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  • Undressed female mannequins, awaiting latest clothing show body forms and proportions in a central London street.
    retail_window04-04-02-2015.jpg
  • Undressed female mannequins, awaiting latest clothing show body forms and proportions in a central London street.
    retail_window08-04-02-2015.jpg
  • Undressed female mannequins, awaiting latest clothing show body forms and proportions in a central London street.
    retail_window06-04-02-2015.jpg
  • An athletic man poses against a wall on Ocean Drive in Miami Beach, Florida. This fine specimen of a man wears roller-blades and trousers tucked into his skates with a yellow t-shirt with the word Frequency across his pectoral muscles. His shdow appears across the wall and because of the angle, his shape has been greatly exaggerated, his body becoming a much wider, stockier proportion than the reality. He stands with an arm resting high on the wall and the other on his hip, almost in a feminine manner. He is nonetheless the epitome of maleness, of virility with the healthy physique that women adore and other men are jealous of! The sdidewalk pavement arcs around a corner and the wall with its long shadow is a strong diagonal line across the picture, disappearing to the far right.
    miami_beach05-15-12-2007 .jpg
  • Covered mannequins, awaiting clothing in a London retail shop woindow.
    covered_mannequins04-14-01-2016.jpg
  • Mannequins of women show a sexist stereotype of their gender, outside a clothing business in south London.
    sexist_mannequins03-10-02-2015.jpg
  • City workers talk near an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart.
    city_numbers02-05-07-2013.jpg
  • A local woman walks past colourful dress designs on a stall at the weekly market at Qurna, a village on the West Bank of Luxor, Nile Valley, Egypt.
    egypt17-01-03-2016.jpg
  • Covered mannequins, awaiting clothing in a London retail shop woindow.
    covered_mannequins03-14-01-2016.jpg
  • Covered mannequins, awaiting clothing in a London retail shop woindow.
    covered_mannequins02-14-01-2016.jpg
  • Mannequins of women show a sexist stereotype of their gender, outside a clothing business in south London.
    sexist_mannequins07-10-02-2015.jpg
  • Mannequins of women show a sexist stereotype of their gender, outside a clothing business in south London.
    sexist_mannequins06-10-02-2015.jpg
  • A city worker smokes a cigarette as a woman drinks water next to an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart. Situated in the capital's Square Mile, its financial heart, are surrounding offices and corporate headquarters from the finance and insurance sector, most notably being the nearby Lloyds of London building. This series of sculptures is composed of 10 brightly painted numerical digits, each made of aluminum and set on its own base. Their construction took place at the former Lippincott Foundry in North Haven, Connecticut from 1980 to 1983
    city_numbers05-09-07-2013.jpg
  • City workers rest by an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart.
    city_numbers01-05-07-2013.jpg
  • City workers talk by an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart.
    city_numbers10-05-07-2013.jpg
  • Colourful dress designs hang from a line on a stall at the weekly market at Qurna, a village on the West Bank of Luxor, Nile Valley, Egypt.
    egypt15-01-03-2016.jpg
  • Colourful dress designs hang from a line on a stall at the weekly market at Qurna, a village on the West Bank of Luxor, Nile Valley, Egypt.
    egypt14-01-03-2016.jpg
  • Shop mannequins await dressing and styling in central London window.
    shop_mannequins03-19-03-2015.jpg
  • A worker in red overalls passes-by a large red number One, part of an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart.
    city_numbers17-05-07-2013.jpg
  • City workers talk near an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart.
    city_numbers03-05-07-2013.jpg
  • Colourful dress designs on a stall at the weekly market at Qurna, a village on the West Bank of Luxor, Nile Valley, Egypt.
    egypt13-01-03-2016.jpg
  • Colourful dress designs on a stall at the weekly market at Qurna, a village on the West Bank of Luxor, Nile Valley, Egypt.
    egypt12-01-03-2016.jpg
  • Colourful dress designs on a stall at the weekly market at Qurna, a village on the West Bank of Luxor, Nile Valley, Egypt.
