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  • A south London landscape with a question mark being held in the context of a billboard ad, on 10th February 2019, in London, England.
    question_mark-05-11-02-2019.jpg
  • A makeshift street sign for Tahrir Square in St Paul's Cathedral churchyard, during the anti-capitalism Occupy London protests.
    tahrir_london2-28-10-2011.jpg
  • A south London landscape with a question mark being held in the context of a billboard ad, on 10th February 2019, in London, England.
    question_mark-04-11-02-2019.jpg
  • London UK, 8th March 2018: A suffragette-style sash has been draped by a womens group across the statue of Francis, Duke of Bedford on International Womens' Day, on 8th March 2018, in Russell Square, London, England. According to the group concerned about the poor representation of women commemorations, there are fewer than 3% of non-royal statues in the UK. Francis Russell, 5th Duke of Bedford (1765-1802) was an English aristocrat and Whig politician, responsible for much of the development of central Bloomsbury, London. Richard Baker / Alamy Live News
    international_womens_day-09-08-03-20...jpg
  • A womens group member drapes a suffragette-style sash across the statue of Francis, Duke of Bedford on International Womens' Day, on 8th March 2018, in Russell Square, London, England. According to the group concerned about the poor representation of women commemorations, there are fewer than 3% of non-royal statues in the UK. Francis Russell, 5th Duke of Bedford (1765-1802) was an English aristocrat and Whig politician, responsible for much of the development of central Bloomsbury, London.
    international_womens_day-03-08-03-20...jpg
  • A womens group member drapes a suffragette-style sash across the statue of Francis, Duke of Bedford on International Womens' Day, on 8th March 2018, in Russell Square, London, England. According to the group concerned about the poor representation of women commemorations, there are fewer than 3% of non-royal statues in the UK. Francis Russell, 5th Duke of Bedford (1765-1802) was an English aristocrat and Whig politician, responsible for much of the development of central Bloomsbury, London.
    international_womens_day-01-08-03-20...jpg
  • The burning on a bonfire of confidential personal data, accounts records and general paperwork, on 30th July 2017, in Wrington, North Somerset, England.
    data_bonfire-16-29-07-2017.jpg
  • The burning on a bonfire of confidential personal data, accounts records and general paperwork, on 30th July 2017, in Wrington, North Somerset, England.
    data_bonfire-10-29-07-2017.jpg
  • The burning on a bonfire of confidential personal data, accounts records and general paperwork, on 30th July 2017, in Wrington, North Somerset, England.
    data_bonfire-09-29-07-2017.jpg
  • The burning on a bonfire of confidential personal data, accounts records and general paperwork, on 30th July 2017, in Wrington, North Somerset, England.
    data_bonfire-05-29-07-2017.jpg
  • A south London child walks beneath a question mark being held in the context of a billboard ad, on 10th February 2019, in London, England.
    question_mark-02-11-02-2019.jpg
  • London UK, 8th March 2018: A suffragette-style sash has been draped by a womens group across the statue of Francis, Duke of Bedford on International Womens' Day, on 8th March 2018, in Russell Square, London, England. According to the group concerned about the poor representation of women commemorations, there are fewer than 3% of non-royal statues in the UK. Francis Russell, 5th Duke of Bedford (1765-1802) was an English aristocrat and Whig politician, responsible for much of the development of central Bloomsbury, London. Richard Baker / Alamy Live News
    international_womens_day-07-08-03-20...jpg
  • A suffragette-style sash has been draped by a womens group across the statue of Francis, Duke of Bedford on International Womens' Day, on 8th March 2018, in Russell Square, London, England. According to the group concerned about the poor representation of women commemorations, there are fewer than 3% of non-royal statues in the UK. Francis Russell, 5th Duke of Bedford (1765-1802) was an English aristocrat and Whig politician, responsible for much of the development of central Bloomsbury, London.
    international_womens_day-11-08-03-20...jpg
  • A suffragette-style sash has been draped by a womens group across the statue of Francis, Duke of Bedford on International Womens' Day, on 8th March 2018, in Russell Square, London, England. According to the group concerned about the poor representation of women commemorations, there are fewer than 3% of non-royal statues in the UK. Francis Russell, 5th Duke of Bedford (1765-1802) was an English aristocrat and Whig politician, responsible for much of the development of central Bloomsbury, London.
