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  • Statue of Sir Joshua Reynolds (1723-92) and Sculptor Conrad Shawcross's artwork entitled The Dappled Light of the Sun, canopy of welded-steel clouds in the Annenberg Courtyard outside the Royal Academy for the 2015 Summer Show.
    royal_academy05-04-06-2015.jpg
  • Statue of Sir Joshua Reynolds (1723-92) and Sculptor Conrad Shawcross's artwork entitled The Dappled Light of the Sun, canopy of welded-steel clouds in the Annenberg Courtyard outside the Royal Academy for the 2015 Summer Show.
    royal_academy04-04-06-2015.jpg
  • Sculptor Conrad Shawcross's canopy of welded-steel clouds artwork entitled The Dappled Light of the Sun, in the Annenberg Courtyard outside the Royal Academy for the 2015 Summer Show.
    royal_academy01-04-06-2015.jpg
  • With a further 184 reported UK Covid deaths in the last 24 hrs, a total now of 43,414, old friends ignore lockdown rules when greeting each other with a hug infront of the statues of Gottfried Leibniz, Georges Cuvier and Carl Linnaeus, and alongside a social distance post outside the Royal Academy on Burlington Gardens, on 26th June 2020, in London, England. Government restrictions have yet to ease when the 2 metre rule is to be realxed on 4th July for 'one metre plus' and when art galleries like the RA re-open. Venues re-opening will be conditional on the progression of the virus and how well social distancing measures are implemented.
    coronavirus_westend-08-26-06-2020.jpg
  • With a further 154 covid deaths reported in the last 24hrs, bringing the total to 43,081 in the UK during the Coronavirus pandemic, two men carry their takeaway coffees past the statues of Adam Smith, John Locke and Francis Bacon outside the rear entrance of the Royal Academy in Burlington Gardens, on 24th June 2020, in London, England.
    coronavirus_westend-13-24-06-2020.jpg
  • With a further 154 covid deaths reported in the last 24hrs, bringing the total to 43,081 in the UK during the Coronavirus pandemic, a social distance notice has been attached to a parking sign pole outside the rear entrance of the Royal Academy in Burlington Gardens, whose statues to Georges Cuvier and Carl Linnaeus appear to be practicing correct lockdown rules, on 24th June 2020, in London, England.
    coronavirus_westend-10-24-06-2020.jpg
  • Bus passengers overlook a man wearing a facial covering who stands beneath banners for the Royal Academy's Gauguin summer exhibition, during the Coronavirus pandemic, on 27th August 2020, in London, England.
    bus_journey01-27-08-2020.jpg
  • With a further 89 UK covid victims in the last 24hrs, bringing the total victims to 43,995 during the Coronavirus pandemic, pubs, restaurants, hairdressers and some art galleries such as here, at the Royal Academy, will open again on Saturday 4th July. Two Londoners sit and chat separated by 2 metres, according to the government's rules, as shown on many social distance notices around the capital, on 2nd July 2020, in London, England.
    coronavirus_WestEnd-45-02-07-2020.jpg
  • With a further 89 UK covid victims in the last 24hrs, bringing the total victims to 43,995 during the Coronavirus pandemic, pubs, restaurants, hairdressers and some art galleries such as here, at the Royal Academy, will open again on Saturday 4th July. Two Londoners sit and chat separated by 2 metres, according to the government's rules, as shown on many social distance notices around the capital, on 2nd July 2020, in London, England.
    coronavirus_WestEnd-44-02-07-2020.jpg
  • With a further 89 UK covid victims in the last 24hrs, bringing the total victims to 43,995 during the Coronavirus pandemic, pubs, restaurants, hairdressers and some art galleries such as here, at the Royal Academy, will open again on Saturday 4th July. Two Londoners sit and chat separated by 2 metres, according to the government's rules, as shown on many social distance notices around the capital, on 2nd July 2020, in London, England.
    coronavirus_WestEnd-43-02-07-2020.jpg
  • With a further 89 UK covid victims in the last 24hrs, bringing the total victims to 43,995 during the Coronavirus pandemic, pubs, restaurants, hairdressers and some art galleries such as here, at the Royal Academy, will open again on Saturday 4th July. Two Londoners sit and chat separated by 2 metres, according to the government's rules, as shown on many social distance notices around the capital, on 2nd July 2020, in London, England.
