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  • Historical designers put the final touches to Empire at Creative Assembly, the PC gaming brand Total War 's Horsham offices in West Sussex, England. .Up to 65 designers, artists and animators have worked on Empire: Total War (about the formation of the United States - the road to independence) for 3 1/2 years. Historical accuracy is such that research into weaponry, ships and events is as realistic as possible with the employment of historians with PHDs and degrees. (Note to editors: High-resolution screen grabs of Empire are in the possession of writer Nina Ernst).
    creative_assembly04-19-02_2009.jpg
  • Historical designers put the final touches to Empire at Creative Assembly, the PC gaming brand Total War 's Horsham offices in West Sussex, England. .Up to 65 designers, artists and animators have worked on Empire: Total War (about the formation of the United States - the road to independence) for 3 1/2 years. Historical accuracy is such that research into weaponry, ships and events is as realistic as possible with the employment of historians with PHDs and degrees. (Note to editors: High-resolution screen grabs of Empire are in the possession of writer Nina Ernst). ..
    creative_assembly03-19-02_2009.jpg
  • Creatives and gaming designers put the finishing touches to Empire at Creative Assembly, the PC gaming brand Total War 's Horsham offices in West Sussex, England. .Up to 65 designers, artists and animators have worked on Empire: Total War (about the formation of the United States - the road to independence) for 3 1/2 years. Historical accuracy is such that research into weaponry, ships and events is as realistic as possible with the employment of historians with PHDs and degrees. (Note to editors: High-resolution screen grabs of Empire are in the possession of writer Nina Ernst).
    creative_assembly14-19-02_2009.jpg
  • Creatives and gaming designers put the finishing touches to Empire at Creative Assembly, the PC gaming brand Total War 's Horsham offices in West Sussex, England. .Up to 65 designers, artists and animators have worked on Empire: Total War (about the formation of the United States - the road to independence) for 3 1/2 years. Historical accuracy is such that research into weaponry, ships and events is as realistic as possible with the employment of historians with PHDs and degrees. (Note to editors: High-resolution screen grabs of Empire are in the possession of writer Nina Ernst).
    creative_assembly06-19-02_2009.jpg
  • Window dressing designers carry stepladders inside a retailer's shop window in central London.
    retail_window02-04-02-2015.jpg
  • Battle Programmer Ingimar Gudmundsson (from Iceland, correct spelling with 'd') put the final touches to Empire, at the latest at Creative Assembly, the PC gaming brand Total War 's Horsham offices in West Sussex, England. .Up to 65 designers, artists and animators have worked on Empire: Total War (about the formation of the United States - the road to independence) for 3 1/2 years. Historical accuracy is such that research into weaponry, ships and events is as realistic as possible with the employment of historians with PHDs and degrees. (Note to editors: High-resolution screen grabs of Empire are in the possession of writer Nina Ernst).
    creative_assembly13-19-02_2009.jpg
  • Battle Programmer Ingimar Gudmundsson (from Iceland, correct spelling with 'd') put the final touches to Empire, at the latest at Creative Assembly, the PC gaming brand Total War 's Horsham offices in West Sussex, England. .Up to 65 designers, artists and animators have worked on Empire: Total War (about the formation of the United States - the road to independence) for 3 1/2 years. Historical accuracy is such that research into weaponry, ships and events is as realistic as possible with the employment of historians with PHDs and degrees. (Note to editors: High-resolution screen grabs of Empire are in the possession of writer Nina Ernst).
    creative_assembly11-19-02_2009.jpg
  • Battle Programmer Ingimar Gudmundsson (from Iceland, correct spelling with 'd') put the final touches to Empire, at the latest at Creative Assembly, the PC gaming brand Total War 's Horsham offices in West Sussex, England. .Up to 65 designers, artists and animators have worked on Empire: Total War (about the formation of the United States - the road to independence) for 3 1/2 years. Historical accuracy is such that research into weaponry, ships and events is as realistic as possible with the employment of historians with PHDs and degrees. (Note to editors: High-resolution screen grabs of Empire are in the possession of writer Nina Ernst).
    creative_assembly10-19-02_2009.jpg
  • Battle Programmer Ingimar Gudmundsson (from Iceland, correct spelling with 'd') put the final touches to Empire, at the latest at Creative Assembly, the PC gaming brand Total War 's Horsham offices in West Sussex, England. .Up to 65 designers, artists and animators have worked on Empire: Total War (about the formation of the United States - the road to independence) for 3 1/2 years. Historical accuracy is such that research into weaponry, ships and events is as realistic as possible with the employment of historians with PHDs and degrees. (Note to editors: High-resolution screen grabs of Empire are in the possession of writer Nina Ernst).
    creative_assembly12-19-02_2009.jpg
  • Battle Programmer Ingimar Gudmundsson (from Iceland, correct spelling with 'd') put the final touches to Empire, at the latest at Creative Assembly, the PC gaming brand Total War 's Horsham offices in West Sussex, England. .Up to 65 designers, artists and animators have worked on Empire: Total War (about the formation of the United States - the road to independence) for 3 1/2 years. Historical accuracy is such that research into weaponry, ships and events is as realistic as possible with the employment of historians with PHDs and degrees. (Note to editors: High-resolution screen grabs of Empire are in the possession of writer Nina Ernst).
