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  • On its regular morning walk and wearing a matching red coat as its owner, a small dog exercises in Holmead Road in the experimental community village of Poundbury, Dorset, England. As the mutt looks at the camera, the man waits for him to stop sniffing around before moving on. The pair stand on crunchy gravel, a deterrent for would-be thieves who might be tempted to this small town where middle-class residents live. Poundbury is the visionary model village that Charles, Prince of Wales sought to develop in 1993 as a successful and pioneering town near Dorchester, built on land owned by his own Duchy of Cornwall, challenging otherwise poor post-war trends in town planning and to some extent following the New Urbanism concept from the US except that the design influences are European..
    poundbury04-07-06_2003.jpg
  • A mound of sand and gravel seen through wire mesh fencing at Hanson Aggregate company, Greenhithe, Thames Gateway
    river_business302-10-09-2007.jpg
  • A dystopian landscape of construction materials and an inspirational view above the city - seen through a wire and netting street fence.
    city_roadworks07-10-04-2014.jpg
  • A chilling sign warning of death next to barbed wire in Auschwitz I (O?õwi?ôcim) concentration camp, Poland.
    auschwitz01-20-06-1990.jpg
  • A dystopian landscape of construction materials and an inspirational view above the city - seen through a wire and netting street fence. Lettering on the hoarding tells us the scene below is inspirational, a capital from a new perspective. But the mess of aggregates and soil, tools and rubble tell a different story: an incongruous landscape of an idealised city and the reality of unfinished work.
    city_works05-15-04-2014.jpg
  • Gate and sign detail at Kinlochspelve Church House by Thomas Telford on Isle of Mull, Scotland.
    isle_of_mull13-18-11-2011.jpg
  • An exhausted jogger has collapsed and lies on his back on the gravel outside the ICA in London's The Mall.
    collapsed_runner01-03-02-2011.jpg
  • Ordinary husband and wife Mark and Christine Easterfield stand awkwardly at the dirty picket fence with their Volvo car parked on the gravel drive outside their home near Cambridge, England. They are among the thousands of people who have paid the $200,000 fee for a seat on Richard Branson's Virgin Galactic space flights. Aboard the re-usable space vehicle will be 6 passengers, each of whom will have paid $200,000 for the 40 minute flight to 360,000 feet (109.73km, or 68.18 miles) and to experience just 6 minutes of weighlessness. Flights start around 2009/10 from a Mojave desert test facility but therafter, at the new Philippe Starck-designed SpacePort America, New Mexico, USA. a 27 square mile, $225 million headquarters and mission control facility near Las Cruces.  ...
    baker_virgin06.jpg
  • A holy Sadhu man attracts a crowd on the Maidan in central Calcutta, India. Near some ballustrades built by the British during the last years of the Raj, the man is leaning forward on his knees and his head is buried in gravel. Practicing Tapas or Niyamas, is one form of Austerity that holy men like this perform to cleanse themselves of bad thoughts. It is a conservation of energy; an increase of power in the system by sense control; a process of positive-thought, self-imposed  hardships and inner-strength - all to gain a higher being for oneself. They might stand in cold water in winter, stand on or bury their heads in earth. Niyamas also breeds non-violence, truthfullness, non-stealing, moderation, non-possessiveness, purity, contentment, discipline, study and surrender.
    RB_059-18-11-1996.jpg
  • An actor plays the part of an office worker, toiling away at a desk-top PC while outside in the courtyard of the Z33 art gallery in Hasselt, Limburg Belgium. The lady artist sits typing at an imaginary work station with jackets hanging on a coat stand and with her area marked out in sand on the gravel. This incongruous scene is played out during the gallery's 'Werk Nu' (Work Now) exhibition that reflected upon the concept and meaning of 'work' in our present society, with issues such as flexibility, mobility, motivation, significance, and the work-life balance are dealt with. The art works in 'Work Now' are direct or ambiguous, whimsical.
    hasselt019-27-06-2009.jpg
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Richard Baker Photography

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