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  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-24-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-23-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-22-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-21-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-20-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-19-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-15-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-13-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-10-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-02-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-09-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-06-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-05-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-03-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-04-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-16-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-14-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-11-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-12-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-08-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-07-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera (ENO), remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    coronavirus_coliseum-01-07-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as the Duke of York's Theatre in the West End whose last production was 'Blithe Spirit', will remain closed for the foreseeable future, on 7th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads "Missing Live Theatre" -  a protest project led by stage designers group Scene Change. The arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_theatre-01-07-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as the Duke of York's Theatre in the West End whose last production was 'Blithe Spirit', will remain closed for the foreseeable future, on 7th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads "Missing Live Theatre" -  a protest project led by stage designers group Scene Change. The arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_theatre-03-07-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as the Duke of York's Theatre in the West End whose last production was 'Blithe Spirit', will remain closed for the foreseeable future, on 7th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads "Missing Live Theatre" -  a protest project led by stage designers group Scene Change. The arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_theatre-02-07-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Old Vic theatre in Waterloo will remain for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads "Missing Live Theatre" -  a protest project led by stage designers group Scene Change. The arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_OldVic-04-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Old Vic theatre in Waterloo will remain for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads "Missing Live Theatre" -  a protest project led by stage designers group Scene Change. The arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_OldVic-01-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Apollo Theatre on Shaftesbury Avenue in London's West End Theatreland, where the musical Jamie was abandoned at the beginning of lockdown, will remain closed for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads "Missing Live Theatre" -  a protest project led by stage designers group Scene Change highlighting the closure of the arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-08-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Apollo Theatre on Shaftesbury Avenue in London's West End Theatreland, where the musical Jamie was abandoned at the beginning of lockdown, will remain closed for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads "Missing Live Theatre" -  a protest project led by stage designers group Scene Change highlighting the closure of the arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-06-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Apollo Theatre on Shaftesbury Avenue in London's West End Theatreland, where the musical Jamie was abandoned at the beginning of lockdown, will remain closed for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads "Missing Live Theatre" -  a protest project led by stage designers group Scene Change highlighting the closure of the arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-04-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Apollo Theatre on Shaftesbury Avenue in London's West End Theatreland, where the musical Jamie was abandoned at the beginning of lockdown, will remain closed for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads "Missing Live Theatre" -  a protest project led by stage designers group Scene Change highlighting the closure of the arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-02-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Old Vic theatre in Waterloo will remain for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads "Missing Live Theatre" -  a protest project led by stage designers group Scene Change. The arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_OldVic-03-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Old Vic theatre in Waterloo will remain for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads "Missing Live Theatre" -  a protest project led by stage designers group Scene Change. The arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_OldVic-05-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Old Vic theatre in Waterloo will remain for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads "Missing Live Theatre" -  a protest project led by stage designers group Scene Change. The arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_OldVic-02-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Apollo Theatre on Shaftesbury Avenue in London's West End Theatreland, where the musical Jamie was abandoned at the beginning of lockdown, will remain closed for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads "Missing Live Theatre" -  a protest project led by stage designers group Scene Change highlighting the closure of the arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-07-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Apollo Theatre on Shaftesbury Avenue in London's West End Theatreland, where the musical Jamie was abandoned at the beginning of lockdown, will remain closed for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads "Missing Live Theatre" -  a protest project led by stage designers group Scene Change highlighting the closure of the arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-03-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Apollo Theatre on Shaftesbury Avenue in London's West End Theatreland, where the musical Jamie was abandoned at the beginning of lockdown, will remain closed for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads "Missing Live Theatre" -  a protest project led by stage designers group Scene Change highlighting the closure of the arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-05-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Apollo Theatre on Shaftesbury Avenue in London's West End Theatreland, where the musical Jamie was abandoned at the beginning of lockdown, will remain closed for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads "Missing Live Theatre" -  a protest project led by stage designers group Scene Change highlighting the closure of the arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-01-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as Cameron Mackintosh's Gieldgud Theatre on Shaftesbury Avenue in London's West End Theatreland, will remain closed for the foreseeable future, on 6th July 2020, in London, England. The arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-10-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as Cameron Mackintosh's Gieldgud Theatre on Shaftesbury Avenue in London's West End Theatreland, will remain closed for the foreseeable future, on 6th July 2020, in London, England. The arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-09-06-07-2020.jpg
  • A London theatreland retailer and productions booking office posters, on 15th August 2017, in London, England.