    creative_assembly09-19-02_2009.jpg
  • Offices of Creative Assembly, the PC gaming brand Total War 's Horsham offices in West Sussex, England. .Up to 65 designers, artists and animators have worked on Empire: Total War (about the formation of the United States - the road to independence) for 3 1/2 years. Historical accuracy is such that research into weaponry, ships and events is as realistic as possible with the employment of historians with PHDs and degrees. (Note to editors: High-resolution screen grabs of Empire are in the possession of writer Nina Ernst).
    creative_assembly15-19-02_2009.jpg
  • Associate Producer Mark Southerns records audio in an in-house studio at Creative Assembly, the PC gaming brand Total War 's Horsham offices in West Sussex, England. Up to 65 designers, artists and animators have worked on Empire: Total War (about the formation of the United States - the road to independence) for 3 1/2 years. Historical accuracy is such that research into weaponry, ships and events is as realistic as possible with the employment of historians with PHDs and degrees. (Note to editors: High-resolution screen grabs of Empire are in the possession of writer Nina Ernst).
    creative_assembly08-19-02_2009.jpg
  • Associate Producer Mark Southerns records audio in an in-house studio at Creative Assembly, the PC gaming brand Total War 's Horsham offices in West Sussex, England. Up to 65 designers, artists and animators have worked on Empire: Total War (about the formation of the United States - the road to independence) for 3 1/2 years. Historical accuracy is such that research into weaponry, ships and events is as realistic as possible with the employment of historians with PHDs and degrees. (Note to editors: High-resolution screen grabs of Empire are in the possession of writer Nina Ernst).
    creative_assembly07-19-02_2009.jpg
  • Battle Programmer Ingimar Gudmundsson (from Iceland, correct spelling with 'd') put the final touches to Empire, at the latest at Creative Assembly, the PC gaming brand Total War 's Horsham offices in West Sussex, England. .Up to 65 designers, artists and animators have worked on Empire: Total War (about the formation of the United States - the road to independence) for 3 1/2 years. Historical accuracy is such that research into weaponry, ships and events is as realistic as possible with the employment of historians with PHDs and degrees. (Note to editors: High-resolution screen grabs of Empire are in the possession of writer Nina Ernst).
    creative_assembly05-19-02_2009.jpg
  • Portrait of Creative Director Mike Simpson at Creative Assembly, the PC gaming brand Total War 's Horsham offices in West Sussex, England. Mike employs up to 65 designers, artists and animators have worked on Empire: Total War (about the formation of the United States - the road to independence) for 3 1/2 years. Historical accuracy is such that research into weaponry, ships and events is as realistic as possible with the employment of historians with PHDs and degrees. (Note to editors: High-resolution screen grabs of Empire are in the possession of writer Nina Ernst).
    creative_assembly02-19-02_2009.jpg
  • Portrait of Creative Director Mike Simpson at Creative Assembly, the PC gaming brand Total War 's Horsham offices in West Sussex, England. Mike employs up to 65 designers, artists and animators have worked on Empire: Total War (about the formation of the United States - the road to independence) for 3 1/2 years. Historical accuracy is such that research into weaponry, ships and events is as realistic as possible with the employment of historians with PHDs and degrees. (Note to editors: High-resolution screen grabs of Empire are in the possession of writer Nina Ernst).
    creative_assembly01-19-02_2009.jpg
  • The £18.2m Millennium Bridge (a Thames crossing linking the City of London at St. Paul's Cathedral with the Tate Modern Gallery at Bankside) was London's newest river crossing for 100-plus years and coincided with the Millennium, it was hurriedly finished and opened to the public on 10 June 2000 when an estimated 100,000 people crossed it to discover the structure oscillated so much that it was forced to close 2 days later. Over the next 18 months designers added dampeners to stop its wobble but it already symbolised what was embarrassing and failing in British pride. Now the British Standard code of bridge loading has been updated to cover the swaying phenomenon, referred to as Synchronous Lateral Excitation. Here a surveyor stands with legs spread peering into a tripod-mounted theodolite to measure its 370 metres (1,214 ft) steel length.
    bridge_surveyor04-09-2000.jpg
  • A lone businessman walks along the River Thames beneath the prestigious address of number 1 London Bridge, an office block situated on the far southern side of London's ancient Bridge. Late afternoon light shines on the corner pillar that bears the name of the building and that of the architect John S Bonnington Partnership, the building's designers. The sun also illuminates the head and shoulders of the middle-aged man who wears a dark suit and walks with hands in pockets. The rest of his body remains in shadow as do the steps he is about to climb up to bridge and pavement (sidewalk) level. Behind him the waves of the River Thames ripple and a vista of the northern bank and the ancient City of London London's oldest and richest autonomous region) can be seen in the distance. The original Roman and medieval bridges would have been near this point.
    city_london01-15-12-2007 .jpg
  • An employee of British couturier Margaret Howell models a simple white top in the company's retail flagship and design studio at 34 Wigmore Street, Central London England. In a back rooom studio workshop, the group of 5 staff with Margaret Howell in the middle, they dicsuss the positives of the garment that is considered for a forthcoming collection. Racks of clothes are in the background and they sit around a trestle table. Howell is one of Britain's more understated of couture brands alongside more flamboyant personalities. Howell admits to being "inspired by the methods by which something is made .. enjoying the tactile quality of natural fabrics such as tweeds, linen and cotton in a relaxed, natural and lived in look."
    margaret howell (shop)87-04-07-2007.jpg
  • Writer Alain de Botton sits in couturier Margaret Howell's retail flagship and design studio in Wigmore Street, London while researching his book, The Pleasures and Sorrows of Work (Hamish Hamilton, UK 2009)
    margaret howell (shop)10-04-07-2007.jpg
  • The interior of Kensington's Design Museum, on 6th January 2019, in London UK
    design_museum-03-06-01-2019.jpg
  • A football and two scooters lean against a floor plan of Kensington's Design Museum, on 6th January, in London, England.
