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  • A lookout scans the horizon for tuna fish aboard a traditional Maldivian dhoni fishing boat on calm waters of the Indian Ocean
    maldives307-14-11-2007.jpg
  • Manager of Horizon Fitness womens' road racing cycling team prepares drinks bottles for his cyclists in Woking.
    womens_cycling28-14-June-2011.jpg
  • A member of the Horizon Fitness womens' road racing cycling team waits to re-join the Woking street race after bike repairs/
    womens_cycling19-14-June-2011.jpg
  • A member of the Horizon Fitness womens' road racing cycling team waits to re-join the Woking street race after bike repairs/
    womens_cycling17-14-June-2011.jpg
  • Members of the Horizon Fitness womens' road racing cycling team warm-up on their Turbo rollers before competition.
    womens_cycling10-14-June-2011.jpg
  • Members of the Horizon Fitness womens' road racing cycling team warm-up on their Turbo rollers before competition.
    womens_cycling1-14-June-2011.jpg
  • An out of focus post with a light bulb attached, shines in the bright daylight with the Atlantic Ocean beyond. Cocoa beach is on Florida's so-called Space Coast, a resort of beaches, clubs, seafood restaurants and motels that came to life during the 1960s due to America's space program. NASA's John F. Kennedy Space Center is located approximately 15 miles away. The Atlantic Ocean is flat calm in settled weather and the horizon is clear and well-defined with a ship just visible on the right side. Focus is on the sea rather than the post and the light bulb which look like a surreal addition to the landscape. Cocoa Beach served as a playground for many of the astronauts and NASA space industry workers and contractors during the heyday of the space race. After manned space flights, the town held astronaut parades. Before there was a "Silicon Valley," Cocoa Beach and other surrounding towns were full of the best and brightest technical minds around.
    RB-0011.jpg
  • Members of the Horizon Fitness womens' road racing cycling team warm-up on their Turbo rollers before competition.
    womens_cycling9-14-June-2011.jpg
  • Members of the Horizon Fitness womens' road racing cycling team warm-up on their Turbo rollers before competition.
    womens_cycling8-14-June-2011.jpg
  • Members of the Horizon Fitness womens' road racing cycling team warm-up on their Turbo rollers before competition.
    womens_cycling7-14-June-2011.jpg
  • Members of the Horizon Fitness womens' road racing cycling team warm-up on their Turbo rollers before competition.
    womens_cycling6-14-June-2011.jpg
  • Members of the Horizon Fitness womens' road racing cycling team relax after the competition in Woking streets.
    womens_cycling30-14-June-2011.jpg
  • Members of the Horizon Fitness womens' road racing cycling team warm-up on their Turbo rollers before competition.
    womens_cycling3-14-June-2011.jpg
  • Manager of Horizon Fitness womens' road racing cycling team prepares drinks bottles for his cyclists in Woking.
    womens_cycling27-14-June-2011.jpg
  • Members of the Horizon Fitness womens' road racing cycling team warm-up on their Turbo rollers before competition.
    womens_cycling2-14-June-2011.jpg
  • A member of the Horizon Fitness womens' road racing cycling team waits to re-join the Woking street race after bike repairs/
    womens_cycling18-14-June-2011.jpg
  • A member of the Horizon Fitness womens' road racing cycling team awaits the next competition in Woking.
    womens_cycling13-14-June-2011.jpg
  • Brighton pier amusement arcade lights with the sea horizon beyond.
    brighton_pier04-01-05-2010.jpg
  • Brighton visitors and pier amusement arcade lights and canvass beach deck-chair illustrations with the sea horizon beyond.
    brighton_pier03-01-05-2010.jpg
  • Brighton pier amusement arcade lights with the sea horizon beyond.
    brighton_pier02-01-05-2010.jpg
  • Brighton pier amusement arcade lights and canvass beach deck-chair illustrations with the sea horizon beyond.
    brighton_pier01-01-05-2010.jpg
  • A lone bather wallows lazily in the calm pool waters at the Grand-Hôtel du Cap-Ferrat (formerly the Bel Air Hotel), Alpes Maritimes, France. Basking on his back, the man lies with arms outstretched, the warm buoyant water making him weightless. he has found inner-peace and there is restful tranquility here, where surface-tension allows the bather to unwind completely in this idyllic place on the French Cote d'Azur riviera. Behind his head unoccupied sun loungers are facing the Mediterranean Sea, its clear horizon empty except for a lone yacht that sails along the ocean coast. The colour of both sea and pool are the same on this overcast day that allows us to experience a more muted tone to the scene, also allowing us to see the contiunation of natural waters, as if they run from one to the other.
