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  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 9th May 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-03-09-05-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 9th May 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-01-09-05-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 19th April 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-08-19-04-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 19th April 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-05-19-04-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 19th April 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-04-19-04-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 19th April 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-03-19-04-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 29th March, 2018 in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-06-29-03-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 29th March, 2018 in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-07-29-03-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 29th March, 2018 in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-05-29-03-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 29th March, 2018 in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-04-29-03-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 29th March, 2018 in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-03-29-03-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 29th March, 2018 in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-02-29-03-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 9th May 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-02-09-05-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 19th April 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-09-19-04-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 19th April 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-07-19-04-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 19th April 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-06-19-04-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 19th April 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-02-19-04-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 19th April 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-01-19-04-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 29th March, 2018 in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-10-29-03-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 29th March, 2018 in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-08-29-03-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 29th March, 2018 in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-01-29-03-2018.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse51-05-03-2015.jpg
  • An elderly couple look up to the sculpture known as Gift Horse, by German artist Hans Haacke, after its unveiling in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse55-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse50-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse48-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse45-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse44-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse39-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse38-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse35-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse30-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse25-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse20-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse15-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse18-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse13-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse10-05-03-2015.jpg
  • Tourists in the foreground with German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock25-25-07-2013.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock24-25-07-2013.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock17-25-07-2013.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock16-25-07-2013.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock07-25-07-2013.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock10-25-07-2013.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock03-25-07-2013.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock20-25-07-2013.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock02-25-07-2013.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock08-25-07-2013.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock18-25-07-2013.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse49-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse34-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse14-05-03-2015.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock22-25-07-2013.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock05-25-07-2013.jpg
  • The sculpture known as Gift Horse, by German artist Hans Haacke, in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    trafalgar_plinth01-15-02-2016.jpg
  • London Mayor Boris Johnson in Trafalgar Square. As the sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse41-05-03-2015.jpg
  • London Mayor Boris Johnson in Trafalgar Square. As the sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse40-05-03-2015.jpg
  • London Mayor Boris Johnson is interviewed in Trafalgar Square by Channel 4 News presenter Cathy Newman. As the sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse33-05-03-2015.jpg
  • London Mayor Boris Johnson is interviewed in Trafalgar Square. As the sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse31-05-03-2015.jpg
  • London Mayor Boris Johnson is interviewed in Trafalgar Square. As the sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse29-05-03-2015.jpg
  • London Mayor Boris Johnson is interviewed in Trafalgar Square. As the sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse07-05-03-2015.jpg
  • London Mayor Boris Johnson is interviewed in Trafalgar Square. As the sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse06-05-03-2015.jpg
  • London Mayor Boris Johnson is interviewed in Trafalgar Square. As the sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse03-05-03-2015.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory13-24-05-2010.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory12-24-05-2010.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory11-24-05-2010.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory06-24-05-2010.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory04-24-05-2010.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory03-24-05-2010.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory01-24-05-2010.jpg
  • The sculpture known as Gift Horse, by German artist Hans Haacke, in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    trafalgar_plinth02-15-02-2016.jpg
  • London Mayor Boris Johnson is interviewed in Trafalgar Square by Channel 4 News presenter Cathy Newman. As the sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse32-05-03-2015.jpg
  • London Mayor Boris Johnson is interviewed in Trafalgar Square. As the sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse22-05-03-2015.jpg
  • London Mayor Boris Johnson is interviewed in Trafalgar Square. As the sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse04-05-03-2015.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory10-24-05-2010.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory08-24-05-2010.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory05-24-05-2010.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory02-24-05-2010.jpg
  • Workmen in cradle on concrete wall of construction development in the City of London
    construction_building02-26-02-2014.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 19th April 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-10-19-04-2018.jpg
  • At the beginning of the fourth week of the UK government's lockdown during the Coronavirus pandemic, and with 120,067 UK reported cases with 16,060 deaths, hazard tape has closed an empty landscape of outdoor cafe benches with the steps leading up to Hungerford Bridge on the capital's Southbank in South London, on 20th April 2020, in London, England.