    design_museum-07-06-01-2019.jpg
  • A football and two scooters lean against a floor plan of Kensington's Design Museum, on 6th January, in London, England.
    design_museum-06-06-01-2019.jpg
  • The interior of Kensington's Design Museum, on 6th January 2019, in London UK
    design_museum-02-06-01-2019.jpg
  • The interior of Kensington's Design Museum, on 6th January 2019, in London UK
    design_museum-01-06-01-2019.jpg
  • A detail of the clock face to the Elizabeth Tower in London. It's close to 4pm and we see the hands and neo-Gothic design. The Elizabeth Tower (previously called the Clock Tower) named in tribute to Queen Elizabeth II in her Diamond Jubilee year - was raised as a part of Charles Barry's design for a new palace, after the old Palace of Westminster was largely destroyed by fire on the night of 16 October 1834. The new Parliament was built in a Neo-gothic style. Although Barry was the chief architect of the Palace, he turned to Augustus Pugin for the design of the clock tower. It celebrated its 150th anniversary on 31 May 2009. The tower was completed in 1858 and has become one of the most prominent symbols of both London and England,
    big_ben-08-09-1991.jpg
  • Girl model rehearses before design team before British couture designer Margaret Howell's Autumn fashion show in design studio
    margaret_howell_show113-17-09-2007.jpg
  • Employees from mens' clothing retailer Reiss, put up a poster in the window of their store in London's Regent St..Since its foundation by David Reiss in 1971, Reiss has established a design philosophy centred on creating directional, design-led menswear, womenswear and accessories. With an uncompromising commitment to delivering innovative and original products it fuses exceptional design, quality and value. Today Reiss is a highly respected, prominent business in the global fashion arena for both men and women.
    reiss_window02-06-09-2012.jpg
  • The renowned maze designer Randoll Coate working in his studio an more labyrinth plans...Gilbert Randoll Coate (8 October 1909 - 2 December 2005) was a British diplomat, maze designer and "labyrinthologist". More than 50 innovative mazes exist around the world.
    randoll_coate03-02-06-1993.jpg
  • The renowned maze designer Randoll Coate working in his studio an more labyrinth plans...Gilbert Randoll Coate (8 October 1909 - 2 December 2005) was a British diplomat, maze designer and "labyrinthologist". More than 50 innovative mazes exist around the world.
    randoll_coate02-02-06-1993.jpg
  • The renowned maze designer Randoll Coate working in his studio an more labyrinth plans...Gilbert Randoll Coate (8 October 1909 - 2 December 2005) was a British diplomat, maze designer and "labyrinthologist". More than 50 innovative mazes exist around the world.
    randoll_coate01-02-06-1993.jpg
  • The three letter IATA codes for some of the world's airport destinations have been used as part of an art design in a plaza outside Heathrow Airport's Terminal 5. An arc of these neon-lit codes form an arch on a panel near one of the 1,500 semi mature trees. Illuminated in a sequence, they are all lit here before the sequence re-starts and they all become dimmed. Terminal 5 was created by the Richard Rogers Partnership (now Rogers Stirk Harbour and Partners) and has the capacity to serve around 30 million passengers a year. From writer Alain de Botton's book project "A Week at the Airport: A Heathrow Diary" (2009).
    heathrow_airport544-14-07-2009.jpg
  • Girl model rehearses with bottled water at British couture designer Margaret Howell's Autumn fashion show in design studio
    margaret_howell_show106-17-09-2007.jpg
  • Make-up and hair stylists ready models at British couture designer Margaret Howell's Autumn fashion show in her design studio
    margaret_howell_show096-17-09-2007.jpg
  • A garment tailor works with mannequins in the design studio at couturier Margaret Howell's Edmonton workshop factory
    margaret_howell07623-05-2007 .jpg
  • A detail showing the fine stitching of a cotton dress by couturier Margaret Howell in the company's workshop factory in Edmonton, North London. England. In close-up, the eye is drawn into the centre of focus where the buttons are held in a criss-cross stich in its four holes. There are pins in this still prototype design as it evolves from an idea on paper to an actual garment. The fine check pattern of its fabric is beautifully sewn together in this fine and intricate dress. Howell is one of Britain's more understated of couture brands alongside more flamboyant personalities. Howell admits to being "inspired by the methods by which something is made .. enjoying the tactile quality of natural fabrics such as tweeds, linen and cotton in a relaxed, natural and lived in look."
    margaret_howell06123-05-2007 .jpg
  • Ceiling design at the restaurant in Tate Modern art gallery, on 13th January 2017 in London, England.
    tate_restaurant-01-13-01-2017.jpg
  • A portrait of Dan Pearson (b 1964), an English garden designer, landscape designer, journalist and television presenter in the summer of 1990 on a London roofttop garden of his own creation, England. He is an expert in naturalistic perennial planting.
    dan-pearson02-01-06-1990.jpg
  • A portrait of Dan Pearson (b 1964), an English garden designer, landscape designer, journalist and television presenter in the summer of 1990 on a London roofttop garden of his own creation, England. He is an expert in naturalistic perennial planting.