    coronavirus_WestEnd-42-02-07-2020.jpg
  • With a further 184 reported UK Covid deaths in the last 24 hrs, a total now of 43,414, old friends greet each other with a hug infront of the statues of Gottfried Leibniz, Georges Cuvier and Carl Linnaeus, and alongside a social distance post outside the Royal Academy on Burlington Gardens, on 26th June 2020, in London, England. Government restrictions have yet to ease when the 2 metre rule is to be realxed on 4th July for 'one metre plus' and when art galleries like the RA re-open. Venues re-opening will be conditional on the progression of the virus and how well social distancing measures are implemented.
    coronavirus_westend-07-26-06-2020.jpg
  • With a further 184 reported UK Covid deaths in the last 24 hrs, a total now of 43,414, old friends ignore lockdown rules when greeting each other with a hug infront of the statues of Gottfried Leibniz, Georges Cuvier and Carl Linnaeus, and alongside a social distance post outside the Royal Academy on Burlington Gardens, on 26th June 2020, in London, England. Government restrictions have yet to ease when the 2 metre rule is to be realxed on 4th July for 'one metre plus' and when art galleries like the RA re-open. Venues re-opening will be conditional on the progression of the virus and how well social distancing measures are implemented.
    coronavirus_westend-06-26-06-2020.jpg
  • With a further 184 reported UK Covid deaths in the last 24 hrs, a total now of 43,414, a museum employee positions a poster for the annual LGBT Pride event at the Pace gallery in the Royal Academy. Pride 2020 has been cancelled because of the Coronavirus pandemic, on 26th June 2020, in London, England. Government restrictions are expected to ease for art galleries like the RA, with plans to re-open on 4th July. Venues re-opening will be conditional on the progression of the virus and how well social distancing measures are implemented.
    coronavirus_westend-04-26-06-2020.jpg
  • With a further 184 reported UK Covid deaths in the last 24 hrs, a total now of 43,414, a museum employee positions a poster for the annual LGBT Pride event at the Pace gallery in the Royal Academy. Pride 2020 has been cancelled because of the Coronavirus pandemic, on 26th June 2020, in London, England. Government restrictions are expected to ease for art galleries like the RA, with plans to re-open on 4th July. Venues re-opening will be conditional on the progression of the virus and how well social distancing measures are implemented.
    coronavirus_westend-03-26-06-2020.jpg
  • With a further 154 covid deaths reported in the last 24hrs, bringing the total to 43,081 in the UK during the Coronavirus pandemic, two men carry their takeaway coffees past the statues of Adam Smith, John Locke and Francis Bacon outside the rear entrance of the Royal Academy in Burlington Gardens, on 24th June 2020, in London, England.
    coronavirus_westend-14-24-06-2020.jpg
  • With a further 154 covid deaths reported in the last 24hrs, bringing the total to 43,081 in the UK during the Coronavirus pandemic, a man walks towards a social distance notice, attached to a parking sign pole outside the rear entrance of the Royal Academy in Burlington Gardens, whose statues to Georges Cuvier and Carl Linnaeus appear to be practicing correct lockdown rules, on 24th June 2020, in London, England.
    coronavirus_westend-12-24-06-2020.jpg
  • With a further 154 covid deaths reported in the last 24hrs, bringing the total to 43,081 in the UK during the Coronavirus pandemic, a social distance notice has been attached to a parking sign pole outside the rear entrance of the Royal Academy in Burlington Gardens, whose statues to Georges Cuvier and Carl Linnaeus appear to be practicing correct lockdown rules, on 24th June 2020, in London, England.
    coronavirus_westend-11-24-06-2020.jpg
  • With a further 154 covid deaths reported in the last 24hrs, bringing the total to 43,081 in the UK during the Coronavirus pandemic, a social distance notice has been attached to a parking sign pole outside the rear entrance of the Royal Academy in Burlington Gardens, whose statues to Georges Cuvier and Carl Linnaeus appear to be practicing correct lockdown rules, on 24th June 2020, in London, England.
    coronavirus_westend-09-24-06-2020.jpg
  • With a further 154 covid deaths reported in the last 24hrs, bringing the total to 43,081 in the UK during the Coronavirus pandemic, a social distance notice has been attached to a parking sign pole outside the rear entrance of the Royal Academy in Burlington Gardens, whose statues to Georges Cuvier and Carl Linnaeus appear to be practicing correct lockdown rules, on 24th June 2020, in London, England.
