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  • A banner on the balcony of a flat in Bowater House on the Golden Lane Estate protests about the 10-storey luxury apartment development called The Denizen, a controversial building by Taylor Wimpey that locals say will dominate their view and block their daylight, on 30th October 2017, in London, England. Residents on the Estate have erected banners by artists Jeremy Deller and Elizabeth Price to picket the developers. Despite this, Wimpey say, "We are one of the UK's largest residential developers. As a responsible developer we are committed to working with local people and communities."
    denizen_protest-08-30-10-2017.jpg
  • A banner on the balcony of a flat in Bowater House on the Golden Lane Estate protests about the 10-storey luxury apartment development called The Denizen, a controversial building by Taylor Wimpey that locals say will dominate their view and block their daylight, on 30th October 2017, in London, England. Residents on the Estate have erected banners by artists Jeremy Deller and Elizabeth Price to picket the developers. Despite this, Wimpey say, "We are one of the UK's largest residential developers. As a responsible developer we are committed to working with local people and communities."
    denizen_protest-10-30-10-2017.jpg
  • Banners on the balconies of homes in Bowater House on the Golden Lane Estate to protest about the 10-storey luxury apartment development called The Denizen, a controversial building by Taylor Wimpey that locals say will dominate their view and block their daylight, on 30th October 2017, in London, England. Residents on the Estate have erected banners by artists Jeremy Deller and Elizabeth Price to picket the developers. Despite this, Wimpey say, "We are one of the UK's largest residential developers. As a responsible developer we are committed to working with local people and communities."
    denizen_protest-19-30-10-2017.jpg
  • Banners on the balconies of homes in Bowater House on the Golden Lane Estate to protest about the 10-storey luxury apartment development called The Denizen, a controversial building by Taylor Wimpey that locals say will dominate their view and block their daylight, on 30th October 2017, in London, England. Residents on the Estate have erected banners by artists Jeremy Deller and Elizabeth Price to picket the developers. Despite this, Wimpey say, "We are one of the UK's largest residential developers. As a responsible developer we are committed to working with local people and communities."
    denizen_protest-02-30-10-2017.jpg
  • Banners on the balconies of homes in Bowater House on the Golden Lane Estate to protest about the 10-storey luxury apartment development called The Denizen, a controversial building by Taylor Wimpey that locals say will dominate their view and block their daylight, on 30th October 2017, in London, England. Residents on the Estate have erected banners by artists Jeremy Deller and Elizabeth Price to picket the developers. Despite this, Wimpey say, "We are one of the UK's largest residential developers. As a responsible developer we are committed to working with local people and communities."
    denizen_protest-01-30-10-2017.jpg
  • Banners on the balconies of homes in Bowater House on the Golden Lane Estate to protest about the 10-storey luxury apartment development called The Denizen, a controversial building by Taylor Wimpey that locals say will dominate their view and block their daylight, on 30th October 2017, in London, England. Residents on the Estate have erected banners by artists Jeremy Deller and Elizabeth Price to picket the developers. Despite this, Wimpey say, "We are one of the UK's largest residential developers. As a responsible developer we are committed to working with local people and communities."
    denizen_protest-04-30-10-2017.jpg
  • Banners on the balconies of homes in Bowater House on the Golden Lane Estate to protest about the 10-storey luxury apartment development called The Denizen, a controversial building by Taylor Wimpey that locals say will dominate their view and block their daylight, on 30th October 2017, in London, England. Residents on the Estate have erected banners by artists Jeremy Deller and Elizabeth Price to picket the developers. Despite this, Wimpey say, "We are one of the UK's largest residential developers. As a responsible developer we are committed to working with local people and communities."
    denizen_protest-03-30-10-2017.jpg
  • A resident of Bowater House on the Golden Lane Estate cleans a window with a banner on the balcony protesting about the 10-storey luxury apartment development called The Denizen, a controversial building by Taylor Wimpey that locals say will dominate their view and block their daylight, on 30th October 2017, in London, England. Residents on the Estate have erected banners by artists Jeremy Deller and Elizabeth Price to picket the developers. Despite this, Wimpey say, "We are one of the UK's largest residential developers. As a responsible developer we are committed to working with local people and communities."
