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  • A reproduction of the painting called 'Portrait of Francesco I de' Medici ' which was painted by Agnolo de Cosimo Bronzino in 1551, now adorns a construction hoarding screen, with plastic blue piping in a Florence side street, the original hanging in the Uffizi. Born in Florence, he was the son of Cosimo I de' Medici, Grand Duke of Tuscany and Eleonora di Toledo, and served as regent for his father starting in 1564. He went on to become grand Duke of Tuscany and marry his Venetian mistress, Bianca Cappello, after aptly disposing of her husband, a Florentine bureaucrat. Francesco and Bianca died on the same day. Although the original death certificates mention malaria, it has been widely speculated that the couple was poisoned.
    florence_italy28-22-10-2010.jpg
  • A reproduction of the painting called 'Portrait of Francesco I de' Medici ' which was painted by Agnolo de Cosimo Bronzino in 1551, now adorns a construction hoarding screen, with plastic blue piping in a Florence side street, the original hanging in the Uffizi. Born in Florence, he was the son of Cosimo I de' Medici, Grand Duke of Tuscany and Eleonora di Toledo, and served as regent for his father starting in 1564. He went on to become grand Duke of Tuscany and marry his Venetian mistress, Bianca Cappello, after aptly disposing of her husband, a Florentine bureaucrat. Francesco and Bianca died on the same day. Although the original death certificates mention malaria, it has been widely speculated that the couple was poisoned.
    florence_italy27-22-10-2010.jpg
  • "I love Lambeth because .." post-it notes express an affection for south Londoners' home borough, left on a country show noticeboard. Pink heart-shaped stickers tell the viewer how much they appreciate life in this inner-city region of the capital where crime is a major negative aspect of living here. Many reasons are written by children whose optimism seems untainted.
    love_lambeth01-15-09-2012.jpg
  • A City of London workman clears construction debris collected in bins, next to the artwork entitled 'Series Industrial Windows I' by Marisa Ferreira, part of Sculpture in the City 2019, on 6th August 2020, in London, England.
    city_people05-06-08-2020.jpg
  • A City of London workman clears construction debris collected in bins, next to the artwork entitled 'Series Industrial Windows I' by Marisa Ferreira, part of Sculpture in the City 2019, on 6th August 2020, in London, England.
    city_people04-06-08-2020.jpg
  • Visitor pushes wheeled suitcase through Piccadilly Circus, past a tourist souvenir kiosk selling 'I Love London' hoodies.
    piccadilly_circus1-23-09-2011.jpg
  • A chilling sign warning of death next to barbed wire in Auschwitz I (O?õwi?ôcim) concentration camp, Poland.
    auschwitz01-20-06-1990.jpg
  • A close-up detail of teenage words, written in marker pen on a young person's arm in the departures concourse of Heathrow Airport's Terminal 5. Holding the handles of her baggage trolley that has an open bag in which we see some possessions, the girl displays the words 'I (heart) love you' and the name of Kentin Bisou. It may be a declaration of true love or just a teenage prank before an adventure starts from this aviation hub. From writer Alain de Botton's book project "A Week at the Airport: A Heathrow Diary" (2009). .
    heathrow_airport619-15-07-2009.jpg
  • A spread of old Polish Zloty bank notes are spread out in the hands of a private market trader in Central Warsaw. His arms appear from the bottom left of frame and we can see a dozen or so notes of 2000 and 5000 and other denominations in an arc, held together with both thumbs. In the back ground and out of focus is the hustle and bustle of a summer's day at this market at a football stadium where Polish citizens come to sell and buy their possessions in the hope of making a little money to support meagre incomes. Women are inspecting clothing and materials on a stall in the open-air, under a bright sun. On the front-facing note is the medieval ruler Mieszko I though these notes were phased out in 1995 when hyperinflation forced, the currency to undergo redenomination.
    misc_poland05-06-09-2007.jpg
  • Heathrow Express station architecture at Heathrow airport's Terminal 5.
