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  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 19th April 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-03-19-04-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 29th March, 2018 in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-06-29-03-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 29th March, 2018 in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-05-29-03-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 9th May 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-03-09-05-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 19th April 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-09-19-04-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 19th April 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-07-19-04-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 19th April 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-01-19-04-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 9th May 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-02-09-05-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 19th April 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-06-19-04-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 19th April 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-05-19-04-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 19th April 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-04-19-04-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 19th April 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-02-19-04-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 29th March, 2018 in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-10-29-03-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 29th March, 2018 in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-07-29-03-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 29th March, 2018 in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-04-29-03-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 29th March, 2018 in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-03-29-03-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 29th March, 2018 in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-02-29-03-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 29th March, 2018 in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-01-29-03-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 9th May 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-01-09-05-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 19th April 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-08-19-04-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled 'The Invisible Enemy Should Not Exist' by the artist Michael Rakowitz, in Trafalgar Square, on 29th March, 2018 in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh (modern-day Mosul, Iraq) which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-08-29-03-2018.jpg
  • Tourists in the foreground with German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock25-25-07-2013.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock10-25-07-2013.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock16-25-07-2013.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock22-25-07-2013.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock20-25-07-2013.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock02-25-07-2013.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock07-25-07-2013.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock03-25-07-2013.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock08-25-07-2013.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock05-25-07-2013.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock18-25-07-2013.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock24-25-07-2013.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock17-25-07-2013.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse51-05-03-2015.jpg
  • An elderly couple look up to the sculpture known as Gift Horse, by German artist Hans Haacke, after its unveiling in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse55-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse48-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse38-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse15-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse45-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse44-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse34-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse30-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse14-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse13-05-03-2015.jpg
  • A woman tourist attempts to climb on to the plinth of Nelson's Column in Trafalgar Square, on 10th August 2017, in London, England.
    trafalgar_square-11-10-08-2017.jpg
  • A woman tourist attempts to climb on to the plinth of Nelson's Column in Trafalgar Square, on 10th August 2017, in London, England.
    trafalgar_square-12-10-08-2017.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse49-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse39-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse35-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse25-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse20-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse18-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse10-05-03-2015.jpg
  • A man helps a young boy up on to the plinth below Nelson's Column, on 1st May, in Trafalgar Square, London, England.
    climbing_trafalgar-01-01-05-2018.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse50-05-03-2015.jpg
  • A young couple sitting on the plinth of Nelson's Column in Trafalgar Square, watch one of two pigeons on 21st March 2017, in London, England.
    trafalgar_scenes-02-21-03-2017.jpg
  • Children ignore a no climbing safety sign, to haul themselves on to the plinth of Nelson's Column, on 15th December 2016, in Trafalgar Square, London, England.
    trafalgar_climbing-03-15-12-2016.jpg
  • London Mayor Boris Johnson is interviewed in Trafalgar Square by Channel 4 News presenter Cathy Newman. As the sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse33-05-03-2015.jpg
  • London Mayor Boris Johnson is interviewed in Trafalgar Square. As the sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse29-05-03-2015.jpg
  • London Mayor Boris Johnson is interviewed in Trafalgar Square. As the sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse22-05-03-2015.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory02-24-05-2010.jpg
  • Coloured suitcases as young tourists play on the plinth of Nelson's Column in Trafalgar Square, on 10th August 2017, in London, England.
    trafalgar_square-04-10-08-2017.jpg
  • Coloured suitcases as young tourists play on the plinth of Nelson's Column in Trafalgar Square, on 10th August 2017, in London, England.
    trafalgar_square-02-10-08-2017.jpg
  • Coloured suitcases as young tourists play on the plinth of Nelson's Column in Trafalgar Square, on 10th August 2017, in London, England.
    trafalgar_square-01-10-08-2017.jpg
  • The sculpture known as Gift Horse, by German artist Hans Haacke, in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    trafalgar_plinth02-15-02-2016.jpg
  • London Mayor Boris Johnson in Trafalgar Square. As the sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse40-05-03-2015.jpg
  • London Mayor Boris Johnson is interviewed in Trafalgar Square. As the sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse31-05-03-2015.jpg
  • London Mayor Boris Johnson is interviewed in Trafalgar Square by Channel 4 News presenter Cathy Newman. As the sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse32-05-03-2015.jpg
  • London Mayor Boris Johnson is interviewed in Trafalgar Square. As the sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse06-05-03-2015.jpg
  • London Mayor Boris Johnson is interviewed in Trafalgar Square. As the sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse04-05-03-2015.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory10-24-05-2010.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory08-24-05-2010.jpg
  • A tourist is pushed up on to the plinth of one of four lions in Trafalgar Square, on 8th October 2018, in London, England. The lions are by Sir Edwin Henry Landseer RA, an English painter well known for his paintings of animals—particularly horses, dogs and stags. The best known of Landseer's works, however, are these lions in Trafalgar Square.
    trafalgar_lion-02-08-10-2018.jpg
  • Young tourists play on the plinth of Nelson's Column in Trafalgar Square, on 10th August 2017, in London, England.
    trafalgar_square-09-10-08-2017.jpg
  • Coloured suitcases as young tourists play on the plinth of Nelson's Column in Trafalgar Square, on 10th August 2017, in London, England.
    trafalgar_square-03-10-08-2017.jpg
  • Children ignore a no climbing safety sign, to haul themselves on to the plinth of Nelson's Column, on 15th December 2016, in Trafalgar Square, London, England.
    trafalgar_climbing-02-15-12-2016.jpg
  • Children ignore a no climbing safety sign, to haul themselves on to the plinth of Nelson's Column, on 15th December 2016, in Trafalgar Square, London, England.