    denizen_protest-14-30-10-2017.jpg
  • A resident of Bowater House on the Golden Lane Estate cleans a window with a banner on the balcony protesting about the 10-storey luxury apartment development called The Denizen, a controversial building by Taylor Wimpey that locals say will dominate their view and block their daylight, on 30th October 2017, in London, England. Residents on the Estate have erected banners by artists Jeremy Deller and Elizabeth Price to picket the developers. Despite this, Wimpey say, "We are one of the UK's largest residential developers. As a responsible developer we are committed to working with local people and communities."
    denizen_protest-12-30-10-2017.jpg
  • A resident of Bowater House on the Golden Lane Estate cleans a window with a banner on the balcony protesting about the 10-storey luxury apartment development called The Denizen, a controversial building by Taylor Wimpey that locals say will dominate their view and block their daylight, on 30th October 2017, in London, England. Residents on the Estate have erected banners by artists Jeremy Deller and Elizabeth Price to picket the developers. Despite this, Wimpey say, "We are one of the UK's largest residential developers. As a responsible developer we are committed to working with local people and communities."
    denizen_protest-17-30-10-2017.jpg
  • A resident of Bowater House on the Golden Lane Estate cleans a window with a banner on the balcony protesting about the 10-storey luxury apartment development called The Denizen, a controversial building by Taylor Wimpey that locals say will dominate their view and block their daylight, on 30th October 2017, in London, England. Residents on the Estate have erected banners by artists Jeremy Deller and Elizabeth Price to picket the developers. Despite this, Wimpey say, "We are one of the UK's largest residential developers. As a responsible developer we are committed to working with local people and communities."
    denizen_protest-16-30-10-2017.jpg
  • A resident of Bowater House on the Golden Lane Estate cleans a window with a banner on the balcony protesting about the 10-storey luxury apartment development called The Denizen, a controversial building by Taylor Wimpey that locals say will dominate their view and block their daylight, on 30th October 2017, in London, England. Residents on the Estate have erected banners by artists Jeremy Deller and Elizabeth Price to picket the developers. Despite this, Wimpey say, "We are one of the UK's largest residential developers. As a responsible developer we are committed to working with local people and communities."
    denizen_protest-13-30-10-2017.jpg
  • A resident of Bowater House on the Golden Lane Estate cleans a window with a banner on the balcony protesting about the 10-storey luxury apartment development called The Denizen, a controversial building by Taylor Wimpey that locals say will dominate their view and block their daylight, on 30th October 2017, in London, England. Residents on the Estate have erected banners by artists Jeremy Deller and Elizabeth Price to picket the developers. Despite this, Wimpey say, "We are one of the UK's largest residential developers. As a responsible developer we are committed to working with local people and communities."
    denizen_protest-11-30-10-2017.jpg
  • A resident of Bowater House on the Golden Lane Estate cleans a window with a banner on the balcony protesting about the 10-storey luxury apartment development called The Denizen, a controversial building by Taylor Wimpey that locals say will dominate their view and block their daylight, on 30th October 2017, in London, England. Residents on the Estate have erected banners by artists Jeremy Deller and Elizabeth Price to picket the developers. Despite this, Wimpey say, "We are one of the UK's largest residential developers. As a responsible developer we are committed to working with local people and communities."
    denizen_protest-15-30-10-2017.jpg
  • Gathered beneath the outer walls of the 15th century Church of St John the Baptist, a flock of Anglican pilgrims ready for a procession through the ancient Christian and pagan town of Glastonbury. Banners from their parish churches show illustrations for their Saints such as St Andrew and St Mark while an angel looks down on another. A young choir boy looks down at his feet, a middle-aged Church of England vicar holds his banner and a much younger member of a congregation stands with a polished silver cross. Glastonbury is notable for myths and legends about Joseph of Arimathea, the Holy Grail and King Arthur and in Arthurian literature Glastonbury is identified with the legendary island of Avalon. Medieval monks at the abbey even claimed to have found the graves of Arthur and Guinevere and the place is also said to be the centre of several ley lines.
    anglican_pilgrims-29-06-1985.jpg
  • GLL (Greenwich Leisure Limited) banners opposite Carnegie Library on Herne Hill SE24, on 10th February 2019, in London, England.
    carnegie_gym-12-11-02-2019.jpg
  • As the UK's Coronavirus death toll during the government's social distancing lockdown, rose by 384 to 33,998, and the R rate of infection is reported to be between 0.7 and 1.0, south Londoners walk past thank you banners for key workers in the NHS (National Health Service) outside the Maudsley Hospital in Camberwell, on 15th May 2020, in London, England.