    heathrow_airport807-22-07-2009.jpg
  • The musician with the 80s band The Police, Sting supports the charity Sport Aid's running event in London's Hyde Park, on 25th May 1986, in London, England. Sport Aid (also known as Sports Aid) was a sport-themed campaign for African famine relief held in May 1986, involving several days of all-star exhibition events in various sports, and culminating in the Race Against Time, a 10 km fun run held simultaneously in 89 countries. Timed to coincide with a UNICEF development conference in New York City, Sport Aid raised $37m for Live Aid and UNICEF. A second lower-key Sport Aid was held in 1988. (Photo by Richard Baker / In Pictures via Getty Images)
    sting_sportaid-25-05-1986.jpg
  • On the day that MPs in Parliament vote on a possible delay on Article 50 on EU Brexit negotiations by Prime Minister Theresa May, Brexiteer Leavers who is not a Eropean protests on College Green, on 14th March 2019, in Westminster, London, England.
    brexit_protest-30-14-03-2019.jpg
  • On the day that MPs in Parliament vote on a possible delay on Article 50 on EU Brexit negotiations by Prime Minister Theresa May, Brexiteer Leavers who is not a Eropean protests on College Green, on 14th March 2019, in Westminster, London, England.
    brexit_protest-29-14-03-2019.jpg
  • A lady's face helps raise awareness for a campaign about gender equality and violence against women and girls in Pakistan, featured in the window of the Salvation Army on Queen Victoria Street, in the Square Mile, the heart of the capital's historical financial district, on 2nd October 2017, in the City of London, England.
    salvation_army-05-02-11-2017.jpg
  • A lady's face helps raise awareness for a campaign about gender equality and violence against women and girls in Pakistan, featured in the window of the Salvation Army on Queen Victoria Street, in the Square Mile, the heart of the capital's historical financial district, on 2nd October 2017, in the City of London, England.
    salvation_army-08-02-11-2017.jpg
  • A lady's face helps raise awareness for a campaign about gender equality and violence against women and girls in Pakistan, featured in the window of the Salvation Army on Queen Victoria Street, in the Square Mile, the heart of the capital's historical financial district, on 2nd October 2017, in the City of London, England.
    salvation_army-03-02-11-2017.jpg
  • A lone figure of a woman reflected in a large mirror as she walks through La Defence in central Paris.
    la_defence01-14-07-1992.jpg
  • A week after a Black Lives Matter protest turned to violence when the statue of wartime Prime Minister Sir Winston Churchill was daubed in graffiti which called him a racist, a billboard quoting American George Floyd's last words is written at Lambeth North, on 13th June 2020, in London, England.
    black_lives_matter_billboard-02-13-0...jpg
  • A week after a Black Lives Matter protest turned to violence when the statue of wartime Prime Minister Sir Winston Churchill was daubed in graffiti which called him a racist, a billboard quoting American George Floyd's last words is written at Lambeth North, on 13th June 2020, in London, England.
    black_lives_matter_billboard-01-13-0...jpg
  • A lady's face helps raise awareness for a campaign about gender equality and violence against women and girls in Pakistan, featured in the window of the Salvation Army on Queen Victoria Street, in the Square Mile, the heart of the capital's historical financial district, on 2nd October 2017, in the City of London, England.
    salvation_army-04-02-11-2017.jpg
  • A lady's face helps raise awareness for a campaign about gender equality and violence against women and girls in Pakistan, featured in the window of the Salvation Army on Queen Victoria Street, in the Square Mile, the heart of the capital's historical financial district, on 2nd October 2017, in the City of London, England.
    salvation_army-01-02-11-2017.jpg
  • Silhouette of a young man about to dive off the Ponte de Dom Luis I (bridge) for tourist tips in Porto, Portugal. The Dom Luís I (or Luiz I) Bridge (Portuguese: Ponte Luís I or Luiz I) is a double-decked metal arch bridge that spans the Douro River between the cities of Porto and Vila Nova de Gaia in Portugal. At the time of construction its span of 172 m was the longest of its type in the world.
    portugal_porto-49-20-07-2016.jpg
  • One of the paintings by Paul Rubens on the ceiling of Banqueting House, on 17th September 2017, in Whitehall, Westminster, London, England. The ceiling of the Banqueting House is a masterpiece and the only surviving in-situ ceiling painting by Flemish artist, Sir Peter Paul Rubens. It is also one of the most famous works from the golden age of painting. The canvases were painted by Rubens and installed in the hall in 1636. The three main canvasses depict The Union of the Crowns, The Apotheosis of James I and The Peaceful Reign of James I. Most likely commissioned by King Charles I in 1629-30, this ceiling was one of his last sights before he was executed on a scaffold outside on Whitehall in 1649.