    theatre_land-07-15-08-2018.jpg
  • British actor Eileen Atkins and London theatreland productions booking office posters on 15th August 2017, in London, England. She and Jonathan Pryce appear in The Height Of The Storm at the Wyndham’s Theatre.
    theatre_land-06-15-08-2018.jpg
  • London theatreland productions booking office posters on 15th August 2017, in London, England.
    theatre_land-01-15-08-2018.jpg
  • A London theatreland retailer and productions booking office posters, on 15th August 2017, in London, England.
    theatre_land-11-15-08-2018.jpg
  • British actor Jonathan Pryce's face and the public in London's theatreland, on 15th August 2017, in London, England. Jonathan Pryce, CBE is a Welsh actor and singer. He and Eileen Atkins appears in The Height Of The Storm at the Wyndham’s Theatre.
    theatre_land-09-15-08-2018.jpg
  • London theatreland productions booking office posters on 15th August 2017, in London, England.
    theatre_land-02-15-08-2018.jpg
  • Tourists and London theatreland productions booking office posters, on 15th August 2017, in London, England.
    theatre_land-04-15-08-2018.jpg
  • An female acrobat spontaneously stands on the shoulders of a friend at a coffee kiosk, on 2nd March 2017, in The Cut, London borough of Southwark, England.
    southwark_acrobats-02-02-03-2017.jpg
  • An female acrobat spontaneously stands on the shoulders of a friend at a coffee kiosk, on 2nd March 2017, in The Cut, London borough of Southwark, England.
    southwark_acrobats-03-02-03-2017.jpg
  • A lone musician kneels to play the tuba within an oval aperture in the art installation sculpture known as Colourscape on Clapham Common, South London, England. Created by an outside overhead sun shining through a collection of large, inflatable PVC domes, the man walks slowly through tunnels, enticing customers to ecperience vivid colour while emitting eerie sound from voices, brass and string instruments. Designed by Simon Desorgher & Lawrence Casserley, Colourscape celebrated its 10th year of installation in Clapham in 2004. Colourscape's charitable Trust, Nettlefold Arts, was founded in 1988, with the purpose of presenting contemporary music, related arts and educational events, in innovative ways.
    colourscape03-15-12-2007 .jpg
  • A lone musician kneels to play the tuba within an oval aperture in the art installation sculpture known as Colourscape on Clapham Common, South London, England. Created by an outside overhead sun shining through a collection of large, inflatable PVC domes, the man walks slowly through tunnels, enticing customers to ecperience vivid colour while emitting eerie sound from voices, brass and string instruments. Designed by Simon Desorgher & Lawrence Casserley, Colourscape celebrated its 10th year of installation in Clapham in 2004. Colourscape's charitable Trust, Nettlefold Arts, was founded in 1988, with the purpose of presenting contemporary music, related arts and educational events, in innovative ways.
    colourscape01-15-12-2007 .jpg
  • As child visitors negotiate their way through a hole, a musician plays the tuba within the art installation sculpture known as Colourscape on Clapham Common, South London, England. Created by an outside overhead sun shining through a collection of large, inflatable PVC domes, the man and other visitors wear coloured capes and walk slowly through tunnels, enticing customers to ecperience vivid colour while emitting eerie sound from voices, brass and string instruments. Designed by Simon Desorgher & Lawrence Casserley, Colourscape celebrated its 10th year of installation in Clapham in 2004. Colourscape's charitable Trust, Nettlefold Arts, was founded in 1988, with the purpose of presenting contemporary music, related arts and educational events, in innovative ways.
    colourscape02-15-12-2007 .jpg
  • The Italian operatic tenor Luciano Pavarotti performs in London during the free Party in the Park concert to celebrate his 30 years in opera. A crowd of 100,000 stood in the London rain to watch Pavarotti perform 20 arias by Verdi, Puccini, Bizet and Wagner. VIPs the Princess of Wales, Prime Minister John Major and Michael Caine got soaked in heavy rain along with everyone else sitting on the grass cowering beneath tarpaulins. We see the rotund Operatic maestro in full flow, belting out an aria while dressed in formal tails and wastecoat and holding his customary scarf that he uses to dab the sweat from his brow. Pavarotti helped bring an otherwise high-brow artform to the ordinary Man after the BBC used his rendition of Nessun Dorma to theme their World Cup TV coverage. This lead the way to Opera reaching the Common Man in Britain.