    coronavirus_lockdown-12-15-05-2020.jpg
  • The day after UK Prime Minister Boris Johnson addressed the nation with his roadmap for the coming weeks and months during the Coronavirus pandemic lockdown, a man wearing a face mask walks past banners supporting and thanking NHS (National Health Service) key workers, outside the Maudsley Hospital that specialises in mental health services and is opposite King's College Hospital (one of the capital's major trauma centres and a site for Covid patients, on 11th May 2020, in London, England.
    coronavirus_camberwell-02-11-05-2020.jpg
  • GLL (Greenwich Leisure Limited) banners opposite Carnegie Library on Herne Hill SE24, on 10th February 2019, in London, England.
    carnegie_gym-11-11-02-2019.jpg
  • Bus passengers overlook a man wearing a facial covering who stands beneath banners for the Royal Academy's Gauguin summer exhibition, during the Coronavirus pandemic, on 27th August 2020, in London, England.
    bus_journey01-27-08-2020.jpg
  • The day after UK Prime Minister Boris Johnson addressed the nation with his roadmap for the coming weeks and months during the Coronavirus pandemic lockdown, a family walk past banners supporting and thanking NHS (National Health Service) key workers, outside the Maudsley Hospital that specialises in mental health services and is opposite King's College Hospital (one of the capital's major trauma centres and a site for Covid patients, on 11th May 2020, in London, England.
    coronavirus_camberwell-05-11-05-2020.jpg
  • GLL (Greenwich Leisure Limited) banners opposite Carnegie Library on Herne Hill SE24, on 10th February 2019, in London, England.
    carnegie_gym-07-11-02-2019.jpg
  • GLL (Greenwich Leisure Limited) banners opposite Carnegie Library on Herne Hill SE24, on 10th February 2019, in London, England.
    carnegie_gym-03-11-02-2019.jpg
  • GLL (Greenwich Leisure Limited) banners opposite Carnegie Library on Herne Hill SE24, on 10th February 2019, in London, England.
    carnegie_gym-04-11-02-2019.jpg
  • GLL (Greenwich Leisure Limited) banners opposite Carnegie Library on Herne Hill SE24, on 10th February 2019, in London, England.
    carnegie_gym-01-11-02-2019.jpg
  • The day after UK Prime Minister Boris Johnson addressed the nation with his roadmap for the coming weeks and months during the Coronavirus pandemic lockdown, a family walk past banners supporting and thanking NHS (National Health Service) key workers, outside the Maudsley Hospital that specialises in mental health services and is opposite King's College Hospital (one of the capital's major trauma centres and a site for Covid patients, on 11th May 2020, in London, England.
    coronavirus_camberwell-04-11-05-2020.jpg
  • The day after UK Prime Minister Boris Johnson addressed the nation with his roadmap for the coming weeks and months during the Coronavirus pandemic lockdown, banners supporting and thanking NHS (National Health Service) key workers, have appeared outside the Maudsley Hospital that specialises in mental health services and is opposite King's College Hospital (one of the capital's major trauma centres and a site for Covid patients, on 11th May 2020, in London, England.
    coronavirus_camberwell-01-11-05-2020.jpg
  • The day after UK Prime Minister Boris Johnson addressed the nation with his roadmap for the coming weeks and months during the Coronavirus pandemic lockdown, banners supporting and thanking NHS (National Health Service) key workers, have appeared outside the Maudsley Hospital that specialises in mental health services and is opposite King's College Hospital (one of the capital's major trauma centres and a site for Covid patients, on 11th May 2020, in London, England.
    coronavirus_camberwell-03-11-05-2020.jpg
  • The banners for the current art exihibition of Italian Baroque artist Artemisia Gentileschi during the second lockdown in the second wave of the Coronavirus pandemic, on 6th November 2020, in London, England. Galleries and indoor entertainment venues must remain closed for 4 weeks until at least 2nd December. Gentileschi was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists, initially working in the style of Caravaggio.
    coronavirus_national_gallery02-06-11...jpg
  • On the day that the EU in Brussels agreed in principle to extend Brexit until 31st January 2020 (aka 'Flextension') and not 31st October 2019, a Brexiteer picks up dropped placards next to Brexit Party flags and banners during a Brexit protest outside parliament, on 28th October 2019, in Westminster, London, England.