    banqueting_hall-06-17-09-2017.jpg
  • The painting by Paul Rubens on the ceiling of Banqueting House, on 17th September 2017, in Whitehall, Westminster, London, England. The ceiling of the Banqueting House is a masterpiece and the only surviving in-situ ceiling painting by Flemish artist, Sir Peter Paul Rubens. It is also one of the most famous works from the golden age of painting. The canvases were painted by Rubens and installed in the hall in 1636. The three main canvasses depict The Union of the Crowns, The Apotheosis of James I and The Peaceful Reign of James I. Most likely commissioned by King Charles I in 1629-30, this ceiling was one of his last sights before he was executed on a scaffold outside on Whitehall in 1649.
    banqueting_hall-04-17-09-2017.jpg
  • The painting by Paul Rubens on the ceiling of Banqueting House, on 17th September 2017, in Whitehall, Westminster, London, England. The ceiling of the Banqueting House is a masterpiece and the only surviving in-situ ceiling painting by Flemish artist, Sir Peter Paul Rubens. It is also one of the most famous works from the golden age of painting. The canvases were painted by Rubens and installed in the hall in 1636. The three main canvasses depict The Union of the Crowns, The Apotheosis of James I and The Peaceful Reign of James I. Most likely commissioned by King Charles I in 1629-30, this ceiling was one of his last sights before he was executed on a scaffold outside on Whitehall in 1649.
    banqueting_hall-05-17-09-2017.jpg
  • The painting by Paul Rubens on the ceiling of Banqueting House, on 17th September 2017, in Whitehall, Westminster, London, England. The ceiling of the Banqueting House is a masterpiece and the only surviving in-situ ceiling painting by Flemish artist, Sir Peter Paul Rubens. It is also one of the most famous works from the golden age of painting. The canvases were painted by Rubens and installed in the hall in 1636. The three main canvasses depict The Union of the Crowns, The Apotheosis of James I and The Peaceful Reign of James I. Most likely commissioned by King Charles I in 1629-30, this ceiling was one of his last sights before he was executed on a scaffold outside on Whitehall in 1649.
    banqueting_hall-03-17-09-2017.jpg
  • The legs of a local youth before he dives off the Ponte de Dom Luis I bridge and into the cold waters of the River Douro with the city of Porto behind on , on 20th July, in Porto, Portugal. For the price of a Euro, will the boys leap off the girders, into the water - known as tombstoning, due to its obvious dangers. The Dom Luís I (or Luiz I) Bridge is a double-decked metal arch bridge that spans the Douro River between the cities of Porto and Vila Nova de Gaia in Portugal. At the time of construction its span of 172 m was the longest of its type in the world. (Photo by Richard Baker / In Pictures via Getty Images)
    portugal_porto-50-20-07-2016.jpg
  • A morning aerial panorama of boats about to pass under, while a tram crosses over the Ponte de Dom Luis I bridge with the city of Porto behind on the River Douro and a foreground of warehouse rooftops, on 20th July, in Porto, Portugal. The Dom Luís I (or Luiz I) Bridge is a double-decked metal arch bridge that spans the Douro River between the cities of Porto and Vila Nova de Gaia in Portugal. At the time of construction its span of 172 m was the longest of its type in the world. (Photo by Richard Baker / In Pictures via Getty Images)
    portugal_porto-65-21-07-2016.jpg
  • A symmetrical reflection of afternoon sunbathers realaxing on the bank of the Douro river with the panorama of the Ponte de Dom Luis I bridge and the city of Porto behind, on 20th July, in Porto, Portugal. The Dom Luís I (or Luiz I) Bridge is a double-decked metal arch bridge that spans the Douro River between the cities of Porto and Vila Nova de Gaia in Portugal. At the time of construction its span of 172 m was the longest of its type in the world. (Photo by Richard Baker / In Pictures via Getty Images)
    portugal_porto-47-20-07-2016.jpg
  • A morning aerial panorama of a tram crossing the Ponte de Dom Luis I bridge with the city of Porto behind on the River Douro and a foreground of warehouse rooftops, on 20th July, in Porto, Portugal. The Dom Luís I (or Luiz I) Bridge is a double-decked metal arch bridge that spans the Douro River between the cities of Porto and Vila Nova de Gaia in Portugal. At the time of construction its span of 172 m was the longest of its type in the world. (Photo by Richard Baker / In Pictures via Getty Images)
    portugal_porto-17-20-07-2016.jpg
  • Aerial panorama of the city of Porto with the Ponte de Dom Luis I (bridge) that carries a tram service on the upper deck in the foreground. The Dom Luís I (or Luiz I) Bridge is a double-decked metal arch bridge that spans the Douro River between the cities of Porto and Vila Nova de Gaia in Portugal. At the time of construction its span of 172 m was the longest of its type in the world.