    coronavirus_westend-07-24-06-2020.jpg
  • A man uses his mobile phone beneath the figures of Gottfried Leibniz, Georges Cuvier and Carl Linnaeus at the rear of the Royal Academy in Burlington Gardens, on 30th April 2019, in London, England
    west_end-09-30-04-2019.jpg
  • A curator inspects art canvasses leaning against gallery walls in the Royal Academy (RA) for its 'The Glory of Venice: Art in the Eighteenth Century' exhibition, a collection of important works of art by Italian artists such as Tiepolo, Canaletto, Piranesi, Piazzetta, and Guardi. In the privacy of the closed gallery, a lady official from the RA is bending down, resting her hands on knees and scrutinizing for possible damage after their removal from travel packing crates, whilst on the floor before hanging for public view. We see the largest picture on the right (Luca Carlevaris, The Bucintore Departing from S. Marco. 1710) of the Grand Canal in Venice and on the left is 'Domenico Tiepolo, The Institution of the Eucharist, 1753'. Polished wooden parquet flooring is protected by blocks that support the weight of each work of priceless art.
    RB_035-31-05-1994.jpg
  • With a further 154 covid deaths reported in the last 24hrs, bringing the total to 43,081 in the UK during the Coronavirus pandemic, a social distance notice has been attached to a parking sign pole outside the rear entrance of the Royal Academy in Burlington Gardens, whose statues to Georges Cuvier and Carl Linnaeus appear to be practicing correct lockdown rules, on 24th June 2020, in London, England.
    coronavirus_westend-08-24-06-2020.jpg
  • As a visual pun, the statue of Sir Joshua Reynolds seeminly paints clouds in blue sky from outside the Royal Academy in Piccadilly during the Summer Exhibition, on 13th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshua's statue stands in the "Annenberg Courtyard" of Burlington House.
    joshua_reynolds-08-13-08-2019.jpg
  • As a visual pun, the statue of Sir Joshua Reynolds seeminly paints clouds in blue sky from outside the Royal Academy in Piccadilly during the Summer Exhibition, on 13th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshua's statue stands in the "Annenberg Courtyard" of Burlington House.
    joshua_reynolds-07-13-08-2019.jpg
  • As a visual pun, the statue of Sir Joshua Reynolds seeminly paints clouds in blue sky from outside the Royal Academy in Piccadilly during the Summer Exhibition, on 13th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshua's statue stands in the "Annenberg Courtyard" of Burlington House.
    joshua_reynolds-06-13-08-2019.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly during the Summer Exhibition, on 5th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshua's statue stands in the "Annenberg Courtyard" of Burlington House.
    reynolds_statue-05-05-08-2019.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly during the Summer Exhibition, on 5th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshua's statue stands in the "Annenberg Courtyard" of Burlington House.
    reynolds_statue-03-05-08-2019.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly during the Summer Exhibition, on 5th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshua's statue stands in the "Annenberg Courtyard" of Burlington House.
    reynolds_statue-04-05-08-2019.jpg
  • Dapper gentleman walks past American Gothic poster, outside the Royal Academy on Piccadilly, on 30th March 2017, in London, England.
    piccadilly_people-03-30-03-2017.jpg
  • Dapper gentleman walks past American Gothic poster, outside the Royal Academy on Piccadilly, on 30th March 2017, in London, England.
    piccadilly_people-04-30-03-2017.jpg
  • With a further 184 reported UK Covid deaths in the last 24 hrs, a total now of 43,414, a man walks with his dog outsie the Royal Academy on Burlington Gardens, on 26th June 2020, in London, England. Government restrictions are expected to ease for art galleries like the RA, with plans to re-open on 4th July. Venues reopening will be conditional on the progression of the virus and how well social distancing measures are implemented.
    coronavirus_westend-05-26-06-2020.jpg
  • As a visual pun, the statue of Sir Joshua Reynolds seeminly paints clouds in blue sky from outside the Royal Academy in Piccadilly during the Summer Exhibition, on 13th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshua's statue stands in the "Annenberg Courtyard" of Burlington House.
    joshua_reynolds-03-13-08-2019.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly during the Summer Exhibition, on 5th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshua's statue stands in the "Annenberg Courtyard" of Burlington House.