    cote_dazur01-15-12-2007 .jpg
  • Four water-logged deckchairs have been abandoned on a wet Brighton's East Pier in East Sussex. It is Spring but the rain has driven away holidaymakers from this desolate and depressing spot from England's South coast seaside resort. We see a gloomy, grey sky and empty horizon with neither people, nor water activity but the stripes of the railings are echoed in the reflective wooden planks on this Victorian-era pier and of the fabric on the deckchairs. We wonder who might have sat on these chairs and where they might be now?  This landscape might be the antithesis of a holiday poster that repels rather than attracts tourists to this location.
    brighton.jpg
  • The Hawk jet aircraft of the elite 'Red Arrows', Britain's prestigious Royal Air Force aerobatic team, are lined up at RAF Akrotiri, Cyprus as members of the team's ground crew step away from the aircraft that they respectively look after. From a low angle we see a wide landscape looking over the taxi-way markings that direct military airplanes. The Red Arrows aircraft are a deep red colour that stand out against the horizon in an identical line. It is a wide expanse of road surface, the yellow centre-lines are for the benefit of pilots who need guidance for parking areas after landing, or leaving towards the departing runway on the southern part of the Cypriot Mediterranean island. With the Red Arrows, the nine taxiing jets all peel off in unison to and from the parking area and these lines are vital for this technique.
    Red_Arrows281_RBA.jpg
  • A fisherman from the Maldives sits making a call on his mobile cell phone on the bow of a dhoni boat which heads along on a calm Indian Ocean. After a hard day's fishing he gazes forward to open sea where an almost uninterrupted view of sea and horizon is seen beyond except for a small island is faintly in view. Even small remote atoll communites in the Maldives have strong phone signals and many also have good Wi-Fi connections. He and his crew have been catching Yellow Fin Tuna in the seas north of the capital Male in this Islamic Republic. Their catch is for export to the EU and in particular, the UK's supermarkets. There is no limit and no obvious destination, just infinity and the thought of tomorrow.
    maldives339-14-11-2007.jpg
  • Members of the Horizon Fitness womens' road racing cycling team warm-up on their Turbo rollers before competition.
    womens_cycling5-14-June-2011.jpg
  • Members of the Horizon Fitness womens' road racing cycling team warm-up on their Turbo rollers before competition.
    womens_cycling4-14-June-2011.jpg
  • Members of the Horizon Fitness womens' road racing cycling team relax after the competition in Woking streets.
    womens_cycling29-14-June-2011.jpg
  • A member of the Horizon Fitness womens' road racing cycling team waits to re-join the Woking street race after bike repairs/
    womens_cycling16-14-June-2011.jpg
  • A member of the Horizon Fitness womens' road racing cycling team awaits the next competition in Woking.
    womens_cycling12-14-June-2011.jpg
  • Members of the Horizon Fitness womens' road racing cycling team warm-up on their Turbo rollers before competition.
    womens_cycling11-14-June-2011.jpg
  • Using binoculars to sight yellow fin tuna on the upper deck aboard a traditional dhoni fishing boat on the Indian Ocean, Maldives
    maldives244-14-11-2007.jpg
  • A local Egyptian businessman looks thoughtfully into a setting sun while on sand dunes of a desert enviroment, near a village on the West Bank of Luxor, Nile Valley, Egypt. Hamdy Mosa has worked in the tourism industry all of his adult life and now heads a family business dependent on the industry, currently enduring a downturn in visitor numbers after recent terrorist activity.
    egypt335-05-03-2016.jpg
  • A high-rise office tower that dominates an otherwise flat cityscape in Franfurt's financial district.
    frankfurt2-16-05-2000.jpg
  • A wild water swimmer splashes surrounded by seaweed in shallows of Trentishoe cove, near Lynton, Devon.
    trentishoe_cove7-03-August-2011.jpg
  • A wild water swimmer shouts out from the cold sea whilst in shallows of Trentishoe cove, near Lynton, Devon.
    trentishoe_cove2-03-August-2011.jpg
  • With bike shadows, speeding women cyclists turn into a corner of a Woking street during the Halfords 2011 Tour series.
    womens_cycling24-14-June-2011.jpg
  • With bike shadows, blurred women cyclists turn into a corner of a Woking street during the Halfords 2011 Tour series.