    portugal_porto-16-20-07-2016.jpg
  • Aerial panorama of the city of Porto with the Ponte de Dom Luis I (bridge) that carries a tram service on the upper deck in the foreground. The Dom Luís I (or Luiz I) Bridge is a double-decked metal arch bridge that spans the Douro River between the cities of Porto and Vila Nova de Gaia in Portugal. At the time of construction its span of 172 m was the longest of its type in the world.
    portugal_porto-18-20-07-2016.jpg
  • Local youths sunbathe while others are about to dive off the Ponte de Dom Luis I bridge with the city of Porto behind on the River Douro, on 20th July, in Porto, Portugal. For the price of a Euro, will the boys leap off the girders, into the cold water - known as tombstoning, due to its obvious dangers. The Dom Luís I (or Luiz I) Bridge is a double-decked metal arch bridge that spans the Douro River between the cities of Porto and Vila Nova de Gaia in Portugal. At the time of construction its span of 172 m was the longest of its type in the world. (Photo by Richard Baker / In Pictures via Getty Images)
    portugal_porto-48-20-07-2016.jpg
  • The new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-35-10-04-2018.jpg
  • A Eurostar train and the new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-31-10-04-2018.jpg
  • Champagne is served at the brasserie with the new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-27-10-04-2018.jpg
  • The statue of poet John Betjeman by Martin Jennings looks up to the new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin which hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-11-10-04-2018.jpg
  • The statue of poet John Betjeman by Martin Jennings looks up to the new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin which hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-10-10-04-2018.jpg
  • The statue of poet John Betjeman by Martin Jennings looks up to the new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin which hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-08-10-04-2018.jpg
  • The statue of poet John Betjeman by Martin Jennings looks up to the new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin which hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-07-10-04-2018.jpg
  • A statue of the French Imperial Eagle, still watching over the battlefield exhibitions of the Panorama and Lion's Mound at the Waterloo battlefield, on 25th March 2017, at Waterloo, Belgium. The French Imperial Eagle refers to the figure of an eagle on a staff carried into battle as a standard by the Grande Armée of Napoleon I during the Napoleonic Wars. Although they were presented with regimental colours, the regiments of Napoleon I tended to carry at their head the imperial eagle. Waterloo was fought  on 18 June 1815 between a French army under Napoleon Bonaparte,  defeated by two of the armies of the Seventh Coalition: an Anglo-led Allied army under the command of the Duke of Wellington, and a Prussian army under the command of Gebhard Leberecht von Blücher, resulting in 41,000 casualties.
    waterloo_battlefield-36-25-03-2017.jpg
  • Important City of London figures, one time Lord Mayor of London Dick Whittington and Thomas Gresham. Richard Whittington (c. 1354-1423) was a medieval merchant and politician, and the real-life inspiration for the pantomime character Dick Whittington. He was four times Lord Mayor of London, a Member of Parliament and a sheriff of London. In his lifetime he financed a number of public projects, such as drainage systems in poor areas of medieval London, and a hospital ward for unmarried mothers. He bequeathed his fortune to form the Charity of Sir Richard Whittington which, nearly 600 years later, continues to assist people in need. He knew three of the five kings who reigned during his lifetime. Sir Thomas Gresham (c. 1519 - 21 November 1579) was an English merchant and financier who worked for King Edward VI of England and for Edward's half-sisters, Queens Mary I and Elizabeth I.
