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  • An urban tree is protected from a construction site by blue hoarding panels in the City of London. The landscape looks both incongruous and disturbing to the eye with the blue hoarding and its red safety light that glows in the daylight. The carefully planted tree continues to grow in situ on a pavement split between paving stones and a worn grass verge in the heart of the capital's financial district otherwise known as the Square Mile, after its circling Roman wall..
    urban_tree01-12-03-2013.jpg
  • A detail of an ornate Victorian brass letter box plate. Seen in close-up, the single and plural word 'Letters' is printed in upper-case capitals on the flap that one must lift to insert postal mail from the outside of this heavy, glossy black doors in the seaside town of Lowestoft in Suffolk, England. The brass plate sits in its fitted slot and has been carefully polished these last decades to ensure it still looks as handsome as it might have some time in the Victorian era when brass door knockers and other elaborate fittings were fixed to houses, showing true quality craftsmanship - a factor largely ignored in the mass-produced products of today.
    letter_box06-12-1992_1.jpg
  • A detail from the oversized artwork entitled Brotherhood Kiss (Bruderkuss) by Dmitry Vrubel that once adorned a section of the notorious Berlin Wall in western Germany Russian. The two men are kissing on the lips, one of the most iconic paintings that symbolised a divided Europe during the Cold War. The Communist Soviet leader Leonid Brezhnev kisses his East German (DDR) counterpart Erich Honecker, which was ultimately copied on to coffee cups and T-shirts across the world before being destroyed by the authorities. The artist was angry but he says he will paint a new image which was derived from a photograph of the two leaders taken 1979 but became a potent symbol of Communism's corruption and ultimate failure.
    berlin_wall_gallery03-06-04-2013.jpg
  • A detail from the oversized artwork entitled Brotherhood Kiss (Bruderkuss) by Dmitry Vrubel that once adorned a section of the notorious Berlin Wall in western Germany Russian. The two men are kissing on the lips, one of the most iconic paintings that symbolised a divided Europe during the Cold War. The Communist Soviet leader Leonid Brezhnev kisses his East German (DDR) counterpart Erich Honecker, which was ultimately copied on to coffee cups and T-shirts across the world before being destroyed by the authorities. The artist was angry but he says he will paint a new image which was derived from a photograph of the two leaders taken 1979 but became a potent symbol of Communism's corruption and ultimate failure.
    berlin_wall_gallery01-06-04-2013.jpg
  • A detail from the oversized artwork entitled Brotherhood Kiss (Bruderkuss) by Dmitry Vrubel that once adorned a section of the notorious Berlin Wall in western Germany Russian. The two men are kissing on the lips, one of the most iconic paintings that symbolised a divided Europe during the Cold War. The Communist Soviet leader Leonid Brezhnev kisses his East German (DDR) counterpart Erich Honecker, which was ultimately copied on to coffee cups and T-shirts across the world before being destroyed by the authorities. The artist was angry but he says he will paint a new image which was derived from a photograph of the two leaders taken 1979 but became a potent symbol of Communism's corruption and ultimate failure.
    berlin_wall_gallery05-06-04-2013.jpg
  • A lost red glove dropped on a path in Clowes Wood, Chestfield, Kent hangs on a twig in case its owner returns to search.
    electricity312-25-01-2008 .jpg
  • A detail from the oversized artwork entitled Brotherhood Kiss (Bruderkuss) by Dmitry Vrubel that once adorned a section of the notorious Berlin Wall in western Germany Russian. Two seemingly gay men are kissing on the lips but this is one of the most famous paintings - a symbol of a divided Europe during the Cold War. It shows Communist Soviet leader Leonid Brezhnev kissing his East German (DDR) counterpart Erich Honecker, which was ultimately copied on to coffee cups and T-shirts across the world before being destroyed by the authorities. The artist was angry but he says he will paint a new image which was derived from a photograph of the two leaders taken 1979 but became a potent symbol of Communism's corruption and ultimate failure.
    berlin_wall_kiss-04-11-1990.jpg
  • Dropped during construction of electricity pylons, a bolt and its nut lies on a forest floor, Clowes Wood, Chestfield, Kent
    electricity302-25-01-2008 .jpg
  • Bird feathers from dead wildlife, killed after colliding with electricity lines on a forest floor, Clowes Wood, Chestfield, Kent
    electricity309-25-01-2008 .jpg
  • The Sense of Light, 2001 by the artist Christopher Le Brun RA (Royal Academy) in situ installed at the United Reform Church, Camberwell. The Sense of Sight is a bronze relief, an edition of 3. Christopher Mark Le Brun was born in Portsmouth in 1951. He studied at the Slade School of Fine Art (DFA) in London from 1970-74 and at Chelsea School of Art (MA) from 1974-75. Le Brun has exhibited in many significant surveys of international art, including Nuova Immagine, Milan 1981, Zeitgeist Berlin 1982, Avant-garde in the Eighties, Los Angeles 1987 Contemporary Voices, Museum of Modern Art New York 2005 and Watercolour Tate Britain 2011. From 1987-88 he received the D.A.A.D. award from the German government, living and working in Berlin for a year. He was elected to the Royal Academy in 1996 and in 2000 became the Academy's first Professor of Drawing. Le Brun is a former trustee of the Tate, the National Gallery, and the Dulwich Picture Gallery. He is currently a trustee of the Prince's Drawing School. In 2010 he was awarded an Honorary Fellowship by the University of the Arts London. in 2011 he was elected President of the Royal Academy.