    womens_cycling23-14-June-2011.jpg
  • Instructor from a Brighton seafront kayak operator, pushes a rather large beginner out into the surf to join friends already at sea
    brighton_beach03-01-05-2010.jpg
  • Reaching out to a tower of scaffolding, high above the skyline of North London, a member of a company of abseiling construction scaffold workers make use of circus skills. Suspended with ropes, carabinas and a seat harness normally used by mountaineers, this man is wearing a safety helmet and blue overalls and his dirty gloved hand is about to make contact with yellow iron work as his colleague looks skyward, already tethered to the reinforced structure. A 60s tower block is immediately behind and suburban houses and streets are below. We see a man about to make contact with a place of safety, reaching out to his destination while spread across London's skies. Lit by flash, this picture is confusing because the viewer sees a false sense of size and scale between the iron work and the flats behind.
    acrobatic_scaffolders01.jpg
  • While other UK seaside resorts overcrowded during the Coronavirus pandemic,  staycationers enjoy calm seas on the Norfolk coast, on 14th August 2020, in Southwold, Norfolk, England.
    southwold01-14-08-2020.jpg
  • An officer of the Royal Navy looks proudly out to sea while standing at the bow of the frigate HMS Monmouth (F235), on 23rd August 2001, near Portsmouth, England.
    royal_navy_officer-23-08-2001.jpg
  • Passengers enjoy the sea view from their vacation ship's deck on 15th May 1996, aboard the Carnival cruise ship Ecstasy, off the Gulf of Mexico, USA.
    gulf_cruise-15-05-1996_5.jpg
  • A lone walker rests on a bench at Emmanuel Head on Holy Island, on 27th September 2017, on Lindisfarne Island, Northumberland, England. The Holy Island of Lindisfarne, also known simply as Holy Island, is an island off the northeast coast of England. Holy Island has a recorded history from the 6th century AD; it was an important centre of Celtic and Anglo-saxon Christianity. After the Viking invasions and the Norman conquest of England, a priory was reestablished.
    lindisfarne-11-27-09-2017.jpg
  • A beachcomber trips on a rock while exploring the northern shore of Holy Island, on 27th September 2017, on Lindisfarne Island, Northumberland, England. The Holy Island of Lindisfarne, also known simply as Holy Island, is an island off the northeast coast of England. Holy Island has a recorded history from the 6th century AD; it was an important centre of Celtic and Anglo-saxon Christianity. After the Viking invasions and the Norman conquest of England, a priory was reestablished.
    lindisfarne-02-27-09-2017.jpg
  • Translated into Portuguese is religious Bible scripture from Timothy 2:5 and painted onto a rock that forms part of the breakwater, on 18th July 2016, on Paredao da Praia da Barra, at Barra, near Aveira, Portugal. In English, it reads: "For there is one God and one mediator between God and mankind, the man Christ Jesus." (Photo by Richard Baker / In Pictures via Getty Images)
    portugal_costanova-11-18-07-2016.jpg
  • Men exercising abdominals on the seafront in Cascais, near Lisbon, Portugal.
    portugal_cascais-20-12-07-2016.jpg
  • A lone bather looks over the edge of the artificial pier at Estoril near Lisbon, Portugal.
    portugal_estoril-07-12-07-2016.jpg
  • A wide panorama looking at to sea, of sunbathers and waves at Estoril near Lisbon, Portugal.
    portugal_estoril-08-12-07-2016.jpg
  • A local Egyptian businessman looks thoughtfully into a setting sun while on sand dunes of a desert enviroment, near a village on the West Bank of Luxor, Nile Valley, Egypt. Hamdy Mosa has worked in the tourism industry all of his adult life and now heads a family business dependent on the industry, currently enduring a downturn in visitor numbers after recent terrorist activity.
    egypt338-05-03-2016.jpg
  • A local Egyptian businessman looks thoughtfully into a setting sun while on sand dunes of a desert enviroment, near a village on the West Bank of Luxor, Nile Valley, Egypt. Hamdy Mosa has worked in the tourism industry all of his adult life and now heads a family business dependent on the industry, currently enduring a downturn in visitor numbers after recent terrorist activity.
    egypt337-05-03-2016.jpg
  • A local Egyptian businessman looks thoughtfully into a setting sun while on sand dunes of a desert enviroment, near a village on the West Bank of Luxor, Nile Valley, Egypt. Hamdy Mosa has worked in the tourism industry all of his adult life and now heads a family business dependent on the industry, currently enduring a downturn in visitor numbers after recent terrorist activity.
