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  • An anonymous youth sprays graffiti from an aerosol spraycan onto a west London wall. .Viewed from a low angle, an unidentified youth is seen spraying graffiti art on to a wall in the Notting Hill area of West London, England. We see his partially-obscured face lit from behind with a strong amount of flash which throws a well-defined shadow of his hand holding a spray can. It is a chilly night and the boy's breath is seen against the frosty night air. His graffiti art has taken him some hours to spray on this white wall and shows a glossy finish. The picture is anonymous because of the young man's face is unseen and generic, because we don't see where the wall might be located.
    graffiti_spraying01-08-11-1989.jpg
  • A detail of an ornate Victorian brass letter box plate. Seen in close-up, the single and plural word 'Letters' is printed in upper-case capitals on the flap that one must lift to insert postal mail from the outside of this heavy, glossy black doors in the seaside town of Lowestoft in Suffolk, England. The brass plate sits in its fitted slot and has been carefully polished these last decades to ensure it still looks as handsome as it might have some time in the Victorian era when brass door knockers and other elaborate fittings were fixed to houses, showing true quality craftsmanship - a factor largely ignored in the mass-produced products of today.
    letter_box06-12-1992_1.jpg
  • Red glowing sun reflected off the glossy facade of Canary Wharf tower next to electricity pylons.
    electricity_power01-05-08-1991.jpg
  • Viewed from a low angle, an unidentified youth is seen spraying graffiti art on to a wall in the Notting Hill area of West London, England. We see his partially-obscured face lit from behind with a strong amount of flash which throws a well-defined shadow of his hand holding a spray can. It is a chilly night and the boy's breath is seen against the frosty night air. His graffiti art has taken him some hours to spray on this white wall and shows a glossy finish. The picture is anonymous because of the young man's face is unseen and generic, because we don't see where the wall might be located.
    RB-0088.jpg
  • Office workers to and fro in a sunny Trinity Square in the City of London, reflected in the roof of a polished black car roof
    city_workers01-20-06-1993.jpg
  • Expensive real estate beach hut at the Suffolk seaside town of Southwold, Suffolk.
    beach_hut04-25-07-2012.jpg
  • Union Jack flags flutter on a summer breeze at the Suffolk seaside town of Southwold, Suffolk.
    british_seaside03-25-07-2012.jpg
  • Four water-logged deckchairs have been abandoned on a wet Brighton's East Pier in East Sussex. It is Spring but the rain has driven away holidaymakers from this desolate and depressing spot from England's South coast seaside resort. We see a gloomy, grey sky and empty horizon with neither people, nor water activity but the stripes of the railings are echoed in the reflective wooden planks on this Victorian-era pier and of the fabric on the deckchairs. We wonder who might have sat on these chairs and where they might be now?  This landscape might be the antithesis of a holiday poster that repels rather than attracts tourists to this location.
    brighton.jpg
  • Immaculate railings and heavy gloss-painted doorway of flat number 62a in exclusive Eaton Square, Belgravia.
    belgravia111-26-04-2008.jpg
  • Immaculate railings and heavy gloss-painted doorway of flat number 62a in exclusive Eaton Square, Belgravia.
    belgravia110-26-04-2008.jpg
  • Expensive real estate beach hut at the Suffolk seaside town of Southwold, Suffolk.
    beach_hut01-25-07-2012.jpg
  • Union Jack flags flutter on a summer breeze at the Suffolk seaside town of Southwold, Suffolk.
    british_seaside02-25-07-2012.jpg
  • TV screen displaying corporate logo greeting message at main entrance of auditing company Ernst & Young's London headquarters
    ernst+young489-09-08-2007.jpg
  • TV screen displaying corporate greeting smiley face at main entrance of an auditing company's London headquarters
    ernst+young485-09-08-2007.jpg
  • TV screen displaying corporate greeting message at main entrance of auditing company Ernst & Young's London headquarters
    ernst+young481-09-08-2007.jpg
  • A detail of number 62 London's famous Eaton Square complete with heavy gloss-painted black door and the cream walls of this exclusive and classically-designed street in Belgravia. The numbers are also painted in black to show a prosperous address in a wealthy part of town. The brass letter box is ornate too, having been polished along with the locks. Eaton Square is one of London's three garden squares built by Thomas Cubitt and the Grosvenor family when they developed the main part of Belgravia from 1826 until 1855. Belgravia attracts actors, politicians, ambassadors, big-budget bankers, traders and Prime Ministers like Neville Chamberlain and Stanley Baldwin at number 93.
    belgravia015-26-04-2008.jpg
  • A masked youth is seen after spraying graffiti art on to a wall in the Notting Hill area of West London, England. We see his partially-obscured face while holding a spray can in one hand. It is a chilly night and the boy's breath is seen against the frosty night air. His graffiti art has taken him some hours to spray on this white wall and shows a glossy finish. The picture is anonymous because of the young man's face is unseen and generic, because we don't see where the wall might be located.
    graffiti_art02-08-11-1989.jpg
  • A detail of an ornate Victorian brass letter box plate. Seen in close-up, the single and plural word 'Letters' is printed in upper-case capitals on the flap that one must lift to insert postal mail from the outside of this heavy, glossy black doors in the seaside town of Lowestoft in Suffolk, England. The brass plate sits in its fitted slot and has been carefully polished these last decades to ensure it still looks as handsome as it might have some time in the Victorian era when brass door knockers and other elaborate fittings were fixed to houses, showing true quality craftsmanship - a factor largely ignored in the mass-produced products of today.
    brass_door-12-06-1992.jpg
  • A special effects model maker artist works on a clay head of actor Pierce Brosnan in his role as James Bond in the 1996 film GoldenEye, filmed at an old Rolls-Royce factory at the Leavesden Aerodrome in Hertfordshire. Using publicity and studio head shots of Brosnan, the woman refers to the glossy prints to sculpt the contours and shape for a scene requiring a miniature version of 007. GoldenEye (1995) is the seventeenth spy film in the James Bond series, and the first to star Pierce Brosnan as the fictional MI6 agent James Bond. The film was directed by Martin Campbell and is the first film in the series not to take story elements from the works of novelist Ian Fleming.
    bond_modeller-12-03-1995.jpg
  • Viewed from a low angle, an unidentified youth is seen spraying graffiti art on to a wall in the Notting Hill area of West London, England. We see his partially-obscured face lit from behind with a strong amount of flash which throws a well-defined shadow of his hand holding a spray can. It is a chilly night and the boy's breath is seen against the frosty night air. His graffiti art has taken him some hours to spray on this white wall and shows a glossy finish. The picture is anonymous because of the young man's face is unseen and generic, because we don't see where the wall might be located.
    graffiti_art01-08-11-1989.jpg
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