    egypt11-01-03-2016.jpg
  • Covered mannequins, awaiting clothing in a London retail shop woindow.
    covered_mannequins07-14-01-2016.jpg
  • Covered mannequins, awaiting clothing in a London retail shop woindow.
    covered_mannequins05-14-01-2016.jpg
  • Covered mannequins, awaiting clothing in a London retail shop woindow.
    covered_mannequins01-14-01-2016.jpg
  • Mannequins of women show a sexist stereotype of their gender, outside a clothing business in south London.
    sexist_mannequins08-10-02-2015.jpg
  • Mannequins of women show a sexist stereotype of their gender, outside a clothing business in south London.
    sexist_mannequins05-10-02-2015.jpg
  • Mannequins of women show a sexist stereotype of their gender, outside a clothing business in south London.
    sexist_mannequins04-10-02-2015.jpg
  • City workers pass-by an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart. Situated in the capital's Square Mile, its financial heart, are surrounding offices and corporate headquarters from the finance and insurance sector, most notably being the nearby Lloyds of London building. This series of sculptures is composed of 10 brightly painted numerical digits, each made of aluminum and set on its own base. Their construction took place at the former Lippincott Foundry in North Haven, Connecticut from 1980 to 1983
    city_numbers07-09-07-2013.jpg
  • A city worker smokes a cigarette as a woman stretches hamstrings after exercise next to an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart. Situated in the capital's Square Mile, its financial heart, are surrounding offices and corporate headquarters from the finance and insurance sector, most notably being the nearby Lloyds of London building. This series of sculptures is composed of 10 brightly painted numerical digits, each made of aluminum and set on its own base. Their construction took place at the former Lippincott Foundry in North Haven, Connecticut from 1980 to 1983
    city_numbers06-09-07-2013.jpg
  • A city worker uses her smartphone by an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart. Situated in the capital's Square Mile, its financial heart, are surrounding offices and corporate headquarters from the finance and insurance sector, most notably being the nearby Lloyds of London building. This series of sculptures is composed of 10 brightly painted numerical digits, each made of aluminum and set on its own base. Their construction took place at the former Lippincott Foundry in North Haven, Connecticut from 1980 to 1983
    city_numbers04-09-07-2013.jpg
  • The Lloyds Building and a number two, part of an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart. Situated in the capital's Square Mile, its financial heart, are surrounding offices and corporate headquarters from the finance and insurance sector, most notably being the nearby Lloyds of London building. This series of sculptures is composed of 10 brightly painted numerical digits, each made of aluminum and set on its own base. Their construction took place at the former Lippincott Foundry in North Haven, Connecticut from 1980 to 1983
    city_numbers02-09-07-2013.jpg
  • City workers talk near an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart.
    city_numbers14-05-07-2013.jpg
  • The Lloyds Building and a number two, part of an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart.
    city_numbers05-05-07-2013.jpg
  • A city worker uses his smartphone by an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart.
    city_numbers04-05-07-2013.jpg
  • City workers talk near an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart.
    city_numbers13-05-07-2013.jpg
  • City workers pass-by a large number One, part of an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart.
    city_numbers16-05-07-2013.jpg
  • City workers pass-by an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart.
    city_numbers12-05-07-2013.jpg
  • A city worker passes-by a large red number One, part of an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart.
    city_numbers11-05-07-2013.jpg
  • Six office workers silhouetted against the large orange wall of the Credit Lyonnais Bank. They rush to work while one figure stands and talks into his mobile phone, at Broadgate in the City of London, UK. Broadgate Estate is a large, 32 acre (129,000 m²) office and retail estate in the City of London, owned by British Land and managed by Broadgate Estates. It was originally built by Rosehaugh and was the largest office development in London until the arrival of Canary Wharf in the early 1990s.