    egypt336-05-03-2016.jpg
  • Beach family enjoy late sun in early evening at the Suffolk seaside town of Southwold, Suffolk.
    seaside_family02-25-07-2012-2.jpg
  • A wild water swimmer paddles amongst seaweed in shallows of Trentishoe cove, near Lynton, Devon.
    trentishoe_cove6-03-August-2011.jpg
  • Splashed blue paint on the sea wall in the north Devon coastal town of Ilfracombe.
    paint_wall1-05-August-2011.jpg
  • With bike shadows, speeding women cyclists turn into a corner of a Woking street during the Halfords 2011 Tour series.
    womens_cycling26-14-June-2011.jpg
  • With bike shadows, speeding women cyclists turn into a corner of a Woking street during the Halfords 2011 Tour series.
    womens_cycling25-14-June-2011.jpg
  • Close-up of a woman cyclist waiting to re-join a road race competition on the streets of Woking.
    womens_cycling15-14-June-2011.jpg
  • Instructor from a Brighton seafront kayak operator, pushes a rather large beginner out into the surf to join friends already at sea
    brighton_beach04-01-05-2010.jpg
  • Brian Lecomber flew as a professional aerobatic pilot for 23 years, during which time his Firebird Aerobatics team completed over 2,800 solo and formation displays in front of an estimated total of 90 million spectators. They gave displays in 15 countries, and had a 100% safety record before closing in 2003. They will be remembered as one of the UK's most successful professional civilian aerobatic display company. Lecomber has been a racing motorcycle mechanic; journalist; wing-walker in a flying circus; chief flying instructor in the Caribbean; crop-spray pilot, and then a best-selling author of aviation novels. We see him in-flight performing a tight turn above southern English fields of Buckinghamshire with flying partner Alan Wade when the team was sponsored by the Rover Group.
    brian_lecomber01.jpg
  • A father rescues his cold and drenched son from the icy North Sea surf on the beach at Whitley Bay
    newbiggin_surf_people-18-10-1993.jpg
  • 135 metres (443 ft) above central London, passengers enjoy panoramic views of the capital aboard a London Eye flight.
    london_time19-03-09-2008.jpg
  • 135 metres (443 ft) above central London, passengers enjoy panoramic views of the capital aboard a London Eye flight.
    london_time18-03-09-2008.jpg
  • 135 metres (443 ft) above central London, passengers enjoy panoramic views of the capital aboard a London Eye flight.
    london_time17-03-09-2008.jpg
  • 135 metres (443 ft) above central London, passengers enjoy panoramic views of the capital aboard a London Eye flight.
    london_time16-03-09-2008.jpg
  • 135 metres (443 ft) above central London, passengers enjoy panoramic views of the capital aboard a London Eye flight.
    london_time14-03-09-2008.jpg
  • A Maldivian crewman uses a mobile phone after a day's tuna fishing aboard a dhoni fishing boat in a remote area of Indian Ocean
    maldives338-14-11-2007.jpg
  • Beach family enjoy late sun in early evening at the Suffolk seaside town of Southwold, Suffolk.
    seaside_family01-25-07-2012-2.jpg
  • As a visual pun, the statue of Sir Joshua Reynolds seeminly paints clouds in blue sky from outside the Royal Academy in Piccadilly during the Summer Exhibition, on 13th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshua's statue stands in the "Annenberg Courtyard" of Burlington House.
    joshua_reynolds-06-13-08-2019.jpg
  • As a visual pun, the statue of Sir Joshua Reynolds seeminly paints clouds in blue sky from outside the Royal Academy in Piccadilly during the Summer Exhibition, on 13th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshua's statue stands in the "Annenberg Courtyard" of Burlington House.
    joshua_reynolds-08-13-08-2019.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly during the Summer Exhibition, on 5th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshua's statue stands in the "Annenberg Courtyard" of Burlington House.
    reynolds_statue-05-05-08-2019.jpg
  • A side-glance between a young woman and a cyclist in front of the artwork entitled Stack Blues by Sean Scully RA, on 25th July 2018, in the City of London. Part of Scully’s Landline series of works, Stack Blues is a sculpture borne out of the artist’s preoccupation with the horizon.
    city_people-17-25-07-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-20-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-19-06-04-2018.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time. Sir Joshua Reynolds stands in the "Annenberg Courtyard" of Burlington House.