    guildhall_glass01-23-09-2012.jpg
  • The new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-34-10-04-2018.jpg
  • A Eurostar train and the new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-30-10-04-2018.jpg
  • The new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-22-10-04-2018.jpg
  • The new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-21-10-04-2018.jpg
  • The new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-19-10-04-2018.jpg
  • The new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-20-10-04-2018.jpg
  • The new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-12-10-04-2018.jpg
  • The statue of poet John Betjeman by Martin Jennings looks up to the new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin which hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-09-10-04-2018.jpg
  • The statue of poet John Betjeman by Martin Jennings looks up to the new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin which hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-06-10-04-2018.jpg
  • The new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-04-10-04-2018.jpg
  • The new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-02-10-04-2018.jpg
  • The statue of poet John Betjeman by Martin Jennings looks up to the new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin which hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-05-10-04-2018.jpg
  • A statue of the French Imperial Eagle, still watching over the battlefield exhibitions of the Panorama and Lion's Mound at the Waterloo battlefield, on 25th March 2017, at Waterloo, Belgium. The French Imperial Eagle refers to the figure of an eagle on a staff carried into battle as a standard by the Grande Armée of Napoleon I during the Napoleonic Wars. Although they were presented with regimental colours, the regiments of Napoleon I tended to carry at their head the imperial eagle. Waterloo was fought  on 18 June 1815 between a French army under Napoleon Bonaparte,  defeated by two of the armies of the Seventh Coalition: an Anglo-led Allied army under the command of the Duke of Wellington, and a Prussian army under the command of Gebhard Leberecht von Blücher, resulting in 41,000 casualties.
    waterloo_battlefield-37-25-03-2017.jpg
  • This memorial has been placed where a man called 'Lee' died on the A3130 Tickenham Road, Somerset, England, UK. If we drove past this place where someone's life ended, the victim would just be an anonymous statistic but flowers are left to die too and touching poems and dedications are written by family and loved-ones. One reads: "?Do not stand at my grave and weep/I am not there, I do not sleep.? ?I am the swift uplifting rush of quiet birds in a circled flight.? From a project about makeshift shrines: ?Britons have long installed memorials in the landscape: Statues and monuments to war heroes, Princesses and the socially privileged. But nowadays we lay wreaths to those who die suddenly - ordinary folk killed as pedestrians, as drivers or by alcohol, all celebrated on our roadsides and in cities with simple, haunting roadside remembrances.
    memorials004-02-02_2001.jpg
  • From the famous speech by US civil rights politician Martin Luther King is his inspirational quote 'I Have a Dream' written in neon at the entrance of a youth centre on the Ayeslbury Estate, on 7th December 2017, in Southwark, south London England.
    Ihad_a_dream-04-07-12-2017.jpg
  • From the famous speech by US civil rights politician Martin Luther King is his inspirational quote 'I Have a Dream' written in neon at the entrance of a youth centre on the Ayeslbury Estate, on 7th December 2017, in Southwark, south London England.
    Ihad_a_dream-01-07-12-2017.jpg
  • From the famous speech by US civil rights politician Martin Luther King is his inspirational quote 'I Have a Dream' written in neon at the entrance of a youth centre on the Ayeslbury Estate, on 7th December 2017, in Southwark, south London England.
    Ihad_a_dream-03-07-12-2017.jpg
  • Phone box featured in movie 'I know where I'm Going' at Carsaig Bay, Isle of Mull, Scotland.
    isle_of_mull92-18-11-2011.jpg
  • Beneath tall columns in the central nave and surounded by angels, is the tomb of Pedro I in Alcobaca Monastery (Mosteiro de Santa Maria de Alcobaca), on 16th July, at Alcobaca, Portugal. The monastery was completed in 1223 for the Cistercian order and added to further by King Dinnis (Dennis) who built the main cloister and is now a UNESCO World Heritage Site. Austere architecture is in keeping with the Cistercian regard for simplicity. (Photo by Richard Baker / In Pictures via Getty Images)
    portugal_alcobaca-15-16-07-2016.jpg
  • Overhead view of the tomb of Pedro I In Alcobaca Monastery, Portugal.