    international_womens_day-08-08-03-20...jpg
  • A suffragette-style sash has been draped by a womens group across the statue of Francis, Duke of Bedford on International Womens' Day, on 8th March 2018, in Russell Square, London, England. According to the group concerned about the poor representation of women commemorations, there are fewer than 3% of non-royal statues in the UK. Francis Russell, 5th Duke of Bedford (1765-1802) was an English aristocrat and Whig politician, responsible for much of the development of central Bloomsbury, London.
    international_womens_day-06-08-03-20...jpg
  • A womens group member drapes a suffragette-style sash across the statue of Francis, Duke of Bedford on International Womens' Day, on 8th March 2018, in Russell Square, London, England. According to the group concerned about the poor representation of women commemorations, there are fewer than 3% of non-royal statues in the UK. Francis Russell, 5th Duke of Bedford (1765-1802) was an English aristocrat and Whig politician, responsible for much of the development of central Bloomsbury, London.
    international_womens_day-05-08-03-20...jpg
  • A womens group member drapes a suffragette-style sash across the statue of Francis, Duke of Bedford on International Womens' Day, on 8th March 2018, in Russell Square, London, England. According to the group concerned about the poor representation of women commemorations, there are fewer than 3% of non-royal statues in the UK. Francis Russell, 5th Duke of Bedford (1765-1802) was an English aristocrat and Whig politician, responsible for much of the development of central Bloomsbury, London.
    international_womens_day-02-08-03-20...jpg
  • The burning on a bonfire of confidential personal data, accounts records and general paperwork, on 30th July 2017, in Wrington, North Somerset, England.
    data_bonfire-17-29-07-2017.jpg
  • The burning on a bonfire of confidential personal data, accounts records and general paperwork, on 30th July 2017, in Wrington, North Somerset, England.
    data_bonfire-12-29-07-2017.jpg
  • The burning on a bonfire of confidential personal data, accounts records and general paperwork, on 30th July 2017, in Wrington, North Somerset, England.
    data_bonfire-06-29-07-2017.jpg
  • A makeshift street sign for Tahrir Square in St Paul's Cathedral churchyard, during the anti-capitalism Occupy London protests.
    tahrir_london1-28-10-2011.jpg
  • A south London child walks beneath a question mark being held in the context of a billboard ad, on 10th February 2019, in London, England.
    question_mark-01-11-02-2019.jpg
  • A womens group member drapes a suffragette-style sash across the statue of Francis, Duke of Bedford on International Womens' Day, on 8th March 2018, in Russell Square, London, England. According to the group concerned about the poor representation of women commemorations, there are fewer than 3% of non-royal statues in the UK. Francis Russell, 5th Duke of Bedford (1765-1802) was an English aristocrat and Whig politician, responsible for much of the development of central Bloomsbury, London.
    international_womens_day-04-08-03-20...jpg
  • At the famous Butlins holiday camp in the Somerset town of Minehead, a poolside lifeguard overlooks the main  pool from an overhead bridge. Behind him a monorail transports holidaymakers around the resort. Wearing the large letter B for Butlins on his red vest, the young lad sucks on his whistle held between his lips and prominently, the words 'Made in England' have been tattooed on his left shoulder - as if a statement for his patriotic ideals but also for those of Butlins - an institution for the British working classes who after the war had the opportunity to spend their summers at special resorts in seaside towns that provided entertainment and fun. Butlins and other camp businesses went into decline when the masses preferred Spanish vacations but have since been revived as travel costs have again soared and holidays at home are once again popular.