    coronavirus_lockdown-24-20-04-2020.jpg
  • At the beginning of the fourth week of the UK government's lockdown during the Coronavirus pandemic, and with 120,067 UK reported cases with 16,060 deaths, a Transport For London (TFL) sign at Tottenham Court Road underground station, tells Londoners that only essential workers should travel on the transport system, on 20th April 2020, in London, England.
    coronavirus_lockdown-47-20-04-2020.jpg
  • At the beginning of the fourth week of the UK government's lockdown during the Coronavirus pandemic, and with 120,067 UK reported cases with 16,060 deaths, mannequins in the window of budget retailer Primark stand in the brand's window on Oxford Street that would normally be a busy thoroughfare for shoppers and traffic and wich remains largely deserted at mid-day, on 20th April 2020, in London, England.
    coronavirus_lockdown-43-20-04-2020.jpg
  • At the beginning of the fourth week of the UK government's lockdown during the Coronavirus pandemic, and with 120,067 UK reported cases with 16,060 deaths, just two Londoners walk down Ramillies Street while another sits in the sunshine in an otherwise deserted West End of London, on 20th April 2020, in London, England.
    coronavirus_lockdown-36-20-04-2020.jpg
  • At the beginning of the fourth week of the UK government's lockdown during the Coronavirus pandemic, and with 120,067 UK reported cases with 16,060 deaths, balloons snagged against a nearby tree flot in an afternoon breeze in Ruskin Park, a green space in Lambeth, South London, on 20th April 2020, in London, England.
    coronavirus_lockdown-13-19-04-2020.jpg
  • At the beginning of the fourth week of the UK government's lockdown during the Coronavirus pandemic, and with 120,067 UK reported cases with 16,060 deaths, a single traveller exits Tottenham Court Road underground station and passes a Transport For London (TFL) sign telling Londoners that only essential workers should travel on the transport system, on 20th April 2020, in London, England.
    coronavirus_lockdown-46-20-04-2020.jpg
  • At the beginning of the fourth week of the UK government's lockdown during the Coronavirus pandemic, and with 120,067 UK reported cases with 16,060 deaths, a bus remains stationary in front of a deserted bus shelter displaying a 'Stay At Home', 'Save Lives' poster, at Waterloo bus station in South London, on 20th April 2020, in London, England.
    coronavirus_lockdown-21-20-04-2020.jpg
  • At the beginning of the fourth week of the UK government's lockdown during the Coronavirus pandemic, and with 120,067 UK reported cases with 16,060 deaths, taped off benches remain vacant in Ruskin Park, a green space in Lambeth, South London, on 20th April 2020, in London, England.
    coronavirus_lockdown-15-20-04-2020.jpg
  • At the beginning of the fourth week of the UK government's lockdown during the Coronavirus pandemic, and with 120,067 UK reported cases with 16,060 deaths, a Men At Work traffic sign is on Oxford Street that would normally be a busy thoroughfare for shoppers and traffic and which remains largely deserted at mid-day, on 20th April 2020, in London, England.
    coronavirus_lockdown-35-20-04-2020.jpg
  • At the beginning of the fourth week of the UK government's lockdown during the Coronavirus pandemic, and with 120,067 UK reported cases with 16,060 deaths, a market stalll selling fruit on the Walworth Road also has social distancing marks on the pavement, in South London, on 20th April 2020, in London, England.
    coronavirus_lockdown-52-20-04-2020.jpg
  • At the beginning of the fourth week of the UK government's lockdown during the Coronavirus pandemic, and with 120,067 UK reported cases with 16,060 deaths, a number 12 bus passes through Whitehall with the front door taped off, a measure that reduces the proximity between bus passengers and drivers after 20 drivers have died from Covid-19 across the country. Passengers embark through middle doors and payment keypads on London buses have been disabled so no fares are currently being taken, on 20th April 2020, in London, England.