    portugal_alcobaca-16-16-07-2016.jpg
  • This memorial has been placed where young men called Steve, Si and Sammy died on the A286 Easebourne, Sussex, England, UK. If we drove past this place where someone's life ended, the victim would just be an anonymous statistic but flowers are left to die too and touching poems and dedications are written by family and loved-ones. One reads: "?I am the lucky one - my son survived - I wish so much it had been all of them.? From a project about makeshift shrines: ?Britons have long installed memorials in the landscape: Statues and monuments to war heroes, Princesses and the socially privileged. But nowadays we lay wreaths to those who die suddenly - ordinary folk killed as pedestrians, as drivers or by alcohol, all celebrated on our roadsides and in cities with simple, haunting roadside remembrances?
    memorials003-11-01_2001.jpg
  • The bronze sculpture of a boy forms part of the artwork by Kenny Hunter in Walworth Square at Elephant And Castle on 9th March 2021, in London, England. Its full inscription reads “Against the armour of the storm I’ll hold my human barrier” – a line from a World War Two poem by Hamish Henderson. The striking bronze artwork has been installed in the year that marks the centenary of the Armistice and the end of the First World War. The sculpture has been commissioned to commemorate all the lives that have been affected by war and conflict around the globe, including the lives of members of the armed forces, civilians, refugees and others.
    elephant_and_castle_memorial11-09-03...jpg
  • The bronze sculpture of a boy forms part of the artwork by Kenny Hunter in Walworth Square at Elephant And Castle on 9th March 2021, in London, England. Its full inscription reads “Against the armour of the storm I’ll hold my human barrier” – a line from a World War Two poem by Hamish Henderson. The striking bronze artwork has been installed in the year that marks the centenary of the Armistice and the end of the First World War. The sculpture has been commissioned to commemorate all the lives that have been affected by war and conflict around the globe, including the lives of members of the armed forces, civilians, refugees and others.
    elephant_and_castle_memorial09-09-03...jpg
  • The bronze sculpture of a boy forms part of the artwork by Kenny Hunter in Walworth Square at Elephant And Castle on 9th March 2021, in London, England. Its full inscription reads “Against the armour of the storm I’ll hold my human barrier” – a line from a World War Two poem by Hamish Henderson. The striking bronze artwork has been installed in the year that marks the centenary of the Armistice and the end of the First World War. The sculpture has been commissioned to commemorate all the lives that have been affected by war and conflict around the globe, including the lives of members of the armed forces, civilians, refugees and others.
    elephant_and_castle_memorial06-09-03...jpg
  • The bronze sculpture of a boy forms part of the artwork by Kenny Hunter in Walworth Square at Elephant And Castle on 9th March 2021, in London, England. Its full inscription reads “Against the armour of the storm I’ll hold my human barrier” – a line from a World War Two poem by Hamish Henderson. The striking bronze artwork has been installed in the year that marks the centenary of the Armistice and the end of the First World War. The sculpture has been commissioned to commemorate all the lives that have been affected by war and conflict around the globe, including the lives of members of the armed forces, civilians, refugees and others.
    elephant_and_castle_memorial05-09-03...jpg
  • A rusting bike frame lies i Autumn leaves in Sydenham Hill Woods, on 25th October 2020, in London, England. Sydenham Hill Wood forms part of the largest remaining tract of the old Great North Wood, a vast area of worked coppices and wooded commons that once stretched from Deptford to Selhurst. The wood is home to more than 200 species of trees and plants as well as rare fungi, insects, birds and woodland mammals.
    sydenham_wood07-25-10-2020.jpg
  • A City of London workman clears construction debris collected in bins, next to the artwork entitled 'Series Industrial Windows I' by Marisa Ferreira, part of Sculpture in the City 2019, on 6th August 2020, in London, England.
    city_people03-06-08-2020.jpg
  • Framed by multicolored glass panels, City workers walk along Lime Street during the lunchtime break in the City of London  the capital's financial district, on 17th June 2019, in London, England. The artwork is entitled 'Series Industrial Windows I' by<br />
Marisa Ferreira and is part of Sculpture in the City 2019.