    brexit_ptotest-14-28-10-2019.jpg
  • On the day that the EU in Brussels agreed in principle to extend Brexit until 31st January 2020 (aka 'Flextension') and not 31st October 2019, a Brexiteer stands next to Brexit Party flags and banners during a Brexit protest outside parliament, on 28th October 2019, in Westminster, London, England.
    brexit_ptotest-13-28-10-2019.jpg
  • On the day that the EU in Brussels agreed in principle to extend Brexit until 31st January 2020 (aka 'Flextension') and not 31st October 2019, a London bus featuring an ad for the Book od Mormon, drives past Brexit Party flags and banners during a Brexit protest outside parliament, on 28th October 2019, in Westminster, London, England.
    brexit_ptotest-04-28-10-2019.jpg
  • On the day that British Prime Minister Boris Johnson sought to have Parliament suspended by Queen Elizabeth, days after MPs return to work in September - and only a few weeks before the Brexit deadline, Leave voters protest with their We Want Our Country Back banners opposite the Cabinet Office where daily Brexit contingency planning meetings take place, on 28th August 2019, in Whitehall, Westminster, London, England.
    brexit_protest-33-28-08-2019.jpg
  • Members of the Communist Party of Great Britain gather with the faces of Karl Marx and Soviet leader Josef Stalin on banners in Trafalgar Square during the traditional May Day celebrations in the capital, on 1st May 2018, in London, England.
    may_day_communists-05-01-05-2018.jpg
  • Members of the Communist Party of Great Britain gather with the faces of Karl Marx and Soviet leader Josef Stalin on banners in Trafalgar Square during the traditional May Day celebrations in the capital, on 1st May 2018, in London, England.
    may_day_communists-04-01-05-2018.jpg
  • The banners for the current art exihibition of Italian Baroque artist Artemisia Gentileschi during the second lockdown in the second wave of the Coronavirus pandemic, on 6th November 2020, in London, England. Galleries and indoor entertainment venues must remain closed for 4 weeks until at least 2nd December. Gentileschi was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists, initially working in the style of Caravaggio.
    coronavirus_national_gallery03-06-11...jpg
  • The banners for the current art exihibition of Italian Baroque artist Artemisia Gentileschi during the second lockdown in the second wave of the Coronavirus pandemic, on 6th November 2020, in London, England. Galleries and indoor entertainment venues must remain closed for 4 weeks until at least 2nd December. Gentileschi was an Italian Baroque painter, now considered one of the most accomplished seventeenth-century artists, initially working in the style of Caravaggio.
    coronavirus_national_gallery01-06-11...jpg
  • On the day that the EU in Brussels agreed in principle to extend Brexit until 31st January 2020 (aka 'Flextension') and not 31st October 2019, a Chelsea Pensioner sells Remembrance poppies, next to Brexit Party flags and banners during a Brexit protest outside parliament, on 28th October 2019, in Westminster, London, England.
    brexit_ptotest-28-28-10-2019.jpg
  • On the day that the EU in Brussels agreed in principle to extend Brexit until 31st January 2020 (aka 'Flextension') and not 31st October 2019, a Chelsea Pensioner sells Remembrance poppies, next to Brexit Party flags and banners during a Brexit protest outside parliament, on 28th October 2019, in Westminster, London, England.
    brexit_ptotest-25-28-10-2019.jpg
  • On the day that the EU in Brussels agreed in principle to extend Brexit until 31st January 2020 (aka 'Flextension') and not 31st October 2019, a Chelsea Pensioner sells Remembrance poppies, next to Brexit Party flags and banners during a Brexit protest outside parliament, on 28th October 2019, in Westminster, London, England.
    brexit_ptotest-27-28-10-2019.jpg
  • On the day that the EU in Brussels agreed in principle to extend Brexit until 31st January 2020 (aka 'Flextension') and not 31st October 2019, a Westminster borough street cleaner picks up litter next to Brexit Party flags and banners during a Brexit protest outside parliament, on 28th October 2019, in Westminster, London, England.
    brexit_ptotest-22-28-10-2019.jpg
  • On the day that the EU in Brussels agreed in principle to extend Brexit until 31st January 2020 (aka 'Flextension') and not 31st October 2019, a Westminster borough street cleaner picks up litter next to Brexit Party flags and banners during a Brexit protest outside parliament, on 28th October 2019, in Westminster, London, England.