    reynolds_statue-02-05-08-2019.jpg
  • A woman checks herself after sitting beneath the statue of British Victorian philosopher John Locke (by William Theed) and a modern sculpture by Renzo Piano, with a full-size fibreglass reproduction of a 'gerberette', one of the die-cast rocker beams that cantilever from Paris' Georges Pompidou building, on 10th January 2019, in London, England. British philosopher John Locke (1632 - 1704) whose effigies are by William Theed, also known as William Theed, the younger (1804 – 9 September 1891) an English sculptor whose services were extensively used by the Royal Family.
    new_art-08-10-01-2019.jpg
  • The statue of British Victorian philosopher John Locke (by William Theed) and a modern sculpture by Renzo Piano, of a full-size fibreglass reproduction of a 'gerberette', one of the die-cast rocker beams that cantilever from Paris' Georges Pompidou building, on 10th January 2019, in London, England. British philosopher John Locke (1632 - 1704) whose effigies are by William Theed, also known as William Theed, the younger (1804 – 9 September 1891) an English sculptor whose services were extensively used by the Royal Family.
    new_art-06-10-01-2019.jpg
  • The statue of British Victorian philosopher John Locke (by William Theed) and a modern sculpture by Renzo Piano, of a full-size fibreglass reproduction of a 'gerberette', one of the die-cast rocker beams that cantilever from Paris' Georges Pompidou building, on 10th January 2019, in London, England. British philosopher John Locke (1632 - 1704) whose effigies are by William Theed, also known as William Theed, the younger (1804 – 9 September 1891) an English sculptor whose services were extensively used by the Royal Family.
    new_art-05-10-01-2019.jpg
  • The statue of British Victorian philosopher John Locke (by William Theed) and a modern sculpture by Renzo Piano, of a full-size fibreglass reproduction of a 'gerberette', one of the die-cast rocker beams that cantilever from Paris' Georges Pompidou building, on 10th January 2019, in London, England. British philosopher John Locke (1632 - 1704) whose effigies are by William Theed, also known as William Theed, the younger (1804 – 9 September 1891) an English sculptor whose services were extensively used by the Royal Family.
    new_art-04-10-01-2019.jpg
  • A woman checks herself after sitting beneath the statue of British Victorian philosopher John Locke (by William Theed) and a modern sculpture by Renzo Piano, with a full-size fibreglass reproduction of a 'gerberette', one of the die-cast rocker beams that cantilever from Paris' Georges Pompidou building, on 10th January 2019, in London, England. British philosopher John Locke (1632 - 1704) whose effigies are by William Theed, also known as William Theed, the younger (1804 – 9 September 1891) an English sculptor whose services were extensively used by the Royal Family.
    new_art-07-10-01-2019.jpg
  • The statue of British Victorian philosopher John Locke (by William Theed) and a modern sculpture by Renzo Piano, of a full-size fibreglass reproduction of a 'gerberette', one of the die-cast rocker beams that cantilever from Paris' Georges Pompidou building, on 10th January 2019, in London, England. British philosopher John Locke (1632 - 1704) whose effigies are by William Theed, also known as William Theed, the younger (1804 – 9 September 1891) an English sculptor whose services were extensively used by the Royal Family.
    new_art-03-10-01-2019.jpg
  • A couple and the statue of British Victorian philosopher John Locke (by William Theed) and a modern sculpture by Renzo Piano, of a full-size fibreglass reproduction of a 'gerberette', one of the die-cast rocker beams that cantilever from Paris' Georges Pompidou building, on 10th January 2019, in London, England. British philosopher John Locke (1632 - 1704) whose effigies are by William Theed, also known as William Theed, the younger (1804 – 9 September 1891) an English sculptor whose services were extensively used by the Royal Family.
    new_art-02-10-01-2019.jpg
  • Two workmen carry an outdoor gas restaurant heater below two statues of Adam Smith and John Locke by the Victorian William Theed. The two workers manhandle the heavy and awkward heater to a private function in a rear entrance of the Royal Academy in central London. Looking down on the two colleagues, the two statue figures from a bygone age of the Arts look stern: They are Scottish philosopher Adam Smith (1723 - 1790) and British philosopher John Locke (1632 - 1704) whose effigies are by William Theed, also known as William Theed, the younger (1804 - 9 September 1891) an English sculptor whose services were extensively used by the Royal Family.