    butlins_pool08-16-1986.jpg
  • Office worker's cluttered desk with trophy, shield and company statement at an auditing company's London headquarters.<br />
<br />
A limited edition (4 of 6) Lambda digital framed print created for the Werk Nu (Work Now) exhibition at the Z33 Gallery in Hasselt, Belgium and including specially selected text by Alain de Botton from his 'The Pleasures and Sorrows of Work' book (Hamish Hamilton, 2009). <br />
<br />
The photograph is the copyright Richard Baker. The text is the copyright Alain de Botton.<br />
<br />
For print sales enquiries email: richard(at)bakerpictures.com
    Z33_exhibition01-09-08-2007.jpg
  • Office worker's cluttered desk with trophy, shield and company statement at an auditing company's London headquarters
    ernst+young329-09-08-2007.jpg
  • Corporate values statement written onto transparent screens at an auditing company's London headquarters
    ernst+young285-09-08-2007.jpg
  • Corporate values statement written onto transparent screens at an auditing company's London headquarters
    ernst+young260-09-08-2007.jpg
  • A customized caravan sits in the damp woods at the Faslane Peace Camp, Argyll and Bute, Scotland. Matt Bury, 52, is one of the camp's 10 full time residents and has been living in this trailer for a year. Painted harlequin-styled diamonds adorn the walls of the van in a personal artistic statement. Calor gas bottles lie on the ground and weeds grow around this semi-permanent site. Faslane Peace Camp is a makeshift political activists' site alongside HM Naval Base Clyde where Trident nuclear deterrent missiles and Vanhuard Class submarines dock. The camp has been occupied continuously, in a few different locations since 12 June 1982. Image taken for the 'UK at Home' book project published 2008.
    9999-RPB59-peace_camp02-30-09-2007.jpg
  • Shadows of nearby tree on a construction site hoarding tagged with youth graffiti in south London.
    hoarding_shadows03-20-04-2012.jpg
  • Cleaning up street the morning after the TUC-organised anti-government march against cuts to Britain's economy.
    riot_aftermath04-27-03-2011.jpg
  • 'Love Anarchy' graffiti on a wall on a wall on the Rio de San Margherita canal in Dorsoduro, a district of Venice, Italy.
    venice_110-23-07-2015.jpg
  • Seen from the rear, a red-haired woman walks towards a business with red as its theme of frontage in north London.
    red_hair01-01-04-2015.jpg
  • Mark Thatcher speaks to the media outside the Belgravia home of his recently-deceased mother Baroness Thatcher, days after her death from a stroke at age 87. His announcement was made outside her Chester Square house which was Lady Thatcher's home from 1991 until she moved into the Ritz hotel in London at Christmas following an operation.
    mark_thatcher04-10-04-2013.jpg
  • Mark Thatcher speaks to the media outside the Belgravia home of his recently-deceased mother Baroness Thatcher, days after her death from a stroke at age 87. His announcement was made outside her Chester Square house which was Lady Thatcher's home from 1991 until she moved into the Ritz hotel in London at Christmas following an operation.
    mark_thatcher02-10-04-2013.jpg
  • Mark Thatcher speaks to the media outside the Belgravia home of his recently-deceased mother Baroness Thatcher, days after her death from a stroke at age 87. His announcement was made outside her Chester Square house which was Lady Thatcher's home from 1991 until she moved into the Ritz hotel in London at Christmas following an operation.
    mark_thatcher03-10-04-2013.jpg
  • Shadows of nearby tree on a construction site hoarding tagged with youth graffiti in south London.
    hoarding_shadows02-20-04-2012.jpg
  • Vandalism by breakaway anarchists to HSBC bank property the morning after the TUC-organised anti-government march against cuts to Britain's economy.
    riot_aftermath21-27-03-2011.jpg
  • Cleaning up street the morning after the TUC-organised anti-government march against cuts to Britain's economy.
    riot_aftermath20-27-03-2011.jpg
  • Vandalism by breakaway anarchists to HSBC bank property the morning after the TUC-organised anti-government march against  cuts to Britain's economy.
    riot_aftermath19-27-03-2011.jpg
  • Vandalism by breakaway anarchists to HSBC bank property the morning after the TUC-organised anti-government march against cuts to Britain's economy.
    riot_aftermath17-27-03-2011.jpg
  • Cleaning up street the morning after the TUC-organised anti-government march against cuts to Britain's economy.
    riot_aftermath14-27-03-2011.jpg
  • Cleaning up street the morning after the TUC-organised anti-government march against cuts to Britain's economy.
    riot_aftermath13-27-03-2011.jpg
  • Vandalism by breakaway anarchists to HSBC bank dispenser the morning after the TUC-organised anti-government march against cuts to Britain's economy.
    riot_aftermath12-27-03-2011.jpg
  • Vandalism by breakaway anarchists to Santander bank property the morning after the TUC-organised anti-government march against cuts to Britain's economy.
    riot_aftermath11-27-03-2011.jpg
  • Vandalism by breakaway anarchists to property the morning after the TUC-organised anti-government march against cuts to Britain's economy.