    royal_academy-13-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-10-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-07-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-06-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-02-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-01-06-04-2018.jpg
  • Seen through a fisheye lens, we see an aerial view of the city of Florence (Firenze) as a lady tourist surveys the urban landscape using a tourist map. She has climbed the 84.7 meters (277.9 ft) high Gioto's Belltower (or campanile) of Duomo Cathedral. Due to the nature of the extreme-wide lens, the curvature of the horizon makes a global sort of perspective. Far below are the tiled rooftops of this Italian city's housing and properties and further into the distance are the green fields of Tuscany. On the marble ledge that is unguarded against accidental or intentional leaps, there is the graffiti of world tourism. The languages of world youth are written on this Renaissance building. The Basilica di Santa Maria del Fiore is the cathedral church (Duomo), begun in 1296 in the Gothic style to designs of Arnolfo di Cambio and completed structurally in 1436
    florence_fisheye01-16-04-1989.jpg
  • A life belt hangs on a cross-shaped post, all painted a vivid red as the sun sinks down below the horizon and beyond the historic Bamburgh Castle, in Northumberland, northern England. Lit with a strong off-camera flash we see the slightly blurred device, invented for saving lives at sea, with a ghostly corona around its form, against a fading blue sky. The rope dangles near the ground, around which the grasses of the dunes blow in a faint breeze. Only the foreground is lit by the flash and the distant castle building and shoreline. We see such equipment and imagine safety and rescue and also jeopardy and hazards at sea. Supplied for those taking risks and making stupid decisions makes these items essential on coastal areas.
    england_beach05-15-12-2007 .jpg
  • In the terminal at Charles de Gaulle/Roissy airport, Paris France, the peace of the airport chapel looks like a Star Trek-style place of worship, typical of the new airport experience pushed upon in the late '60s and early '70s. Short stools and padded benches line the intimate space in the satellite building. Designed by Paul Andreu, Charles de Gaulle became a symbol for airport modernity becoming an 'Aérogare' where trains and planes whisk the new world traveller of the late '60s, away beyond an ever-extending horizon. From here, the Air France Concorde crashed on the aviation employment town of Gonesse on July 25th 2000. Picture from the 'Plane Pictures' project, a celebration of aviation aesthetics and flying culture, 100 years after the Wright brothers first 12 seconds/120 feet powered flight at Kitty Hawk,1903.
    aviation_corbis31-24-07-2001.jpg
  • As a visual pun, the statue of Sir Joshua Reynolds seeminly paints clouds in blue sky from outside the Royal Academy in Piccadilly during the Summer Exhibition, on 13th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshua's statue stands in the "Annenberg Courtyard" of Burlington House.
    joshua_reynolds-07-13-08-2019.jpg
  • As a visual pun, the statue of Sir Joshua Reynolds seeminly paints clouds in blue sky from outside the Royal Academy in Piccadilly during the Summer Exhibition, on 13th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshua's statue stands in the "Annenberg Courtyard" of Burlington House.
    joshua_reynolds-03-13-08-2019.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly during the Summer Exhibition, on 5th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshua's statue stands in the "Annenberg Courtyard" of Burlington House.
    reynolds_statue-02-05-08-2019.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly during the Summer Exhibition, on 5th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshua's statue stands in the "Annenberg Courtyard" of Burlington House.
    reynolds_statue-03-05-08-2019.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly during the Summer Exhibition, on 5th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshua's statue stands in the "Annenberg Courtyard" of Burlington House.
    reynolds_statue-04-05-08-2019.jpg
  • A side-glance between a young woman and a cyclist in front of the artwork entitled Stack Blues by Sean Scully RA, on 25th July 2018, in the City of London. Part of Scully’s Landline series of works, Stack Blues is a sculpture borne out of the artist’s preoccupation with the horizon.
    city_people-16-25-07-2018.jpg
  • A woman wearing a dress with stripes walks past the artwork entitled Stack Blues by Sean Scully RA, on 25th July 2018, in the City of London. Part of Scully’s Landline series of works, Stack Blues is a sculpture borne out of the artist’s preoccupation with the horizon.
    city_people-15-25-07-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-18-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-17-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-16-06-04-2018.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time. Sir Joshua Reynolds stands in the "Annenberg Courtyard" of Burlington House.
    royal_academy-15-06-04-2018.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time. Sir Joshua Reynolds stands in the "Annenberg Courtyard" of Burlington House.
    royal_academy-14-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-12-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-11-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-09-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-08-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-05-06-04-2018.jpg
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