    RB_041-30-07-1991.jpg
  • Ending France's Bastille Day parade, the elite 'Red Arrows', Britain's prestigious Royal Air Force aerobatic team, leave a trail of smoke over the pyramid peak of the Louvre art museum in the centre of Paris. Leaving vapour trails of red, white and blue smoke to mark the 100th anniversary of the Anglo-French Entente Cordiale. They were chosen by the French authorities to close the fly-pasts. British armed forces paraded in the historic parade for the first time. Under blue skies on a perfect summer day, the squadron lined up in their classic fly-past 'V-shape' called 'Big Battle', following the straight line of the Champs Elysees then eastwards over the Parisian suburbs. Personnel from four British military units were present and French Air Force jets performed their own fly-past to open the parade, while the British Hawk jets of the Red Arrows had the honour of completing it. .
    Red_Arrows461_RBA.jpg
  • Ending France's Bastille Day parade, the elite 'Red Arrows', Britain's prestigious Royal Air Force aerobatic team, streak over the pyramid peak of the Louvre art museum in the centre of Paris. Leaving vapour trails of red, white and blue smoke to mark the 100th anniversary of the Anglo-French Entente Cordiale. They were chosen by the French authorities to close the fly-pasts. British armed forces paraded in the historic parade for the first time. Under blue skies on a perfect summer day, the squadron lined up in their classic fly-past 'V-shape' called 'Big Battle', following the straight line of the Champs Elysees then eastwards over the Parisian suburbs. Personnel from four British military units were present and French Air Force jets performed their own fly-past to open the parade, while the British Hawk jets of the Red Arrows had the honour of completing it. .
    Red_Arrows462_RBA.jpg
  • From inside their cars, opera fans applaud the performance of Puccini's La bohème, performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally31-18-09-2020.jpg
  • From inside their cars, opera fans applaud the performance of Puccini's La bohème, performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally32-18-09-2020.jpg
  • From inside their cars, opera fans applaud the performance of Puccini's La bohème, performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally30-18-09-2020.jpg
  • From inside their cars, opera fans applaud the performance of Puccini's La bohème, performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally33-18-09-2020.jpg
  • A young opera watcher stands outside a car before the start of Puccini's La bohème, performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally05-18-09-2020.jpg
  • The car park fills up before the technical rehearsal of Puccini's La bohème is performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally04-18-09-2020.jpg
  • An opera watcher leans into a car before the start of Puccini's La bohème, performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally07-18-09-2020.jpg
  • An opera watcher leans into a car before the start of Puccini's La bohème, performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally08-18-09-2020.jpg
  • Rows of cars are parked in front of the stage to watch British Bass-baritone<br />
Paul Sheehan (playing Benoit) at the start of Puccini's La bohème, performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally10-18-09-2020.jpg
  • Rows of cars are parked in front of the stage to watch Puccini's La bohème is performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally09-18-09-2020.jpg
  • Seen from the driver's seat, British Soprano Nardus Williams plays Mimi in Puccini's La bohème, performed by English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally15-18-09-2020.jpg
  • Seen from the driver's seat, British Soprano Nardus Williams plays Mimi in Puccini's La bohème, performed by English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally16-18-09-2020.jpg
  • Seen from the driver's seat, British Soprano Nardus Williams plays Mimi in Puccini's La bohème, performed by English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally17-18-09-2020.jpg
  • Seen from the driver's seat, British Soprano Nardus Williams plays Mimi in Puccini's La bohème, performed by English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally18-18-09-2020.jpg
  • Seen from the driver's seat, Puccini's La bohème is performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally29-18-09-2020.jpg
  • A young opera watcher stands outside a car before the start of Puccini's La bohème, performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally06-18-09-2020.jpg
  • Rows of cars are parked in front of the stage to watch British Bass-baritone<br />
Paul Sheehan (playing Benoit) at the start of Puccini's La bohème, performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally11-18-09-2020.jpg
  • Rows of cars are parked in front of the stage to watch British Bass-baritone<br />
Paul Sheehan (playing Benoit) at the start of Puccini's La bohème, performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally13-18-09-2020.jpg