    coronavirus_lockdown-49-20-04-2020.jpg
  • At the beginning of the fourth week of the UK government's lockdown during the Coronavirus pandemic, and with 120,067 UK reported cases with 16,060 deaths, construction cranes are idle above fashion mannequins in the window of budget retailer Primark stand in the brand's window on Oxford Street that would normally be a busy thoroughfare for shoppers and traffic and wich remains largely deserted at mid-day, on 20th April 2020, in London, England.
    coronavirus_lockdown-45-20-04-2020.jpg
  • At the beginning of the fourth week of the UK government's lockdown during the Coronavirus pandemic, and with 120,067 UK reported cases with 16,060 deaths, two women wearing masks walk past a Samsung phone retailer on Oxford Street that would normally be a busy thoroughfare for shoppers and traffic and wich remains otherwise quiet at mid-day, on 20th April 2020, in London, England.
    coronavirus_lockdown-41-20-04-2020.jpg
  • At the beginning of the fourth week of the UK government's lockdown during the Coronavirus pandemic, and with 120,067 UK reported cases with 16,060 deaths, upturned seats are stacked on tables in the window of 'Eat Activ', a Soho cafe offering "active-health, fast food," on 20th April 2020, in London, England.
    coronavirus_lockdown-38-20-04-2020.jpg
  • At the beginning of the fourth week of the UK government's lockdown during the Coronavirus pandemic, and with 120,067 UK reported cases with 16,060 deaths, a Men At Work traffic sign is on Oxford Street that would normally be a busy thoroughfare for shoppers and traffic and which remains largely deserted at mid-day, on 20th April 2020, in London, England.
    coronavirus_lockdown-34-20-04-2020.jpg
  • At the beginning of the fourth week of the UK government's lockdown during the Coronavirus pandemic, and with 120,067 UK reported cases with 16,060 deaths, a retailer's sign is displayed on Oxford Street that would normally be a busy thoroughfare for shoppers and traffic and which remains largely deserted at mid-day, on 20th April 2020, in London, England.
    coronavirus_lockdown-33-20-04-2020.jpg
  • At the beginning of the fourth week of the UK government's lockdown during the Coronavirus pandemic, and with 120,067 UK reported cases with 16,060 deaths, a digital ad telling Londoners to stay at home is displayed on Oxford Street that would normally be a busy thoroughfare for shoppers and traffic and which remains largely deserted at mid-day, on 20th April 2020, in London, England.
    coronavirus_lockdown-32-20-04-2020.jpg
  • At the beginning of the fourth week of the UK government's lockdown during the Coronavirus pandemic, and with 120,067 UK reported cases with 16,060 deaths, a traffic arrow points right on Oxford Street that would normally be a busy thoroughfare for shoppers and traffic and which remains largely deserted at mid-day, on 20th April 2020, in London, England.
    coronavirus_lockdown-31-20-04-2020.jpg
  • At the beginning of the fourth week of the UK government's lockdown during the Coronavirus pandemic, and with 120,067 UK reported cases with 16,060 deaths, hazard tape has closed an empty landscape of outdoor cafe benches seen from the steps leading up to Hungerford Bridge on the capital's Southbank in South London, on 20th April 2020, in London, England.
    coronavirus_lockdown-28-20-04-2020.jpg
  • At the beginning of the fourth week of the UK government's lockdown during the Coronavirus pandemic, and with 120,067 UK reported cases with 16,060 deaths, a quirky landscape of a three-sided square that marks safe social distance marks outside a branch of Gap in Piccadilly Circus, 20th April 2020, in London, England.
    coronavirus_lockdown-30-20-04-2020.jpg
  • At the beginning of the fourth week of the UK government's lockdown during the Coronavirus pandemic, and with 120,067 UK reported cases with 16,060 deaths, hazard tape has closed an empty landscape of outdoor cafe benches seen from the steps leading up to Hungerford Bridge on the capital's Southbank in South London, on 20th April 2020, in London, England.
    coronavirus_lockdown-27-20-04-2020.jpg
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