    RB-0182.jpg
  • A woman smokes a cigarette by a large red number One and Two, part of an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart.
    city_numbers21-05-07-2013.jpg
  • On the day that Prime Minister Theresa May meets with Labour leader Jeremy Corbyn in an attempt to break the Brexit deadlock in parliament, pro-EU placards opposite Parliament in Westminster, on 3rd April 2019, in London, England.
    brexit_protest-04-03-04-2019.jpg
  • On the day that Prime Minister Theresa May meets with Labour leader Jeremy Corbyn in an attempt to break the Brexit deadlock in parliament, pro-EU placards opposite Parliament in Westminster, on 3rd April 2019, in London, England.
    brexit_protest-03-03-04-2019.jpg
  • We see four office workers silhouetted against the large orange wall of the Credit Lyonnais Bank at Broadgate in the City of London, UK. Several figures who are also reduced to black shapes and without detail that may identify them or their clothes, are hurrying in different directions, carrying a bag or briefcase but the feeling of rushing business is seen and their scale is ambiguous becase we don't know how close or far away they are from each other. This is due to telephoto lens forshortening. Some therefore look giants and some appear tiny. Broadgate Estate is a large, 32 acre (129,000 m²) office and retail estate in the City of London, owned by British Land and managed by Broadgate Estates. It was originally built by Rosehaugh and was the largest office development in London until the arrival of Canary Wharf in the early 1990s..
    four_silhouettes01-18-05-1995.jpg
  • With few visitors to see, a young boy pees into the water surrounding a model town at the Splendid China model village, the 30 hectares large tourist attraction in the city of Shenzhen, China. The kid aims into the water with his mother's help. In the background we see some of the 50,000 ceramic figures and scenes from a period in Chinese history and further away, modern skyscrapers in the metropolis contrasting with ancient, traditional village life. Splendid China is an attraction at the Overseas Chinese Town, Shenzhen that has scaled down replicas of China's historical buildings, wonderful scenes and folk customs. The scale models are of a 1:15 with 100 miniaturized landmarks such as The Terracotta Warriors; Great Wall; Forbidden City; Old Summer Palace etc. all laid out according to their geographic locations.
    shenzhen_peeing04-21-1995.jpg
  • We see two office workers silhouetted against the large orange wall  of the Credit Lyonnais Bank, rushing to work through Broadgate in the City of London, UK. The figures are reduced to black shapes and without detail that may identify them or their clothes, are hurrying in different directions, one is a lady carrying a bag  but the feeling of rushing business is seen and their scale is ambiguous because  we don't know how close or far away they are from each other. The female therefore looks a  giant and the man, tiny. Broadgate Estate is a large, 32 acre (129,000 m²) office and retail estate in the City of London, owned by British Land and managed by Broadgate Estates. It was originally built by Rosehaugh and was the largest office development in London until the arrival of Canary Wharf in the early 1990s..
    RB_078-18-05-1995.jpg
  • A team of English tea-tasters employed by the tea company Lyons sample different blends for the PG Tips brand in the City of London, England UK. With variously-sourced teas from tea estate plantations, they smell, touch, sip, slurp then spit the hot drink out into a spittoon rather than swallow it many times repeatedly. Britons drink 35 million cups of PG Tips a day and world tea production is approximately 3.2 million tonnes a year. Kenya is the largest producer with Sri Lanka a close second. PG Tips is imported as single estate teas from around the world and blended in precise proportions set by the tea tasters to make blend 777, which can contain between 12 and 35 single estate teas at any one time depending on season..
    tea_tasting-14-02-1993.jpg
  • A team of English tea-tasters employed by the tea company Lyons sample different blends for the PG Tips brand in the City of London, England UK. With variously-sourced teas from tea estate plantations, they smell, touch, sip, slurp then spit the hot drink out into a spitoon rather than swallow it many times repeatedly. Britons drink 35 million cups of PG Tips a day and world tea production is approximately 3.2 million tonnes a year. Kenya is the largest producer with Sri Lanka a close second. PG Tips is imported as single estate teas from around the world and blended in precise proportions set by the tea tasters to make blend 777, which can contain between 12 and 35 single estate teas at any one time depending on season..
    RB_133-21-05-1993.jpg
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Richard Baker Photography

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