    riot_aftermath10-27-03-2011.jpg
  • Vandalism by breakaway anarchists to property the morning after the TUC-organised anti-government march against cuts to Britain's economy.
    riot_aftermath09-27-03-2011.jpg
  • Cleaning up street the morning after the TUC-organised anti-government march against cuts to Britain's economy.
    riot_aftermath08-27-03-2011.jpg
  • Vandalism by breakaway anarchists to bank property the morning after the TUC-organised anti-government march against cuts to Britain's economy.
    riot_aftermath07-27-03-2011.jpg
  • Vandalism by breakaway anarchists to Lloyds TSB bank property the morning after the TUC-organised anti-government march against cuts to UK's economy.
    riot_aftermath05-27-03-2011.jpg
  • Cleaning up street the morning after the TUC-organised anti-government march against cuts to Britain's economy.
    riot_aftermath03-27-03-2011.jpg
  • Vandalism by breakaway anarchists to HSBC bank dispenser the morning after the TUC-organised anti-government march against cuts to Britain's economy.
    riot_aftermath02-27-03-2011.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory12-24-05-2010.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory10-24-05-2010.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory08-24-05-2010.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory06-24-05-2010.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory04-24-05-2010.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory03-24-05-2010.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory02-24-05-2010.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory01-24-05-2010.jpg
  • The artist Rachel Whiteread CBE (born 1963) sits on the steps of her best-known sculpture called 'House'. 'House' stands alone on a now-empty and house-less East London street. Oddly, the contours of the structure have been inverted to reveal an inside-out version of the original building. It is a concrete cast of the inside of an entire Victorian terraced house completed in autumn 1993 and exhibited at the location of the original property -- 193 Grove Road -- in East London (all the houses in the street had earlier been knocked down by the council). It won Whiteread the Turner Prize (the first woman to do so) for best young British artist in 1993. Here we see 'House' at a close distance with graffiti painted on the walls stating the words "Wot for ..why not!" before it was controversially demolished by the council in January 1994.
    rachel_whiteread02-15-12-2007 .jpg
  • As traffic zooms past, the art installation called 'House' stands alone on a now-empty and house-less East London street. Oddly, the contours of the structure have been inverted to reveal an inside-out version of the original building. It is a concrete cast of the inside of an entire Victorian terraced house completed in autumn 1993 and exhibited at the location of the original property -- 193 Grove Road -- in East London (all the houses in the street had earlier been knocked down by the council). Created by the artist Rachel Whiteread CBE (born 1963) this is her best-known sculpture. It won her the Turner Prize (the first woman to do so) for best young British artist in 1993. Here we see 'House' next to a lamp post which throws down it's light on a winter evening, before it was controversially demolished by the council in January 1994.
    rachel_whiteread01-15-12-2007 .jpg
  • Racist references to the ethnic black race sprayed in blue aerosol on a River Thames defence wall at Grays, Essex
    river_business69-31-08-2007.jpg
  • Teenage love graffiti has been written in chalk on the Thames flood wall located on the Saxon Shore Way at Gravesend
    river_business227-10-09-2007.jpg
  • Nazi swastika and BNP graffiti scrawled on a grubby lorry drivers' toilet wall in Grays, Thames Gateway
    river_business190-31-08-2007.jpg
  • Mark Thatcher speaks to the media outside the Belgravia home of his recently-deceased mother Baroness Thatcher, days after her death from a stroke at age 87. His announcement was made outside her Chester Square house which was Lady Thatcher's home from 1991 until she moved into the Ritz hotel in London at Christmas following an operation.
    mark_thatcher01-10-04-2013.jpg
  • Messages of love written in marker pen on a public park sign containing local bylaws.
    love_you01-08-01-2013.jpg
  • Shadows of nearby tree on a construction site hoarding tagged with youth graffiti in south London.
    hoarding_shadows01-20-04-2012.jpg
  • Vandalism by breakaway anarchists to HSBC bank property the morning after the TUC-organised anti-government march against cuts to Britain's economy.
    riot_aftermath18-27-03-2011.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory13-24-05-2010.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory11-24-05-2010.jpg
  • Artist Yinka Shonibare's artwork Nelson's Ship in a Bottle on Fourth PLinth London's in Trafalgar Square. Shonibare said his version of HMS Victory with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, which is a 1:29 scale replica of the original HMS Victory, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. Turner Prize-nominated Shonibare said: "For me its a celebration of London's immense ethnic wealth.
    nelson_victory05-24-05-2010.jpg
  • In an overgrown corner of the Faslane Peace Camp,  home-made signs and a makeshift fire bucket are in undergrowth.