    dan-pearson01-01-06-1990.jpg
  • A formal portrait of English fashion designer, Zandra Rhodes in the summer of 1989 at her Grafton Street boutique, central London England. Dame Zandra Lindsey Rhodes, DBE RDI (b1940 studied first at Medway and then at the Royal College of Art in London. Her major area of study was printed textile design.
    zandra_rhodes01-01-06-1989.jpg
  • A formal portrait of English fashion designer, Zandra Rhodes in the summer of 1989 at her Grafton Street boutique, central London England. Dame Zandra Lindsey Rhodes, DBE RDI (b1940 studied first at Medway and then at the Royal College of Art in London. Her major area of study was printed textile design.
    zandra_rhodes02-01-06-1989.jpg
  • The Woolworth Building, at 233 Broadway, Manhattan, New York City, designed by architect Cass Gilbert and completed in 1913, is an early US skyscraper, designed in the neo-Gothic style by the architect Cass Gilbert for the company's new corporate headquarters on Broadway,  opposite City Hall. Originally designed to be 420 feet (130 m) high, the building was eventually elevated to 792 feet (241 m). At its opening, the Woolworth Building was 60 stories tall and had over 5,000 windows.
    tim_lynch750-25-05-2014.jpg
  • The Woolworth Building, at 233 Broadway, Manhattan, New York City, designed by architect Cass Gilbert and completed in 1913, is an early US skyscraper, designed in the neo-Gothic style by the architect Cass Gilbert for the company's new corporate headquarters on Broadway,  opposite City Hall. Originally designed to be 420 feet (130 m) high, the building was eventually elevated to 792 feet (241 m). At its opening, the Woolworth Building was 60 stories tall and had over 5,000 windows.
    tim_lynch747-25-05-2014.jpg
  • In the run-up to the forthcoming 1996 Olympics in Atlanta, a young black man displays a heritage design for the '52 Helsinki games.
    atlanta_olympics-05-11-1995.jpg
  • A group of American interior design students sketch buildings adjacent while sitting on steps of public building in Florence's Piazza Di Annunziata. The small class is made up mostly of young women and there is a young man who is apparently teaching one woman how to capture the finer points of the architecture opposite. They all have sketchpads on their laps and are either looking into the distance, memorising the landscapes - or using pencils to reproduce these features on to paper. Florence and other Italian cities are full of young Americans studying music and painting, art and design, completing and complimenting US-based courses often as foreign exchange students or as residential terms.
    florence_italy39-22-10-2010.jpg
  • Make-up and hair stylists ready models at British couture designer Margaret Howell's Autumn fashion show in her design studio
    margaret_howell_show046-17-09-2007.jpg
  • A simple white cotton shirt set on a dressmaker's tailoring dummy in the design studio at couturier Margaret Howell's workshop
    margaret_howell20723-05-2007 .jpg
  • Detail showing the fine stiching of a cotton dress in the design studio at couturier Margaret Howell's Edmonton workshop factory
    margaret_howell07023-05-2007 .jpg
  • Fine cloth cutting with scissors using a template pattern in the design studio at couturier Margaret Howell's workshop factory
    margaret_howell03223-05-2007 .jpg
  • Garment production order form and pins in the design studio at couturier Margaret Howell's Edmonton workshop factory
    margaret_howell02323-05-2007 .jpg
  • A detail showing the fine stitching of a cotton dress in the design studio at couturier Margaret Howell's workshop factory
    margaret howell (shop)63-04-07-2007.jpg
  • Surreal and pointless landscape of bench design and lone growing tree in a pedestrian street in central London.
    pointless_landscape01-17-12-2012.jpg
  • Visitors to London all wearing different checkered patterns look in a design shop in Regent Street, Westminster.
    check_clothes1-27-09-2011.jpg
  • The designer and couturier Joe Casely Hayford in his Shoreditch studio in 1997. ..From the early eighties Joe styled and designed the stage clothing for many seminal bands such as The Clash and U2 whilst simultaneously working on his eponymous brand for men and women. His wide and varied career has included being the first designer to collaborate with Top Shop in 1993. from 2005-2008 Joe Casely-Hayford was Creative Director of Gieves & Hawkes, during which time he contributed to the re-positioning of the 200 year old Savile Row house. In January 2006 his new Gieves collection was launched on the runway in Paris for Men's Fashion Week, creating a precedent for a heritage Savile Row brand, and credited as a major step in bringing the illustrious company into the 21st century.  Joe Casely-Hayford was appointed an OBE - Officer of the Order of the British Empire, for services to the fashion industry, in the Queen's Birthday Honours List, published on 16 June 2007.
    casely_hayford01-10-11-1997.jpg
  • Media and guests queue for entry at British couture designer Margaret Howell's Autumn fashion show in her design studio and shop
    margaret_howell_show119-17-09-2007.jpg
  • A meeting takes place to discuss fabrics for the next fashion show at British couturier Margaret Howell's Wigmore Street studio
    margaret howell (shop)27-04-07-2007.jpg
  • A Japanese buyer watches a male model walk the catwalk of couturier Margaret Howell's Fashion Week show rehearsal in the company's retail flagship and design studio at 34 Wigmore Street, Central London England. Making notes on his clipboard as he looks at the striding man, the audience has yet to arrive so we see a largely empty scene that usually  serves as a shop. Howell is one of Britain's more understated of couture brands alongside more flamboyant personalities. Howell admits to being "inspired by the methods by which something is made .. enjoying the tactile quality of natural fabrics such as tweeds, linen and cotton in a relaxed, natural and lived in look."