  • Seen from the driver's seat, British Soprano Nardus Williams plays Mimi in Puccini's La bohème, performed by English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally21-18-09-2020.jpg
  • Seen from the driver's seat, British Soprano Nardus Williams plays Mimi in Puccini's La bohème, performed by English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally20-18-09-2020.jpg
  • Seen from the driver's seat, British Soprano Nardus Williams plays Mimi in Puccini's La bohème, performed by English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally19-18-09-2020.jpg
  • Seen from the driver's seat, British Soprano Nardus Williams plays Mimi in Puccini's La bohème, performed by English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally22-18-09-2020.jpg
  • Seen from the driver's seat, Puccini's La bohème is performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally24-18-09-2020.jpg
  • Seen from the driver's seat, Puccini's La bohème is performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally23-18-09-2020.jpg
  • Heard over a car's FM radio, Puccini's La bohème is performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally27-18-09-2020.jpg
  • Seen from the driver's seat, Puccini's La bohème is performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally28-18-09-2020.jpg
  • The car park fills up before the technical rehearsal of Puccini's La bohème is performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally03-18-09-2020.jpg
  • The car park fills up before the technical rehearsal of Puccini's La bohème is performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally02-18-09-2020.jpg
  • The car park fills up before the technical rehearsal of Puccini's La bohème is performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally01-18-09-2020.jpg
  • Seen low from behind stage, a male voice choir are lined up to sing during their performance at an open-air temporary auditorium during the Lambeth Show, an inner-city cultural and family event held annually in Dulwich Park, a leafy suburb of South London. The choristers are dressed in white shirts which are untidily untucked from their dark trousers (pants). Their heads echo the purple, yellow and red spots from the overhead lights. The front of stage is covered by a curved ribbed roof structure that arches over the mens' heads. The singers look small in scale to the cavernous height of this ceiling, occupying a small percentage of the frame. We cannot see the choir's conductor, nor their audience but we get an impression of wide area in which to project their voices
    RB-0065.jpg
  • As part of London's Bankside 'Merge 2015' are street performers taking part in the arts festival, located at various spots on the southern side of the Thames and supported by tate Modern and Better Bankside. Here hula-hoop girls entertain commuters outside offices in Southwark as they interact with their surroundings and those rushing home on a Thursday evening.
    merge_festival28-24-09-2015.jpg
  • As part of London's Bankside 'Merge 2015' are street performers taking part in the arts festival, located at various spots on the southern side of the Thames and supported by tate Modern and Better Bankside. Here hula-hoop girls entertain commuters outside offices in Southwark as they interact with their surroundings and those rushing home on a Thursday evening.
    merge_festival26-24-09-2015.jpg
  • As part of London's Bankside 'Merge 2015' are street performers taking part in the arts festival, located at various spots on the southern side of the Thames and supported by tate Modern and Better Bankside. Here hula-hoop girls entertain commuters outside offices in Southwark as they interact with their surroundings and those rushing home on a Thursday evening.
    merge_festival21-24-09-2015.jpg
  • As part of London's Bankside 'Merge 2015' are street performers taking part in the arts festival, located at various spots on the southern side of the Thames and supported by tate Modern and Better Bankside. Here hula-hoop girls entertain commuters outside offices in Southwark as they interact with their surroundings and those rushing home on a Thursday evening.
    merge_festival20-24-09-2015.jpg
  • As part of London's Bankside 'Merge 2015' are street performers taking part in the arts festival, located at various spots on the southern side of the Thames and supported by tate Modern and Better Bankside. Here hula-hoop girls entertain commuters outside offices in Southwark as they interact with their surroundings and those rushing home on a Thursday evening.
    merge_festival14-24-09-2015.jpg
  • As part of London's Bankside 'Merge 2015' are street performers taking part in the arts festival, located at various spots on the southern side of the Thames and supported by tate Modern and Better Bankside. Here hula-hoop girls entertain commuters outside offices in Southwark as they interact with their surroundings and those rushing home on a Thursday evening.