    brexit_ptotest-21-28-10-2019.jpg
  • On the day that the EU in Brussels agreed in principle to extend Brexit until 31st January 2020 (aka 'Flextension') and not 31st October 2019, pedestrians walk past Brexit Party flags and banners during a Brexit protest outside parliament, on 28th October 2019, in Westminster, London, England.
    brexit_ptotest-18-28-10-2019.jpg
  • On the day that the EU in Brussels agreed in principle to extend Brexit until 31st January 2020 (aka 'Flextension') and not 31st October 2019, a pedestrian walks past Brexit Party flags and banners during a Brexit protest outside parliament, on 28th October 2019, in Westminster, London, England.
    brexit_ptotest-15-28-10-2019.jpg
  • On the day that the EU in Brussels agreed in principle to extend Brexit until 31st January 2020 (aka 'Flextension') and not 31st October 2019, a Remainer lady carries an EU flag past Brexit Party flags and banners during a Brexit protest outside parliament, on 28th October 2019, in Westminster, London, England.
    brexit_ptotest-11-28-10-2019.jpg
  • On the day that the EU in Brussels agreed in principle to extend Brexit until 31st January 2020 (aka 'Flextension') and not 31st October 2019, a pedestrian walks past Brexit Party flags and banners during a Brexit protest outside parliament, on 28th October 2019, in Westminster, London, England.
    brexit_ptotest-07-28-10-2019.jpg
  • On the day that the EU in Brussels agreed in principle to extend Brexit until 31st January 2020 (aka 'Flextension') and not 31st October 2019, a pedestrian walks past Brexit Party flags and banners during a Brexit protest outside parliament, on 28th October 2019, in Westminster, London, England.
    brexit_ptotest-06-28-10-2019.jpg
  • On the day that the EU in Brussels agreed in principle to extend Brexit until 31st January 2020 (aka 'Flextension') and not 31st October 2019, passers-by walk alongside Brexiteer flags and banners during a Brexit protest outside parliament, on 28th October 2019, in Westminster, London, England.
    brexit_ptotest-02-28-10-2019.jpg
  • On the day that the EU in Brussels agreed in principle to extend Brexit until 31st January 2020 (aka 'Flextension') and not 31st October 2019, passers-by walk alongside Brexiteer flags and banners during a Brexit protest outside parliament, on 28th October 2019, in Westminster, London, England.
    brexit_ptotest-03-28-10-2019.jpg
  • On the day that the EU in Brussels agreed in principle to extend Brexit until 31st January 2020 (aka 'Flextension') and not 31st October 2019, passers-by walk alongside Brexiteer flags and banners during a Brexit protest outside parliament, on 28th October 2019, in Westminster, London, England.
    brexit_ptotest-01-28-10-2019.jpg
  • Members of the Communist Party of Great Britain gather with the faces of Karl Marx and Soviet leader Josef Stalin on banners in Trafalgar Square during the traditional May Day celebrations in the capital, on 1st May 2018, in London, England.
    may_day_communists-06-01-05-2018.jpg
  • Three citizens from the Chinese Special Economic region Hong Kong stand along a vertical banners filled with Chinese characters on a sunny day in Tsim Sha Tsui on the Kowloon side in 1995. This is dated two years before the ransfer of sovereignty of Hong Kong from the United Kingdom to the Peoples Republic of China (PRC), often referred to as "The Handover" on June 30, 1997. But at the time of this picture, these people are still under British rule and the transfer of legal and financial authority back to China has still to happen. They are therefore still British subjects, with British passports, living under British law.
    hk_people04-21-1995.jpg
  • On the day that the EU in Brussels agreed in principle to extend Brexit until 31st January 2020 (aka 'Flextension') and not 31st October 2019, two Chelsea Pensioners sell Remembrance poppies, next to Brexit Party flags and banners during a Brexit protest outside parliament, on 28th October 2019, in Westminster, London, England.
    brexit_ptotest-26-28-10-2019.jpg
  • On the day that the EU in Brussels agreed in principle to extend Brexit until 31st January 2020 (aka 'Flextension') and not 31st October 2019, a pedestrian walks past Brexit Party flags and banners during a Brexit protest outside parliament, on 28th October 2019, in Westminster, London, England.
    brexit_ptotest-17-28-10-2019.jpg
  • On the day that the EU in Brussels agreed in principle to extend Brexit until 31st January 2020 (aka 'Flextension') and not 31st October 2019, a pedestrian walks past Brexit Party flags and banners during a Brexit protest outside parliament, on 28th October 2019, in Westminster, London, England.