    city_art-19-17-06-2019.jpg
  • Framed by multicolored glass panels, City workers walk along Lime Street during the lunchtime break in the City of London  the capital's financial district, on 17th June 2019, in London, England. The artwork is entitled 'Series Industrial Windows I' by<br />
Marisa Ferreira and is part of Sculpture in the City 2019.
    city_art-12-17-06-2019.jpg
  • Framed by multicolored glass panels, City workers walk along Lime Street during the lunchtime break in the City of London  the capital's financial district, on 17th June 2019, in London, England. The artwork is entitled 'Series Industrial Windows I' by<br />
Marisa Ferreira and is part of Sculpture in the City 2019.
    city_art-10-17-06-2019.jpg
  • Framed by multicolored glass panels, City workers walk along Lime Street during the lunchtime break in the City of London  the capital's financial district, on 17th June 2019, in London, England. The artwork is entitled 'Series Industrial Windows I' by<br />
Marisa Ferreira and is part of Sculpture in the City 2019.
    city_art-09-17-06-2019.jpg
  • Framed by multicolored glass panels, City workers walk along Lime Street during the lunchtime break in the City of London  the capital's financial district, on 17th June 2019, in London, England. The artwork is entitled 'Series Industrial Windows I' by<br />
Marisa Ferreira and is part of Sculpture in the City 2019.
    city_art-05-17-06-2019.jpg
  • Framed by multicolored glass panels, City workers walk along Lime Street during the lunchtime break in the City of London  the capital's financial district, on 17th June 2019, in London, England. The artwork is entitled 'Series Industrial Windows I' by<br />
Marisa Ferreira and is part of Sculpture in the City 2019.
    city_art-01-17-06-2019.jpg
  • Detail of a French Harley-Davidson motorbike belonging to a bike club with the words 'Pour Dieu Je Roule' (I ride for God) in the Slovenian capital, Ljubljana, on 28th June 2018, in Ljubljana, Slovenia.
    slovenia-553-28-06-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-20-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-19-06-04-2018.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time. Sir Joshua Reynolds stands in the "Annenberg Courtyard" of Burlington House.
    royal_academy-13-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-12-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-11-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-10-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-07-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-06-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-02-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-01-06-04-2018.jpg
  • Seen through iron railings is Horseguards in Westminster, on 9th November 2017, London, England. Horse Guards is a large Grade I listed historical building in the Palladian style in London between Whitehall and Horse Guards Parade. The first Horse Guards building was built on the site of the former tiltyard of Westminster Palace during 1664. It was demolished during 1749 and was replaced by the current building which was built between 1750 and 1753 by John Vardy after the death of original architect William Kent during 1748.
    horseguards-01-09-11-2017.jpg
  • A tourist walks along Whitehall carrying a transparent and red umbrella with the words I Love Rain, on 19th October 2017, in London, England.
    westminster_tourists-05-19-10-2017.jpg
  • The capital's landmark, Horseguards is seen through railings in St. James's Park, on 21st March 2017, in London, England. Horse Guards is a large Grade I listed historical building in the Palladian style in London between Whitehall and Horse Guards Parade. The first Horse Guards building was built on the site of the former tiltyard of Westminster Palace during 1664. It was demolished during 1749 and was replaced by the current building which was built between 1750 and 1753 by John Vardy after the death of original architect William Kent during 1748.
    horseguards_landscape-04-21-03-2017.jpg
  • The capital's landmark, Horseguards is seen through railings in St. James's Park, on 21st March 2017, in London, England. Horse Guards is a large Grade I listed historical building in the Palladian style in London between Whitehall and Horse Guards Parade. The first Horse Guards building was built on the site of the former tiltyard of Westminster Palace during 1664. It was demolished during 1749 and was replaced by the current building which was built between 1750 and 1753 by John Vardy after the death of original architect William Kent during 1748.
    horseguards_landscape-03-21-03-2017.jpg
  • Muslim graves and cactus in a local cemetery in the village of Qum (Koom), on the West Bank of Luxor, Nile Valley, Egypt. The grave should be aligned perpendicular to the Qibla (i.e. Mecca). The body is placed in the grave without a casket, lying on its right side, and facing the Qibla. Grave markers should be raised only up to a maximum of 30 centimetres (12 in) above the ground. Thus Grave markers are simple, because outwardly lavish displays are discouraged in Islam. Many times graves may even be unmarked, or marked only with a simple wreath. However, it is becoming more common for family members to erect grave monuments.