    le_brun_art02-01-02-2012.jpg
  • The Sense of Light, 2001 by the artist Christopher Le Brun RA (Royal Academy) in situ installed at the United Reform Church, Camberwell. The Sense of Sight is a bronze relief, an edition of 3. Christopher Mark Le Brun was born in Portsmouth in 1951. He studied at the Slade School of Fine Art (DFA) in London from 1970-74 and at Chelsea School of Art (MA) from 1974-75. Le Brun has exhibited in many significant surveys of international art, including Nuova Immagine, Milan 1981, Zeitgeist Berlin 1982, Avant-garde in the Eighties, Los Angeles 1987 Contemporary Voices, Museum of Modern Art New York 2005 and Watercolour Tate Britain 2011. From 1987-88 he received the D.A.A.D. award from the German government, living and working in Berlin for a year. He was elected to the Royal Academy in 1996 and in 2000 became the Academy's first Professor of Drawing. Le Brun is a former trustee of the Tate, the National Gallery, and the Dulwich Picture Gallery. He is currently a trustee of the Prince's Drawing School. In 2010 he was awarded an Honorary Fellowship by the University of the Arts London. in 2011 he was elected President of the Royal Academy.
    le_brun_art01-01-02-2012.jpg
  • One of the paintings by Paul Rubens on the ceiling of Banqueting House, on 17th September 2017, in Whitehall, Westminster, London, England. The ceiling of the Banqueting House is a masterpiece and the only surviving in-situ ceiling painting by Flemish artist, Sir Peter Paul Rubens. It is also one of the most famous works from the golden age of painting. The canvases were painted by Rubens and installed in the hall in 1636. The three main canvasses depict The Union of the Crowns, The Apotheosis of James I and The Peaceful Reign of James I. Most likely commissioned by King Charles I in 1629-30, this ceiling was one of his last sights before he was executed on a scaffold outside on Whitehall in 1649.
    banqueting_hall-06-17-09-2017.jpg
  • The painting by Paul Rubens on the ceiling of Banqueting House, on 17th September 2017, in Whitehall, Westminster, London, England. The ceiling of the Banqueting House is a masterpiece and the only surviving in-situ ceiling painting by Flemish artist, Sir Peter Paul Rubens. It is also one of the most famous works from the golden age of painting. The canvases were painted by Rubens and installed in the hall in 1636. The three main canvasses depict The Union of the Crowns, The Apotheosis of James I and The Peaceful Reign of James I. Most likely commissioned by King Charles I in 1629-30, this ceiling was one of his last sights before he was executed on a scaffold outside on Whitehall in 1649.
    banqueting_hall-04-17-09-2017.jpg
  • The painting by Paul Rubens on the ceiling of Banqueting House, on 17th September 2017, in Whitehall, Westminster, London, England. The ceiling of the Banqueting House is a masterpiece and the only surviving in-situ ceiling painting by Flemish artist, Sir Peter Paul Rubens. It is also one of the most famous works from the golden age of painting. The canvases were painted by Rubens and installed in the hall in 1636. The three main canvasses depict The Union of the Crowns, The Apotheosis of James I and The Peaceful Reign of James I. Most likely commissioned by King Charles I in 1629-30, this ceiling was one of his last sights before he was executed on a scaffold outside on Whitehall in 1649.
    banqueting_hall-05-17-09-2017.jpg
  • The painting by Paul Rubens on the ceiling of Banqueting House, on 17th September 2017, in Whitehall, Westminster, London, England. The ceiling of the Banqueting House is a masterpiece and the only surviving in-situ ceiling painting by Flemish artist, Sir Peter Paul Rubens. It is also one of the most famous works from the golden age of painting. The canvases were painted by Rubens and installed in the hall in 1636. The three main canvasses depict The Union of the Crowns, The Apotheosis of James I and The Peaceful Reign of James I. Most likely commissioned by King Charles I in 1629-30, this ceiling was one of his last sights before he was executed on a scaffold outside on Whitehall in 1649.
    banqueting_hall-03-17-09-2017.jpg
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