    brexit_ptotest-16-28-10-2019.jpg
  • On the day that the EU in Brussels agreed in principle to extend Brexit until 31st January 2020 (aka 'Flextension') and not 31st October 2019, a Remainer lady carries an EU flag past Brexit Party flags and banners during a Brexit protest outside parliament, on 28th October 2019, in Westminster, London, England.
    brexit_ptotest-12-28-10-2019.jpg
  • On the day that the EU in Brussels agreed in principle to extend Brexit until 31st January 2020 (aka 'Flextension') and not 31st October 2019, pedestrians walk past Brexit Party flags and banners during a Brexit protest outside parliament, on 28th October 2019, in Westminster, London, England.
    brexit_ptotest-10-28-10-2019.jpg
  • On the day that the EU in Brussels agreed in principle to extend Brexit until 31st January 2020 (aka 'Flextension') and not 31st October 2019, Remainers hug in front of Brexit Party flags and banners during a Brexit protest outside parliament, on 28th October 2019, in Westminster, London, England.
    brexit_ptotest-09-28-10-2019.jpg
  • On the day that the EU in Brussels agreed in principle to extend Brexit until 31st January 2020 (aka 'Flextension') and not 31st October 2019, a pedestrian walks past Brexit Party flags and banners during a Brexit protest outside parliament, on 28th October 2019, in Westminster, London, England.
    brexit_ptotest-08-28-10-2019.jpg
  • On the day that the EU in Brussels agreed in principle to extend Brexit until 31st January 2020 (aka 'Flextension') and not 31st October 2019, a tour bus drives past Brexit Party flags and banners during a Brexit protest outside parliament, on 28th October 2019, in Westminster, London, England.
    brexit_ptotest-05-28-10-2019.jpg
  • A Muslim lady tourist walks along the Embankment past Parliament under Conservative election banner.
    parliament_thames11-16-04-2010.jpg
  • A banner of social distancing tape is stretched across two bus seats so that passengers are deterred from sitting too close to one another during the coronavirus pandemic, on 8th August 2020, in London, England.
    social_distance_bus01-03-08-2020.jpg
  • After a postponed break because of the Coronavirus pandemic,  Climate Change activists protest with a banner featuring the image of Prime Minister Boris Johnson in Parliament Square, on 2nd September 2020, in London, England.
    extinction_rebellion05-02-09-2020.jpg
  • After a postponed break because of the Coronavirus pandemic,  Climate Change activists protest with a banner featuring the image of Prime Minister Boris Johnson in Parliament Square, on 2nd September 2020, in London, England.
    extinction_rebellion04-02-09-2020.jpg
  • After a postponed break because of the Coronavirus pandemic,  Climate Change activists protest with a banner featuring the image of Prime Minister Boris Johnson in Parliament Square, on 2nd September 2020, in London, England.
    extinction_rebellion02-02-09-2020.jpg
  • After a postponed break because of the Coronavirus pandemic,  Climate Change activists protest with a banner featuring the image of Prime Minister Boris Johnson in Parliament Square, on 2nd September 2020, in London, England.
    extinction_rebellion03-02-09-2020.jpg
  • Banner-carrying Catholic pilgrims awaits arrival of Pope at Hyde Park rally during Pope Benedict XVI's papal tour of Britain 2010, the first visit by a pontiff since 1982. Taxpayers footed the £10m bill for non-religious elements, which largely angered a nation still reeling from the financial crisis. Pope Benedict XVI is the head of the biggest Christian denomination in the world, some one billion Roman Catholics, or one in six people. In Britain there are about five million Catholics but only a quarter of Catholics regularly attend Sunday Mass and some churches have closed owing to spending cuts.
    pope_visit154-18-09-2010.jpg
  • Banner-carrying Catholic pilgrims awaits arrival of Pope at Hyde Park rally during Pope Benedict XVI's papal tour of Britain 2010, the first visit by a pontiff since 1982. Taxpayers footed the £10m bill for non-religious elements, which largely angered a nation still reeling from the financial crisis. Pope Benedict XVI is the head of the biggest Christian denomination in the world, some one billion Roman Catholics, or one in six people. In Britain there are about five million Catholics but only a quarter of Catholics regularly attend Sunday Mass and some churches have closed owing to spending cuts.