    margaret_howell_show086-17-09-2007.jpg
  • A window designer puts the finishing touches to a display for a clothing retailer in the City of London - the capital's financial district, on 6th June 2018, in London, England.
    city_people-03-06-06-2018.jpg
  • The statue of the 4th Earl of Clarendon KG GCB at the foot of the Grand Staircase in the Foreign and Commonwealth Office (FCO), on 17th September 2017, in Whitehall, London, England. George William Frederick Villiers, 4th Earl of Clarendon KG GCB PC (1800–1870), was an English diplomat and statesman. The main Foreign Office building is in King Charles Street, and was built by George Gilbert Scott in partnership with Matthew Digby Wyatt and completed in 1868 as part of the new block of government offices which included the India Office and later (1875) the Colonial and Home Offices. George Gilbert Scott was responsible for the overall classical design of these offices but he had an amicable partnership with Wyatt, the India Office’s Surveyor, who designed and built the interior of the India Office.
    foreign_office-31-17-09-2017.jpg
  • The Muses Stair and glass octagonal lantern, in the Foreign and Commonwealth Office (FCO), on 17th September 2017, in Whitehall, London, England. The roof is graced by goddesses of plenty (canephora) and cherubs illustrating the Roman virtues. The main Foreign Office building is in King Charles Street, and was built by George Gilbert Scott in partnership with Matthew Digby Wyatt and completed in 1868 as part of the new block of government offices which included the India Office and later (1875) the Colonial and Home Offices. George Gilbert Scott was responsible for the overall classical design of these offices but he had an amicable partnership with Wyatt, the India Office’s Surveyor, who designed and built the interior of the India Office.
    foreign_office-18-17-09-2017.jpg
  • The Muses Stair and glass octagonal lantern, in the Foreign and Commonwealth Office (FCO), on 17th September 2017, in Whitehall, London, England. The roof is graced by goddesses of plenty (canephora) and cherubs illustrating the Roman virtues. The main Foreign Office building is in King Charles Street, and was built by George Gilbert Scott in partnership with Matthew Digby Wyatt and completed in 1868 as part of the new block of government offices which included the India Office and later (1875) the Colonial and Home Offices. George Gilbert Scott was responsible for the overall classical design of these offices but he had an amicable partnership with Wyatt, the India Office’s Surveyor, who designed and built the interior of the India Office.
    foreign_office-17-17-09-2017.jpg
  • The portraits of Emperor Napoleon III and Empress Eugenie at the top of the Muses Stair below the glass octagonal lantern, in the Foreign and Commonwealth Office (FCO), on 17th September 2017, in Whitehall, London, England. The royal portraits of Napoleon Empress Eugenie, were gifted to the East India Company in gratitude of its benefaction to the Paris Exhibition of 1855. The roof is an octagonal glass dome, graced by goddesses of plenty (canephora) and cherubs illustrating the Roman virtues. The main Foreign Office building is in King Charles Street, and was built by George Gilbert Scott in partnership with Matthew Digby Wyatt and completed in 1868 as part of the new block of government offices which included the India Office and later (1875) the Colonial and Home Offices. George Gilbert Scott was responsible for the overall classical design of these offices but he had an amicable partnership with Wyatt, the India Office’s Surveyor, who designed and built the interior of the India Office.
    foreign_office-16-17-09-2017.jpg
  • The portraits of Emperor Napoleon III and Empress Eugenie at the top of the Muses Stair below the glass octagonal lantern, in the Foreign and Commonwealth Office (FCO), on 17th September 2017, in Whitehall, London, England. The royal portraits of Napoleon Empress Eugenie, were gifted to the East India Company in gratitude of its benefaction to the Paris Exhibition of 1855. The roof is an octagonal glass dome, graced by goddesses of plenty (canephora) and cherubs illustrating the Roman virtues. The main Foreign Office building is in King Charles Street, and was built by George Gilbert Scott in partnership with Matthew Digby Wyatt and completed in 1868 as part of the new block of government offices which included the India Office and later (1875) the Colonial and Home Offices. George Gilbert Scott was responsible for the overall classical design of these offices but he had an amicable partnership with Wyatt, the India Office’s Surveyor, who designed and built the interior of the India Office.
    foreign_office-15-17-09-2017.jpg
  • The architecture of the covered Durbar Court, inside the Foreign and Commonwealth Office (FCO) and part of the former India Office, on 17th September 2017, in Whitehall, London, England. Richard Colley Wellesley, 1st Marquess Wellesley KG PC PC (Ire) (1760-1842) was styled Viscount Wesley from birth until 1781 and was known as Earl of Mornington from 1781 until 1799. He was an Irish and British politician and colonial administrator.The main Foreign Office building is in King Charles Street, and was built by George Gilbert Scott in partnership with Matthew Digby Wyatt and completed in 1868 as part of the new block of government offices which included the India Office and later (1875) the Colonial and Home Offices. George Gilbert Scott was responsible for the overall classical design of these offices but he had an amicable partnership with Wyatt, the India Office’s Surveyor, who designed and built the interior of the India Office.
    foreign_office-14-17-09-2017.jpg
  • The statues of Sir Eyre-Coote, K.B. by Thomas Banks (1788) and   <br />
Marquis Cornwallis, K.G. by John Bacon, Senior (1791) in the Gurkha Stair in the former India Office, which was part of the Foreign and Colonial Office (now the Foreign and Commonwealth Office), Whitehall, London. on 17th September 2017, in Whitehall, London, England. The main Foreign Office building is in King Charles Street, and was built by George Gilbert Scott in partnership with Matthew Digby Wyatt and completed in 1868 as part of the new block of government offices which included the India Office and later (1875) the Colonial and Home Offices. George Gilbert Scott was responsible for the overall classical design of these offices but he had an amicable partnership with Wyatt, the India Office’s Surveyor, who designed and built the interior of the India Office.