    carying_heater1-08-September-2011.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-20-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-19-06-04-2018.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time. Sir Joshua Reynolds stands in the "Annenberg Courtyard" of Burlington House.
    royal_academy-13-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-12-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-11-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-10-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-09-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-07-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-06-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-02-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-01-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-18-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-17-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-16-06-04-2018.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time. Sir Joshua Reynolds stands in the "Annenberg Courtyard" of Burlington House.
    royal_academy-15-06-04-2018.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time. Sir Joshua Reynolds stands in the "Annenberg Courtyard" of Burlington House.
    royal_academy-14-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-08-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-05-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-04-06-04-2018.jpg
  • The Sovereigns passing-out parade at the Sandhurst Royal Military Academy, on 16th June 1996, at Sandhurst, England. The Royal Military Academy Sandhurst (RMAS), commonly known simply as Sandhurst, is the British Army officer initial training centre. Sandhurst is prestigious and has had many famous alumni including Sir Winston Churchill, King Abdullah II of Jordan, Sultan Qaboos of Oman and, more recently, Prince Harry and Prince William. All British Army officers, and many from elsewhere in the world, are trained at Sandhurst. RMA Sandhurst was formed in 1947, from a merger of the Royal Military Academy in Woolwich (which trained officers for the Royal Artillery and Royal Engineers from 1741 to 1939) and the Royal Military College at Sandhurst.
    sandhurst_horse-16-06-1996.jpg
  • With a grimace on her pained face, a female Officer Cadet at the Royal Military Academy Sandhurst splashes through a water obstacle during  an endurance race. Recruits are running a 5 mile steeplechase around the Academy grounds to assess individual stamina and accumulate team points. Sandhurst is an institution which has bred staff officers since 1800. Today it trains future officers for the demands of leadership and military understanding of military understanding. Students are tested for their command instincts, intellect, strength of character and physical endurance often under great psychological pressure - the demands asked of them in modern warfare. Failure in this test might not necessarily mean dismissal though perseverance or refusal to give up won't harm their prospects.
    sandhurst_cadet04-12-1996.jpg
  • An Officer Cadet at the Royal Military Academy Sandhurst is loaded into the back of a British Army Land Rover ambulance to join the downfacing trainers of a collapsed colleague, after retiring  from an endurance race. Recruits run a 5 mile steeplechase around the Academy grounds to assess individual stamina and accumulate team points. Sandhurst is an institution which has bred staff officers since 1800. Today it trains future officers for the demands of leadership and military understanding of military understanding,. Students are tested for their command instincts, intellect, strength of character and physical endurance often under great psychological pressure - the demands asked of them in modern warfare. Failure in this test might not necessarily mean dismissal though perserverence or refusal to give up won't harm their prospects.
    army02-15-12-2007 .jpg
  • In the foreground we see the strong forearm of a British army soldier whose blood group O-Negative has been tattooed in large letters beneath an image of a Japanese Geisha girl. He also wears a watch with aq green strap matching his working army fatigues uniform. Behind him are two part-time territorial army conscripts who are sitting on their  army-issued rucksack Bergens awaiting further orders to serve on active duty from Sandhurst military academy to the Balkans during Operation Resolute, the  National Support Element to support NATO action. The dominating figure in the foreground stands upright though we don't see his face. His two conscripts sit on the ground looking dejected or perhaps worried about their forthcoming duties. They are still in civillian clothing, jeans and t-shirts but will soon change into uniform.
    army06-15-12-2007 .jpg
  • The Sense of Light, 2001 by the artist Christopher Le Brun RA (Royal Academy) in situ installed at the United Reform Church, Camberwell. The Sense of Sight is a bronze relief, an edition of 3. Christopher Mark Le Brun was born in Portsmouth in 1951. He studied at the Slade School of Fine Art (DFA) in London from 1970-74 and at Chelsea School of Art (MA) from 1974-75. Le Brun has exhibited in many significant surveys of international art, including Nuova Immagine, Milan 1981, Zeitgeist Berlin 1982, Avant-garde in the Eighties, Los Angeles 1987 Contemporary Voices, Museum of Modern Art New York 2005 and Watercolour Tate Britain 2011. From 1987-88 he received the D.A.A.D. award from the German government, living and working in Berlin for a year. He was elected to the Royal Academy in 1996 and in 2000 became the Academy's first Professor of Drawing. Le Brun is a former trustee of the Tate, the National Gallery, and the Dulwich Picture Gallery. He is currently a trustee of the Prince's Drawing School. In 2010 he was awarded an Honorary Fellowship by the University of the Arts London. in 2011 he was elected President of the Royal Academy.