    merge_festival07-24-09-2015.jpg
  • As part of London's Bankside 'Merge 2015' are street performers taking part in the arts festival, located at various spots on the southern side of the Thames and supported by tate Modern and Better Bankside. Here hula-hoop girls entertain commuters outside offices in Southwark as they interact with their surroundings and those rushing home on a Thursday evening.
    merge_festival05-24-09-2015.jpg
  • As part of London's Bankside 'Merge 2015' are street performers taking part in the arts festival, located at various spots on the southern side of the Thames and supported by tate Modern and Better Bankside. Here hula-hoop girls entertain commuters outside offices in Southwark as they interact with their surroundings and those rushing home on a Thursday evening.
    merge_festival04-24-09-2015.jpg
  • Writer Alison (A L) Kennedy leans against the old Victorian windows of Glasgow's Botanical gardens, in Scotland. Looking serious and rather troubled, she is wearing a worn leather jacket and a tartan scarf, she looks towards the ground during her portrait session for Stern Magazine. A L Kennedy is one of Britain's most respected novelists, dramatist, newspaper columnists and more recently, stand-up comedian after her 2007 performances at the Edinburgh festival. Her books include: Paradise; Indelible Acts; On Bullfighting; Everything You Need; Original Bliss; So I Am Glad; Looking for the Possible Dance;  Night Geometry & the Garscadden Trains; Now That You're back and Life & Death of Colonel Blimp. Born in Dundee on 22nd October 1965, she was educated at Dundee High School 1970 - 1983 & Warwick University 1983 - 86 (BA Hons in Theatre Studies & Drama).
    A_L_Kennedy03-03-09-2007.jpg
  • Writer Alison (A L) Kennedy leans against the old Victorian windows of Glasgow's Botanical gardens, in Scotland. Looking serious and rather troubled, she is wearing a worn leather jacket and a tartan scarf, she looks towards the ground during her portrait session for Stern Magazine. A L Kennedy is one of Britain's most respected novelists, dramatist, newspaper columnists and more recently, stand-up comedian after her 2007 performances at the Edinburgh festival. Her books include: Paradise; Indelible Acts; On Bullfighting; Everything You Need; Original Bliss; So I Am Glad; Looking for the Possible Dance;  Night Geometry & the Garscadden Trains; Now That You're back and Life & Death of Colonel Blimp. Born in Dundee on 22nd October 1965, she was educated at Dundee High School 1970 - 1983 & Warwick University 1983 - 86 (BA Hons in Theatre Studies & Drama).
    A_L_Kennedy01-03-09-2007.jpg
  • As part of London's Bankside 'Merge 2015' are street performers taking part in the arts festival, located at various spots on the southern side of the Thames and supported by tate Modern and Better Bankside. Here hula-hoop girls entertain commuters outside offices in Southwark as they interact with their surroundings and those rushing home on a Thursday evening.
    merge_festival23-24-09-2015.jpg
  • As part of London's Bankside 'Merge 2015' are street performers taking part in the arts festival, located at various spots on the southern side of the Thames and supported by tate Modern and Better Bankside. Here hula-hoop girls entertain commuters outside offices in Southwark as they interact with their surroundings and those rushing home on a Thursday evening.
    merge_festival19-24-09-2015.jpg
  • As part of London's Bankside 'Merge 2015' are street performers taking part in the arts festival, located at various spots on the southern side of the Thames and supported by tate Modern and Better Bankside. Here hula-hoop girls entertain commuters outside offices in Southwark as they interact with their surroundings and those rushing home on a Thursday evening.
    merge_festival17-24-09-2015.jpg
  • As part of London's Bankside 'Merge 2015' are street performers taking part in the arts festival, located at various spots on the southern side of the Thames and supported by tate Modern and Better Bankside. Here hula-hoop girls entertain commuters outside offices in Southwark as they interact with their surroundings and those rushing home on a Thursday evening.
    merge_festival09-24-09-2015.jpg
  • As part of London's Bankside 'Merge 2015' are street performers taking part in the arts festival, located at various spots on the southern side of the Thames and supported by tate Modern and Better Bankside. Here hula-hoop girls entertain commuters outside offices in Southwark as they interact with their surroundings and those rushing home on a Thursday evening.
    merge_festival06-24-09-2015.jpg
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