    foreign_office-12-17-09-2017.jpg
  • The statues of Sir Eyre-Coote, K.B. by Thomas Banks (1788) and   <br />
Marquis Cornwallis, K.G. by John Bacon, Senior (1791) in the Gurkha Stair in the former India Office, which was part of the Foreign and Colonial Office (now the Foreign and Commonwealth Office), Whitehall, London. on 17th September 2017, in Whitehall, London, England. The main Foreign Office building is in King Charles Street, and was built by George Gilbert Scott in partnership with Matthew Digby Wyatt and completed in 1868 as part of the new block of government offices which included the India Office and later (1875) the Colonial and Home Offices. George Gilbert Scott was responsible for the overall classical design of these offices but he had an amicable partnership with Wyatt, the India Office’s Surveyor, who designed and built the interior of the India Office.
    foreign_office-11-17-09-2017.jpg
  • The architecture of the covered Durbar Court, inside the Foreign and Commonwealth Office (FCO) and part of the former India Office, on 17th September 2017, in Whitehall, London, England. Richard Colley Wellesley, 1st Marquess Wellesley KG PC PC (Ire) (1760-1842) was styled Viscount Wesley from birth until 1781 and was known as Earl of Mornington from 1781 until 1799. He was an Irish and British politician and colonial administrator.The main Foreign Office building is in King Charles Street, and was built by George Gilbert Scott in partnership with Matthew Digby Wyatt and completed in 1868 as part of the new block of government offices which included the India Office and later (1875) the Colonial and Home Offices. George Gilbert Scott was responsible for the overall classical design of these offices but he had an amicable partnership with Wyatt, the India Office’s Surveyor, who designed and built the interior of the India Office.
    foreign_office-10-17-09-2017.jpg
  • The architecture of the covered Durbar Court, inside the Foreign and Commonwealth Office (FCO) and part of the former India Office, on 17th September 2017, in Whitehall, London, England. Richard Colley Wellesley, 1st Marquess Wellesley KG PC PC (Ire) (1760-1842) was styled Viscount Wesley from birth until 1781 and was known as Earl of Mornington from 1781 until 1799. He was an Irish and British politician and colonial administrator.The main Foreign Office building is in King Charles Street, and was built by George Gilbert Scott in partnership with Matthew Digby Wyatt and completed in 1868 as part of the new block of government offices which included the India Office and later (1875) the Colonial and Home Offices. George Gilbert Scott was responsible for the overall classical design of these offices but he had an amicable partnership with Wyatt, the India Office’s Surveyor, who designed and built the interior of the India Office.
    foreign_office-09-17-09-2017.jpg
  • The architecture of the covered Durbar Court, inside the Foreign and Commonwealth Office (FCO) and part of the former India Office, on 17th September 2017, in Whitehall, London, England. Richard Colley Wellesley, 1st Marquess Wellesley KG PC PC (Ire) (1760-1842) was styled Viscount Wesley from birth until 1781 and was known as Earl of Mornington from 1781 until 1799. He was an Irish and British politician and colonial administrator.The main Foreign Office building is in King Charles Street, and was built by George Gilbert Scott in partnership with Matthew Digby Wyatt and completed in 1868 as part of the new block of government offices which included the India Office and later (1875) the Colonial and Home Offices. George Gilbert Scott was responsible for the overall classical design of these offices but he had an amicable partnership with Wyatt, the India Office’s Surveyor, who designed and built the interior of the India Office.
    foreign_office-08-17-09-2017.jpg
  • The architecture of the covered Durbar Court, inside the Foreign and Commonwealth Office (FCO) and part of the former India Office, on 17th September 2017, in Whitehall, London, England. The main Foreign Office building is in King Charles Street, and was built by George Gilbert Scott in partnership with Matthew Digby Wyatt and completed in 1868 as part of the new block of government offices which included the India Office and later (1875) the Colonial and Home Offices. George Gilbert Scott was responsible for the overall classical design of these offices but he had an amicable partnership with Wyatt, the India Office’s Surveyor, who designed and built the interior of the India Office.
    foreign_office-06-17-09-2017.jpg
  • The architecture of the covered Durbar Court, inside the Foreign and Commonwealth Office (FCO) and part of the former India Office, on 17th September 2017, in Whitehall, London, England. Richard Colley Wellesley, 1st Marquess Wellesley KG PC PC (Ire) (1760-1842) was styled Viscount Wesley from birth until 1781 and was known as Earl of Mornington from 1781 until 1799. He was an Irish and British politician and colonial administrator.The main Foreign Office building is in King Charles Street, and was built by George Gilbert Scott in partnership with Matthew Digby Wyatt and completed in 1868 as part of the new block of government offices which included the India Office and later (1875) the Colonial and Home Offices. George Gilbert Scott was responsible for the overall classical design of these offices but he had an amicable partnership with Wyatt, the India Office’s Surveyor, who designed and built the interior of the India Office.
    foreign_office-07-17-09-2017.jpg
  • The architecture of the Grand Staircase in the Foreign and Commonwealth Office (FCO), on 17th September 2017, in Whitehall, London, England. The main Foreign Office building is in King Charles Street, and was built by George Gilbert Scott in partnership with Matthew Digby Wyatt and completed in 1868 as part of the new block of government offices which included the India Office and later (1875) the Colonial and Home Offices. George Gilbert Scott was responsible for the overall classical design of these offices but he had an amicable partnership with Wyatt, the India Office’s Surveyor, who designed and built the interior of the India Office.