    trafalgar_climbing-04-15-12-2016.jpg
  • Children ignore a no climbing safety sign, to haul themselvs on to the plinth of Nelson's Column, on 15th December 2016, in Trafalgar Square, London, England.
    trafalgar_climbing-01-15-12-2016.jpg
  • The sculpture known as Gift Horse, by German artist Hans Haacke, in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    trafalgar_plinth01-15-02-2016.jpg
  • London Mayor Boris Johnson in Trafalgar Square. As the sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse41-05-03-2015.jpg
  • London Mayor Boris Johnson is interviewed in Trafalgar Square. As the sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse07-05-03-2015.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory13-24-05-2010.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory12-24-05-2010.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory11-24-05-2010.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory06-24-05-2010.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory05-24-05-2010.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory03-24-05-2010.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory01-24-05-2010.jpg
  • A tourist is pushed up on to the plinth of one of four lions in Trafalgar Square, on 8th October 2018, in London, England. The lions are by Sir Edwin Henry Landseer RA, an English painter well known for his paintings of animals—particularly horses, dogs and stags. The best known of Landseer's works, however, are these lions in Trafalgar Square.
    trafalgar_lion-01-08-10-2018.jpg
  • London Mayor Boris Johnson is interviewed in Trafalgar Square. As the sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse03-05-03-2015.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory04-24-05-2010.jpg
  • The statue of King George IV, opposite the church of St Martin-in-the-Fields, on 17th January 2017, in Trafalgar Square, London England.
    trafalgar_square-05-17-01-2017.jpg
  • A young girl sits beneath one of the four enormous lion statues at the base of Nelson's column, on 17th January 2017, in Trafalgar Square, London England. The column dedicated to the heroic naval Admiral Lord Nelson is guarded by the four monumental bronze lions sculpted by Sir Edwin Landseer. In recent years there have been numerous falls from the lions resulting in serious injury including the necessity of the air ambulance.
    trafalgar_square-01-17-01-2017.jpg
  • The grasping arms of SouthAfrican President Nelson Mandela's statue with outstretched arm of former Labour politician David Lloyd-George Statues on 18th January 2017, in Parliament Square, London England. The statue of David Lloyd George is an outdoor bronze sculpture of former British Prime Minister David Lloyd George by Glynn Williams. This statue, which stands 8 feet (2.4 m) tall, was unveiled in October 2007 and was funded by the David Lloyd George Statue Appeal, a charitable trust supported in part by HRH The Prince of Wales. The memorial to Nelson Mandela in Parliament Square, London, is a bronze sculpture of former President of South Africa and anti-apartheid activist Nelson Mandela. Originally proposed to Mandela by Donald Woods in 2001, a fund was set up and led by Woods's wife and Lord Richard Attenborough.
    westminster-06-18-01-2017.jpg
  • London 6th December 2013: Tributes pour in to the former South African leader and anti-apartheid ANC campaigner Nelson Mandela, who has died aged 95. Mandela made many friends in Britain, visiting many times - in the 60s to raise funds for his political struggle against the racist regime, then as President after 27 years imprisonment.
    mandela_tributes28-06-12-2013.jpg
  • While a shrine of flowers and messages continue to grow ten days after the terrorist attack on London Bridge and Borough Market, the Griffin marking the southern-most boundary of the City of London - the capital's financial district - has been draped with the English flag (aka the Cross of St. George), on 12th June 2017 in London, England. Near the southern-most boundary of the City of London, where tLondoners and visitors to the capital leave their emotional and defiant poems and personal messages on post-it notes.
    london_bridge_terrorism-21-12-06-201...jpg
  • A young girl sits beneath one of the four enormous lion statues at the base of Nelson's column, on 17th January 2017, in Trafalgar Square, London England. The column dedicated to the heroic naval Admiral Lord Nelson is guarded by the four monumental bronze lions sculpted by Sir Edwin Landseer. In recent years there have been numerous falls from the lions resulting in serious injury including the necessity of the air ambulance.
    trafalgar_square-02-17-01-2017.jpg
  • The grasping arms of SouthAfrican President Nelson Mandela's statue with outstretched arm of former Labour politician David Lloyd-George Statues on 18th January 2017, in Parliament Square, London England. The statue of David Lloyd George is an outdoor bronze sculpture of former British Prime Minister David Lloyd George by Glynn Williams. This statue, which stands 8 feet (2.4 m) tall, was unveiled in October 2007 and was funded by the David Lloyd George Statue Appeal, a charitable trust supported in part by HRH The Prince of Wales. The memorial to Nelson Mandela in Parliament Square, London, is a bronze sculpture of former President of South Africa and anti-apartheid activist Nelson Mandela. Originally proposed to Mandela by Donald Woods in 2001, a fund was set up and led by Woods's wife and Lord Richard Attenborough.
    westminster-08-18-01-2017.jpg
  • The grasping arms of SouthAfrican President Nelson Mandela's statue with outstretched arm of former Labour politician David Lloyd-George Statues on 18th January 2017, in Parliament Square, London England. The statue of David Lloyd George is an outdoor bronze sculpture of former British Prime Minister David Lloyd George by Glynn Williams. This statue, which stands 8 feet (2.4 m) tall, was unveiled in October 2007 and was funded by the David Lloyd George Statue Appeal, a charitable trust supported in part by HRH The Prince of Wales. The memorial to Nelson Mandela in Parliament Square, London, is a bronze sculpture of former President of South Africa and anti-apartheid activist Nelson Mandela. Originally proposed to Mandela by Donald Woods in 2001, a fund was set up and led by Woods's wife and Lord Richard Attenborough.
    westminster-11-18-01-2017.jpg
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