    9999-RPB59-peace_camp04-30-09-2007.jpg
  • In the Scottish woodland, brighly-coloured customised caravan homes at the makeshift Faslane Peace Camp.
    9999-RPB59-peace_camp03-30-09-2007.jpg
  • A portrait of English cartoonist, Glen Baxter whose surrealist, absurdist drawings are exhibited in the Eagle on 12th June 1994 in Clerkenwell, London, England. Born in Leeds in 1944, Baxter was trained at the Leeds College of Art. His images, and their corresponding captions, fuse art and language inspired by pulp fiction and adventure comics with intellectual jokes and references. Baxter's art has been collected in numerous books, and his work has appeared in The New Yorker, Vanity Fair, and The Independent on Sunday. His simple line-drawings often feature cowboys, gangsters, explorers, and schoolchildren, who utter incongruous intellectual statements regarding art and philosophy.
    glen_baxter01-12-06-1994.jpg
  • Saints in stained glass in Long Melford's Holy Trinity Church, Suffolk. The Church of the Holy Trinity, Long Melford is a Grade I listed parish church of the Church of England in Long Melford, Suffolk, England. It is one of 310 medieval English churches dedicated to the Holy Trinity. The church was constructed between 1467 and 1497 in the late Perpendicular Gothic style. It is a noted example of a Suffolk medieval wool church, founded and financed by wealthy wool merchants in the medieval period as impressive visual statements of their prosperity.
    church_stained_glass01-24-07-2012.jpg
  • Saints in stained glass in Long Melford's Holy Trinity Church, Suffolk. The Church of the Holy Trinity, Long Melford is a Grade I listed parish church of the Church of England in Long Melford, Suffolk, England. It is one of 310 medieval English churches dedicated to the Holy Trinity. The church was constructed between 1467 and 1497 in the late Perpendicular Gothic style. It is a noted example of a Suffolk medieval wool church, founded and financed by wealthy wool merchants in the medieval period as impressive visual statements of their prosperity.
    church_stained_glass03-24-07-2012.jpg
  • Glen Baxter, nicknamed "Colonel Baxter," is an English cartoonist, noted for his surrealist, absurdist drawings. He is seen in a portrait situation before the opening of an exhibition of his work at the the Eagle in Clerkenwell, London. Born in Leeds in 1944, Baxter was trained at the Leeds College of Art. His images, and their corresponding captions, fuse art and language inspired by pulp fiction and adventure comics with intellectual jokes and references. Baxter's art has been collected in numerous books, and his work has appeared in The New Yorker, Vanity Fair, and The Independent on Sunday. His simple line-drawings often feature cowboys, gangsters, explorers, and schoolchildren, who utter incongruous intellectual statements regarding art and philosophy.
    glen_baxter-12-06-1994.jpg
  • David Reynolds (aka Eco) is a long-term activist, campaigner in the peace movement and resident of the Faslane Peace Camp, Scotland. His home of three years is called the Earth Shack and is largely re-cycled from scrap and garbage found locally on rubbish tips. Eco leans against his garden fence holding a mug of coffee this chilly Sunday morning. Signs of his political beliefs adorn the place: CND logos and Peace on Earth statements. His mother was a ?Carnie? (after the word Carnival, someone working on the fairgrounds) so perhaps it?s from her that he more enjoys an alternative outdoor camping lifestyle after a few years in the army. Faslane Peace Camp is a makeshift site alongside Faslane Naval base where Trident nuclear deterrent missiles and submarines dock. The camp has been occupied continuously, in a few different locations, since 1982.