    pope_visit152-18-09-2010.jpg
  • Banner-carrying Catholic pilgrims awaits arrival of Pope at Hyde Park rally during Pope Benedict XVI's papal tour of Britain 2010, the first visit by a pontiff since 1982. Taxpayers footed the £10m bill for non-religious elements, which largely angered a nation still reeling from the financial crisis. Pope Benedict XVI is the head of the biggest Christian denomination in the world, some one billion Roman Catholics, or one in six people. In Britain there are about five million Catholics but only a quarter of Catholics regularly attend Sunday Mass and some churches have closed owing to spending cuts.
    pope_visit156-18-09-2010.jpg
  • Banner-carrying Catholic pilgrims awaits arrival of Pope at Hyde Park rally during Pope Benedict XVI's papal tour of Britain 2010, the first visit by a pontiff since 1982. Taxpayers footed the £10m bill for non-religious elements, which largely angered a nation still reeling from the financial crisis. Pope Benedict XVI is the head of the biggest Christian denomination in the world, some one billion Roman Catholics, or one in six people. In Britain there are about five million Catholics but only a quarter of Catholics regularly attend Sunday Mass and some churches have closed owing to spending cuts.
    pope_visit151-18-09-2010.jpg
  • Banner-carrying Catholic pilgrims awaits arrival of Pope at Hyde Park rally during Pope Benedict XVI's papal tour of Britain 2010, the first visit by a pontiff since 1982. Taxpayers footed the £10m bill for non-religious elements, which largely angered a nation still reeling from the financial crisis. Pope Benedict XVI is the head of the biggest Christian denomination in the world, some one billion Roman Catholics, or one in six people. In Britain there are about five million Catholics but only a quarter of Catholics regularly attend Sunday Mass and some churches have closed owing to spending cuts.
    pope_visit149-18-09-2010.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-20-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-06-06-04-2018.jpg
  • Pedestrians walk down St. Martin's Lane in the heart of the capital's West End Theatreland, where street barriers featuring some of the many musical and stage plays are featured on social distance street barriers during the Coronavirus pandemic,  on 29th September 2020, in London, Westminster, England. Despite the government's £1.15bn financial rescue package for the Arts industry and cultural organisations in England , made up of £880m in grants and £270m of repayable loans, London's theatre industry has been hit hard by the pandemic, being closed since the March lockdown closures which has affected 137,250 Arts industry jobs, worth £21.2bn in direct turnover.
    st_martins_lane01-29-09-2020.jpg
  • Pedestrians walk down St. Martin's Lane in the heart of the capital's West End Theatreland, where street barriers featuring some of the many musical and stage plays are featured on social distance street barriers during the Coronavirus pandemic,  on 29th September 2020, in London, Westminster, England. Despite the government's £1.15bn financial rescue package for the Arts industry and cultural organisations in England , made up of £880m in grants and £270m of repayable loans, London's theatre industry has been hit hard by the pandemic, being closed since the March lockdown closures which has affected 137,250 Arts industry jobs, worth £21.2bn in direct turnover.
    st_martins_lane02-29-09-2020.jpg
  • Pedestrians walk down St. Martin's Lane in the heart of the capital's West End Theatreland, where street barriers featuring some of the many musical and stage plays are featured on social distance street barriers during the Coronavirus pandemic,  on 29th September 2020, in London, Westminster, England. Despite the government's £1.15bn financial rescue package for the Arts industry and cultural organisations in England , made up of £880m in grants and £270m of repayable loans, London's theatre industry has been hit hard by the pandemic, being closed since the March lockdown closures which has affected 137,250 Arts industry jobs, worth £21.2bn in direct turnover.
    st_martins_lane04-29-09-2020.jpg
  • Pedestrians walk down St. Martin's Lane in the heart of the capital's West End Theatreland, where street barriers featuring some of the many musical and stage plays are featured on social distance street barriers during the Coronavirus pandemic,  on 29th September 2020, in London, Westminster, England. Despite the government's £1.15bn financial rescue package for the Arts industry and cultural organisations in England , made up of £880m in grants and £270m of repayable loans, London's theatre industry has been hit hard by the pandemic, being closed since the March lockdown closures which has affected 137,250 Arts industry jobs, worth £21.2bn in direct turnover.
    st_martins_lane03-29-09-2020.jpg
  • On the day that the EU in Brussels agreed in principle to extend Brexit until 31st January 2020 (aka 'Flextension') and not 31st October 2019, Remain personality Steve Bray looks towards a Brexit protest outside parliament, on 28th October 2019, in Westminster, London, England.