    egypt398-06-03-2016.jpg
  • Muslim graves and cactus in a local cemetery in the village of Qum (Koom), on the West Bank of Luxor, Nile Valley, Egypt. The grave should be aligned perpendicular to the Qibla (i.e. Mecca). The body is placed in the grave without a casket, lying on its right side, and facing the Qibla. Grave markers should be raised only up to a maximum of 30 centimetres (12 in) above the ground. Thus Grave markers are simple, because outwardly lavish displays are discouraged in Islam. Many times graves may even be unmarked, or marked only with a simple wreath. However, it is becoming more common for family members to erect grave monuments.
    egypt396-06-03-2016.jpg
  • The crooked church steeple of Church of St Mary and All Saints in Chesterfield, Derbyshire. It's believed that the twisting of the spire was caused by the lead that covers the spire. Chesterfield Parish Church is an Anglican church dedicated to Saint Mary and All Saints, located in the town of Chesterfield in Derbyshire, England. Predominantly dating back to the 14th century, the church is a Grade I listed building and is most known for its twisted spire, an architectural phenomenon which has led to the church being given the common byname of the Crooked Spire.
    chesterfield_steeple03-12-06-2015.jpg
  • The crooked church steeple of Church of St Mary and All Saints in Chesterfield, Derbyshire. It's believed that the twisting of the spire was caused by the lead that covers the spire. Chesterfield Parish Church is an Anglican church dedicated to Saint Mary and All Saints, located in the town of Chesterfield in Derbyshire, England. Predominantly dating back to the 14th century, the church is a Grade I listed building and is most known for its twisted spire, an architectural phenomenon which has led to the church being given the common byname of the Crooked Spire.
    chesterfield_steeple01-12-06-2015.jpg
  • Orthodox Jewish men with the statue of King Richard 1st while visiting the exterior of Britain's parliament in Westminster, London. Richard Coeur de Lion is a Grade II listed equestrian statue of the 12th-century English monarch Richard I, also known as Richard the Lionheart, who reigned from 1189–99. It stands on a granite pedestal in Old Palace Yard outside the Palace of Westminster, facing south towards the entrance to the House of Lords. It was created by Baron Carlo Marochetti,
    parliament_jews02-13-04-2015.jpg
  • Textiles and language-themed sculpture entitled 'I Don't Know. The Weave of Textile Language' by American artist Richard Tuttle in Tate Modern's Turbine Hall.
    tate_tuttle04-18-01-2015.jpg
  • Textiles and language-themed sculpture entitled 'I Don't Know. The Weave of Textile Language' by American artist Richard Tuttle in Tate Modern's Turbine Hall.
    tate_tuttle01-18-01-2015.jpg
  • Detail of images of Russian aviation at the Farnborough Air Show, England. Russia's deputy prime minister told his country's defence delegates to withdraw from the Farnborough International Airshow and return home after being snubbed by the British government over the Ukraine conflict. Dmitry Rogozin, who heads Russia's defence sector as deputy prime minister, said: "I recommend our delegation to wind up its participation in the show and return home."
    farnborough_air_show66-14-07-2014.jpg
  • British and Russian flags displayed beneath the image of a Migoyan jet fighter at the Farnborough Air Show, England. Russia's deputy prime minister told his country's defence delegates to withdraw from the Farnborough International Airshow and return home after being snubbed by the British government over the Ukraine conflict. Dmitry Rogozin, who heads Russia's defence sector as deputy prime minister, said: "I recommend our delegation to wind up its participation in the show and return home."
    farnborough_air_show64-14-07-2014.jpg
  • A delegate passes Russian aviation images at the Farnborough Air Show, England. Russia's deputy prime minister told his country's defence delegates to withdraw from the Farnborough International Airshow and return home after being snubbed by the British government over the Ukraine conflict. Dmitry Rogozin, who heads Russia's defence sector as deputy prime minister, said: "I recommend our delegation to wind up its participation in the show and return home."
    farnborough_air_show62-14-07-2014.jpg
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