    banqueting_hall-02-17-09-2017.jpg
  • The architecture of the Grand Staircase in the Foreign and Commonwealth Office (FCO), on 17th September 2017, in Whitehall, London, England. The main Foreign Office building is in King Charles Street, and was built by George Gilbert Scott in partnership with Matthew Digby Wyatt and completed in 1868 as part of the new block of government offices which included the India Office and later (1875) the Colonial and Home Offices. George Gilbert Scott was responsible for the overall classical design of these offices but he had an amicable partnership with Wyatt, the India Office’s Surveyor, who designed and built the interior of the India Office.
    banqueting_hall-01-17-09-2017.jpg
  • Lunchtime people occupy the design landscape of More London on London's Riverside, near Tower Bridge.
    bankside_people02-11-03-2011.jpg
  • Luvvies hug after the British couture designer Margaret Howell's Autumn fashion show in her design studio and shop
    margaret_howell_show153-17-09-2007.jpg
  • Models scrutinized by media at British couture designer Margaret Howell's Autumn fashion show in her design studio
    margaret_howell_show141-17-09-2007.jpg
  • Girl model starts her catwalk at British couture designer Margaret Howell's Autumn fashion show in her design studio
    margaret_howell_show134-17-09-2007.jpg
  • Relaxing model before British couture designer Margaret Howell's Autumn fashion show in her design studio and shop
    margaret_howell_show102-17-09-2007.jpg
  • Male model rehearses British couture designer Margaret Howell's Autumn fashion show in her design studio and shop
    margaret_howell_show089-17-09-2007.jpg
  • Model shows clothes to staff before couture designer Margaret Howell's Autumn fashion show in her design studio
    margaret_howell_show054-17-09-2007.jpg
  • Clothes and model running order at British couture designer Margaret Howell's Autumn fashion show in her design studio and shop
    margaret_howell_show034-17-09-2007.jpg
  • Preparing places before British couture designer Margaret Howell's Autumn fashion show in her design studio and shop
    margaret_howell_show015-17-09-2007.jpg
  • British couturier Margaret Howell holds a meeting takes place to discuss fabrics for the next fashion show at her studio
    margaret howell (shop)37-04-07-2007.jpg
  • A male model starts his walk on the catwalk of couturier Margaret Howell's Fashion Week show rehearsal in the company's retail flagship and design studio at 34 Wigmore Street, Central London England. With a duster and spray cleaning agent in the foreground, the young man walks, as if having emerged through the wall. Bottles of bottled mineral water await their users but the fashion show's audience have yet to arrive. Howell is one of Britain's more understated of couture brands alongside more flamboyant personalities. Howell admits to being "inspired by the methods by which something is made .. enjoying the tactile quality of natural fabrics such as tweeds, linen and cotton in a relaxed, natural and lived in look."
    margaret_howell_show090-17-09-2007.jpg
  • Make-up and hair stylists ready a model before the couturier Margaret Howell's Fashion Week show in the company's retail flagship and design studio at 34 Wigmore Street, Central London England. The young beauty has her lips dabbed with tissue to stop her lipstick from smudging. The hairdresser pins her braided hair in a whirl on her head and in the background, other freelance stylists busy themselves in the frantically busy room to get the show on the road. Howell is one of Britain's more understated of couture brands alongside more flamboyant personalities. Howell admits to being "inspired by the methods by which something is made .. enjoying the tactile quality of natural fabrics such as tweeds, linen and cotton in a relaxed, natural and lived in look."
    margaret_howell_show101-17-09-2007.jpg
  • The circular neo-Roman St. Bernard's Mineral Well on the Water of Leith near Dean Village, on 26th June 2019, in Edinburgh, Scotland. The St Bernard's Well as we have it today was constructed in 1789 to a design by celebrated Edinburgh landscape painter Alexander Nasymth drawing inspiration from the Temple of Vesta at Tivoli in Italy. At the centre of an open pillared dome stands a marble statue of Hygieia, Goddess of Health.
    edinburgh-27-26-06-2019.jpg
  • A shared sandwich outside a window display that is part of a design theme called 'State of the Arts', at the Selfridges department store on Oxford Street, on 4th March 2019, in London England. State of the Arts is a gallery of works by nine crtically-acclaimed artists in Selfridges windows to celebrate the power of public art. Each of the artists are involved in creating a site-specific artwork at one of the new Elizabeth line stations as part of the Crossrail Art Programme.
    oxford_street-21-04-03-2019.jpg
  • 1980s architecture at the Broadgate City of London development and matching design of chequered shirt man.
    broadgate_architecture05-13-08-2014.jpg
  • Architecture and design of Paul-Loeb-Haus in Berlin Mitte, one of the government buildings of the German Bundestag. Named after the last democratic President of the Reichstag, Paul Löbe House was occupied in July 2001. It houses 550 offices for MPs, 19 conference rooms, around 450 offices for parliamentary committees, the Bundestag information service for visitors, and a restaurant that is open to the public. A pedestrian subway connects Paul Löbe House with the Reichstag building. The eastern end of the ribbon of federal buildings extends across the River Spree in the form of a parliamentary office block divided into two parts.
