on European tour in Lille, France. .
    status_quo131-15-10-2007.jpg
  • On stage during their show, Rick Parfitt of the band Status Quo stops playing his guitar and leans forward towards the enthusiastic audience in the front row at l'Aeronef in Lille, France during their 2007 European Tour. Parfitt and Francis Rossi are the two original members of the band, having met as school boys in the early 60s. Their distinctive three-chord guitar riff has made them a household name with hits like: Rockin' All Over the World and Sweet Caroline; selling 118 million albums. Over their 40 years of performing, QUO have played over 6000 live shows to an audience of 25 million people and travelling four million miles and spent 23 years away from home.
    status_quo130-15-10-2007.jpg
  • Guitarist Rick Parfitt of the British rock and roll band Status Quo bows his head while playing his electric instrument on stage at l'Aeronef in Lille, France during their 2007 European Tour. His shoulder-length blonde hair tumbles over his face as he bends forward towards the audience, exhausted nearing the end of the 90-minute show. Parfitt and Francis Rossi are the two original members of the band, having met as school boys in the early 60s. Their distinctive three-chord guitar riff has made them a household name with hits like: Rockin' All Over the World and Sweet Caroline; selling 118 million albums. Over their 40 years of performing, QUO have played over 6000 live shows to an audience of 25 million people and travelling four million miles and spent 23 years away from home.
    status_quo147-15-10-2007.jpg
  • On stage during their show, Francis Rossi (foreground) and Rick Parfitt of the band Status Quo play from their 90-minute repertoire of classic rock and roll songs. We see Rossi pausing to point to the photographer as Parfitt plays facing the audience whose front row members are jumping up and down in time with the beat, in l'Aeronef in Lille, France during their 2007 European Tour. Parfitt and Rossi are the two original members of the band, having met as school boys in the early 60s. Their distinctive three-chord guitar riff has made them a household name with hits like: Rockin' All Over the World and Sweet Caroline; selling 118 million albums. Over their 40 years of performing, QUO have played over 6000 live shows to an audience of 25 million people and travelling four million miles and spent 23 years away from home.
    status_quo048-15-10-2007.jpg
  • Rick Parfitt and Francis Rossi of rock band Status Quo play guitar riffs during gig on European tour in Lille, France. .
    status_quo156-15-10-2007.jpg
  • Drummer Matt Letley of Status Quo plays drums under blue lights on stage during European tour at L'Aeronef in Lille, France.
    status_quo152-15-10-2007.jpg
  • Yellow fencing and red wall of  the 250-seat wood panelled auditorium for the National Theatre (NT) designed by architect Haworth Tompkins, entitled The Shed on London's Southbank. The Shed is a temporary venue for the National Theatre on London's South Bank. Conceived by Haworth Tompkins and theatre consultants Charcoalblue, it was then designed and built in little more than a year.
    southbank_fence03-12-12-2014.jpg
  • Yellow fencing and red wall of  the 250-seat wood panelled auditorium for the National Theatre (NT) designed by architect Haworth Tompkins, entitled The Shed on London's Southbank. The Shed is a temporary venue for the National Theatre on London's South Bank. Conceived by Haworth Tompkins and theatre consultants Charcoalblue, it was then designed and built in little more than a year.
    southbank_fence02-12-12-2014.jpg
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