    brexit_ptotest-19-28-10-2019.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-18-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-19-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-16-06-04-2018.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time. Sir Joshua Reynolds stands in the "Annenberg Courtyard" of Burlington House.
    royal_academy-15-06-04-2018.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time. Sir Joshua Reynolds stands in the "Annenberg Courtyard" of Burlington House.
    royal_academy-13-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-12-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-11-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-10-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-09-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-08-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-07-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-05-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-04-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-02-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-01-06-04-2018.jpg
  • The exterior of Carnegie Library in Herne Hill, south London while occupiers remain inside the premises on day 7 of its occupation, 6th April 2016. The angry local community in the south London borough have occupied their important resource for learning and social hub for the weekend. After a long campaign by locals, Lambeth have gone ahead and closed the library's doors for the last time because they say, cuts to their budget mean millions must be saved.
    carnegie_library01-06-04-2016.jpg
  • Red London Routemaster bus passes Garrick theatre showing a West End play on Charing Cross Road.
    london_theatre01-13-02-2014.jpg
  • Exterior of the £105m Siberian Pine Velodrome curved roof during the London 2012 Olympics. The London Velopark is a cycling centre in Leyton in east London. It is one of the permanent Olympic and Paralympic venues for the 2012 Games. The Velopark is at the northern end of Olympic Park. It has a velodrome and BMX racing track, which will be used for the Games, as well as a one-mile (1.6 km) road course and a mountain bike track.[2] The park replaces the Eastway Cycle Circuit demolished to make way for it. This land was transformed to become a 2.5 Sq Km sporting complex, once industrial businesses and now the venue of eight venues including the main arena, Aquatics Centre and Velodrome plus the athletes' Olympic Village.
    olympic_park22-10-08-2012.jpg
  • Exterior of the £105m Siberian Pine Velodrome curved roof during the London 2012 Olympics. The London Velopark is a cycling centre in Leyton in east London. It is one of the permanent Olympic and Paralympic venues for the 2012 Games. The Velopark is at the northern end of Olympic Park. It has a velodrome and BMX racing track, which will be used for the Games, as well as a one-mile (1.6 km) road course and a mountain bike track.[2] The park replaces the Eastway Cycle Circuit demolished to make way for it. This land was transformed to become a 2.5 Sq Km sporting complex, once industrial businesses and now the venue of eight venues including the main arena, Aquatics Centre and Velodrome plus the athletes' Olympic Village.
    olympic_park20-10-08-2012.jpg
  • Exterior of the of the £105m Siberian Pine Velodrome curved roof during the London 2012 Olympics. The London Velopark is a cycling centre in Leyton in east London. It is one of the permanent Olympic and Paralympic venues for the 2012 Games. The Velopark is at the northern end of Olympic Park. It has a velodrome and BMX racing track, which will be used for the Games, as well as a one-mile (1.6 km) road course and a mountain bike track.[2] The park replaces the Eastway Cycle Circuit demolished to make way for it. This land was transformed to become a 2.5 Sq Km sporting complex, once industrial businesses and now the venue of eight venues including the main arena, Aquatics Centre and Velodrome plus the athletes' Olympic Village.
    olympic_park44-02-08-2012.jpg
  • Exterior of the of the £105m Siberian Pine Velodrome curved roof during the London 2012 Olympics. The London Velopark is a cycling centre in Leyton in east London. It is one of the permanent Olympic and Paralympic venues for the 2012 Games. The Velopark is at the northern end of Olympic Park. It has a velodrome and BMX racing track, which will be used for the Games, as well as a one-mile (1.6 km) road course and a mountain bike track.[2] The park replaces the Eastway Cycle Circuit demolished to make way for it. This land was transformed to become a 2.5 Sq Km sporting complex, once industrial businesses and now the venue of eight venues including the main arena, Aquatics Centre and Velodrome plus the athletes' Olympic Village.
    olympic_park43-02-08-2012.jpg
  • Lit by the bight lights of Times Square in New York City, US flags hang from the scaffolding of a construction site four days after the attacks on the World Trade Center on September 11th. Above the Stars and Stripes, we see fashion advertising bllboards showing white American models posed in contemporary couture proving that business and the media works endlessly to provide content and commerce amid the emotional turmoil and horrors of the terrorist attacks. Large white sheets pronounce prayers for the families of victims and to God Bless America.
    september11th002-15-09_2001.jpg
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