    berlin_bundestag13-08-04-2013.jpg
  • The dome of St Paul's Cathedral is seen through a gap in mature ash tree branches, from the London borough of Lambeth to the City of London, approximately 5 miles distant. The large crossing dome is composed of three layers: the first triple dome ever to be constructed. St Paul's Cathedral, London, is a Church of England cathedral and seat of the Bishop of London. Its dedication to Paul the Apostle dates back to the original church on this site, founded in AD 604. St Paul's sits at the top of Ludgate Hill, the highest point in the City of London, and is the mother church of the Diocese of London. The present church dating from the late 17th century was built to an English Baroque design of Sir Christopher Wren, as part of a major rebuilding program which took place in the city after the Great Fire of London, and was completed within his lifetime.
    st_paul's01-07-12-2012.jpg
  • Architecture and design of the Westfield City shopping centre in Stratford, home of the 2012 Olympics. Situated on the fringe of the 2012 Olympic park, Westfield hosted its first day to thousands of shoppers eager to see Europe's largest urban shopping centre. The £1.45bn complex houses more than 300 shops, 70 restaurants, a 14-screen cinema, three hotels, a bowling alley and the UK's largest casino. It will provide the main access to the Olympic park for the 2012 Games and a central 'street' will give 75% of Olympic visitors access to the main stadium so retail space and so far 95% of the centre has been let. It is claimed that up to 8,500 permanent jobs will be created by the retail sector.
    westfield_stratford15-08-03-2012.jpg
  • A customer tries on shirts in a dressing room at British couturier Margaret Howell's flagship Wigmore Street London shop
    margaret_howell_shop123-14-07-2007.jpg
  • The circular neo-Roman St. Bernard's Mineral Well on the Water of Leith near Dean Village, on 26th June 2019, in Edinburgh, Scotland. The St Bernard's Well as we have it today was constructed in 1789 to a design by celebrated Edinburgh landscape painter Alexander Nasymth drawing inspiration from the Temple of Vesta at Tivoli in Italy. At the centre of an open pillared dome stands a marble statue of Hygieia, Goddess of Health.
    edinburgh-28-26-06-2019.jpg
  • The circular neo-Roman St. Bernard's Mineral Well on the Water of Leith near Dean Village, on 26th June 2019, in Edinburgh, Scotland. The St Bernard's Well as we have it today was constructed in 1789 to a design by celebrated Edinburgh landscape painter Alexander Nasymth drawing inspiration from the Temple of Vesta at Tivoli in Italy. At the centre of an open pillared dome stands a marble statue of Hygieia, Goddess of Health.
    edinburgh-26-26-06-2019.jpg
  • The circular neo-Roman St. Bernard's Mineral Well on the Water of Leith near Dean Village, on 26th June 2019, in Edinburgh, Scotland. The St Bernard's Well as we have it today was constructed in 1789 to a design by celebrated Edinburgh landscape painter Alexander Nasymth drawing inspiration from the Temple of Vesta at Tivoli in Italy. At the centre of an open pillared dome stands a marble statue of Hygieia, Goddess of Health.
    edinburgh-25-26-06-2019.jpg
  • A lady descends a ladder while installing a floral design to the exterior of a West End business, on 4th March 2019, in London England.
    westend_people-03-04-03-2019.jpg
  • Shoppers walk past a window display that features numbers - part of a design theme called 'State of the Arts', at the Selfridges department store on Oxford Street, on 4th March 2019, in London England. Darren Almond's piece ‘Chance Encounter 004’, consists of a grid formed from rectangular panels, featuring fragmented numbers that appear to scroll across the surface. <br />
State of the Arts is a gallery of works by nine crtically-acclaimed artists in Selfridges windows to celebrate the power of public art. Each of the artists are involved in creating a site-specific artwork at one of the new Elizabeth line stations as part of the Crossrail Art Programme.
    oxford_street-26-04-03-2019.jpg
  • Shoppers walk past a window display that features numbers - part of a design theme called 'State of the Arts', at the Selfridges department store on Oxford Street, on 4th March 2019, in London England. Darren Almond's piece ‘Chance Encounter 004’, consists of a grid formed from rectangular panels, featuring fragmented numbers that appear to scroll across the surface. <br />
State of the Arts is a gallery of works by nine crtically-acclaimed artists in Selfridges windows to celebrate the power of public art. Each of the artists are involved in creating a site-specific artwork at one of the new Elizabeth line stations as part of the Crossrail Art Programme.
    oxford_street-25-04-03-2019.jpg
  • A shopper walks past a window display that features numbers - part of a design theme called 'State of the Arts', at the Selfridges department store on Oxford Street, on 4th March 2019, in London England. Darren Almond's piece ‘Chance Encounter 004’, consists of a grid formed from rectangular panels, featuring fragmented numbers that appear to scroll across the surface. <br />
State of the Arts is a gallery of works by nine crtically-acclaimed artists in Selfridges windows to celebrate the power of public art. Each of the artists are involved in creating a site-specific artwork at one of the new Elizabeth line stations as part of the Crossrail Art Programme.
    oxford_street-24-04-03-2019.jpg
  • An Asian family struggle with a blue boot outside a window display that is part of a design theme called 'State of the Arts', at the Selfridges department store on Oxford Street, on 4th March 2019, in London England. State of the Arts is a gallery of works by nine crtically-acclaimed artists in Selfridges windows to celebrate the power of public art. Each of the artists are involved in creating a site-specific artwork at one of the new Elizabeth line stations as part of the Crossrail Art Programme.
    oxford_street-20-04-03-2019.jpg
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