    le_brun_art02-01-02-2012.jpg
  • The Sense of Light, 2001 by the artist Christopher Le Brun RA (Royal Academy) in situ installed at the United Reform Church, Camberwell. The Sense of Sight is a bronze relief, an edition of 3. Christopher Mark Le Brun was born in Portsmouth in 1951. He studied at the Slade School of Fine Art (DFA) in London from 1970-74 and at Chelsea School of Art (MA) from 1974-75. Le Brun has exhibited in many significant surveys of international art, including Nuova Immagine, Milan 1981, Zeitgeist Berlin 1982, Avant-garde in the Eighties, Los Angeles 1987 Contemporary Voices, Museum of Modern Art New York 2005 and Watercolour Tate Britain 2011. From 1987-88 he received the D.A.A.D. award from the German government, living and working in Berlin for a year. He was elected to the Royal Academy in 1996 and in 2000 became the Academy's first Professor of Drawing. Le Brun is a former trustee of the Tate, the National Gallery, and the Dulwich Picture Gallery. He is currently a trustee of the Prince's Drawing School. In 2010 he was awarded an Honorary Fellowship by the University of the Arts London. in 2011 he was elected President of the Royal Academy.
    le_brun_art01-01-02-2012.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor24-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor46-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor45-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor44-17-09-2015.jpg
  • Chinese artist Ai Weiwei and his son. He and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor42-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor41-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor39-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor38-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor35-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor33-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor32-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor30-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor29-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor27-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor25-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor22-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor20-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor17-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor16-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor15-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor12-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor11-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor09-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor08-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor06-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor05-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor02-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor19-17-09-2015.jpg
  • Pedestrians walk below a large construction hoarding for the Royal Academy in central London, England.
    pace_london-02-23-09-2016.jpg
  • A financial industry businesswoman in red walks past the sculpture entitled City Wing on Threadneedle Street in the City of London, the capital's financial district (aka the Square Mile), on 11th July 2019, in London, England. City Wing is by the artist Christopher Le Brun. The ten-metre-tall bronze sculpture is by President of the Royal Academy of Arts, Christopher Le Brun, commissioned by Hammerson in 2009. It is called ‘The City Wing’ and has been cast by Morris Singer Art Founders, reputedly the oldest fine art foundry in the world.
    city_people-20-11-07-2019.jpg
  • Financial industry businesswomen walk past the sculpture entitled City Wing on Threadneedle Street in the City of London, the capital's financial district (aka the Square Mile), on 11th July 2019, in London, England. City Wing is by the artist Christopher Le Brun. The ten-metre-tall bronze sculpture is by President of the Royal Academy of Arts, Christopher Le Brun, commissioned by Hammerson in 2009. It is called ‘The City Wing’ and has been cast by Morris Singer Art Founders, reputedly the oldest fine art foundry in the world.
    city_people-14-11-07-2019.jpg
  • A financial industry businessman checks messages as a lady walks the other side of the sculpture entitled City Wing on Threadneedle Street in the City of London, the capital's financial district (aka the Square Mile), on 11th July 2019, in London, England. City Wing is by the artist Christopher Le Brun. The ten-metre-tall bronze sculpture is by President of the Royal Academy of Arts, Christopher Le Brun, commissioned by Hammerson in 2009. It is called ‘The City Wing’ and has been cast by Morris Singer Art Founders, reputedly the oldest fine art foundry in the world.
    city_people-05-11-07-2019.jpg
  • A financial industry buusinessman checks messages beneath the sculpture entitled City Wing on Threadneedle Street in the City of London, the capital's financial district (aka the Square Mile), on 11th July 2019, in London, England. City Wing is by the artist Christopher Le Brun. The ten-metre-tall bronze sculpture is by President of the Royal Academy of Arts, Christopher Le Brun, commissioned by Hammerson in 2009. It is called ‘The City Wing’ and has been cast by Morris Singer Art Founders, reputedly the oldest fine art foundry in the world.
    city_people-07-11-07-2019.jpg
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