    9999-RPB59-eco10-30-09-2007.jpg
  • A portrait of English cartoonist, Glen Baxter whose surrealist, absurdist drawings are exhibited in the Eagle on 12th June 1994 in Clerkenwell, London, England. Born in Leeds in 1944, Baxter was trained at the Leeds College of Art. His images, and their corresponding captions, fuse art and language inspired by pulp fiction and adventure comics with intellectual jokes and references. Baxter's art has been collected in numerous books, and his work has appeared in The New Yorker, Vanity Fair, and The Independent on Sunday. His simple line-drawings often feature cowboys, gangsters, explorers, and schoolchildren, who utter incongruous intellectual statements regarding art and philosophy.
    glen_baxter02-12-06-1994.jpg
  • The new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-35-10-04-2018.jpg
  • The statue of poet John Betjeman by Martin Jennings looks up to the new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin which hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-08-10-04-2018.jpg
  • The crushed wreckage of a ladies bike lies on the surface of the A3 Kennington Park Road at the junction with A23 Kennington Road, south London. A woman in her twenties was taken to King's College Hospital with a leg injury after a crash between a bus and a cyclist this morning. Emergency services were called to Kennington Park Road at 9.30am. A London Buses statement reads: ?At around 09:30 this morning a route 333 bus, operated by London General, was involved in a collision with a cyclist .."
    cycling_accident07-30-04-2013.jpg
  • The crushed wreckage of a ladies bike lies on the surface of the A3 Kennington Park Road at the junction with A23 Kennington Road, south London. A woman in her twenties was taken to King's College Hospital with a leg injury after a crash between a bus and a cyclist this morning. Emergency services were called to Kennington Park Road at 9.30am. A London Buses statement reads: ?At around 09:30 this morning a route 333 bus, operated by London General, was involved in a collision with a cyclist .."
    cycling_accident04-30-04-2013.jpg
  • A Eurostar train and the new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-31-10-04-2018.jpg
  • Champagne is served at the brasserie with the new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-27-10-04-2018.jpg
  • The new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-21-10-04-2018.jpg
  • The statue of poet John Betjeman by Martin Jennings looks up to the new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin which hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-11-10-04-2018.jpg
  • The statue of poet John Betjeman by Martin Jennings looks up to the new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin which hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-10-10-04-2018.jpg
  • The statue of poet John Betjeman by Martin Jennings looks up to the new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin which hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-07-10-04-2018.jpg
  • The new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-04-10-04-2018.jpg
  • The new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-02-10-04-2018.jpg
  • The statue of poet John Betjeman by Martin Jennings looks up to the new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin which hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-05-10-04-2018.jpg
  • The crushed wreckage of a ladies bike lies on the surface of the A3 Kennington Park Road at the junction with A23 Kennington Road, south London. A woman in her twenties was taken to King's College Hospital with a leg injury after a crash between a bus and a cyclist this morning. Emergency services were called to Kennington Park Road at 9.30am. A London Buses statement reads: ?At around 09:30 this morning a route 333 bus, operated by London General, was involved in a collision with a cyclist .."
    cycling_accident06-30-04-2013.jpg
  • The crushed wreckage of a ladies bike lies on the surface of the A3 Kennington Park Road at the junction with A23 Kennington Road, south London. A woman in her twenties was taken to King's College Hospital with a leg injury after a crash between a bus and a cyclist this morning. Emergency services were called to Kennington Park Road at 9.30am. A London Buses statement reads: ?At around 09:30 this morning a route 333 bus, operated by London General, was involved in a collision with a cyclist .."
    cycling_accident05-30-04-2013.jpg
  • The crushed wreckage of a ladies bike lies on the surface of the A3 Kennington Park Road at the junction with A23 Kennington Road, south London. A woman in her twenties was taken to King's College Hospital with a leg injury after a crash between a bus and a cyclist this morning. Emergency services were called to Kennington Park Road at 9.30am. A London Buses statement reads: ?At around 09:30 this morning a route 333 bus, operated by London General, was involved in a collision with a cyclist .."
    cycling_accident02-30-04-2013.jpg
  • The crushed wreckage of a ladies bike lies on the surface of the A3 Kennington Park Road at the junction with A23 Kennington Road, south London. A woman in her twenties was taken to King's College Hospital with a leg injury after a crash between a bus and a cyclist this morning. Emergency services were called to Kennington Park Road at 9.30am. A London Buses statement reads: ?At around 09:30 this morning a route 333 bus, operated by London General, was involved in a collision with a cyclist .."
    cycling_accident03-30-04-2013.jpg
  • A deflated valentine balloon lies flat in grass on  south London estate, a statement of a failed relationship.
    deflated_balloon01-08-04-2011.jpg
  • The new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-34-10-04-2018.jpg
  • A Eurostar train and the new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-30-10-04-2018.jpg
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