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  • Aerial view of street parade through downtown Atlanta celebrating the city's Braves baseball team's victory in the World Series.
    atlanta_parade02-05-11-1995.jpg
  • In evening city mist, a car park attendant stands guard over his downtown Atlanta parking lot. Next to him is a giant billboard for Marlboro with the classic face of the Marlboro cowboy, depicted drawing on a cigarette and wearing the traditional wide-brimmed stetson. They are low in the frame and the gloomy and eerie mist sits oppressively around the tall buildings, obscuring their top floors. Office lights still burn and a bright street light shines with the intensity of a small solar flare. The Marlboro Man is part of a tobacco advertising campaign for Marlboro cigarettes. The Marlboro Man was first conceived by the Leo Burnett agency in 1954. The image involves a rugged cowboy or cowboys, in nature with only a cigarette. The ads were originally conceived as a way to popularize filtered cigarettes, which at the time were considered feminine. Actor and author William Thourlby is said to have been the first Marlboro Man. The models who portrayed the Marlboro Man were New York Giants Quarterback Charley Conerly, New York Giants Defensive Back Jim Patton, Darrell Winfield, Dick Hammer, Brad Johnson, Bill Dutra, Dean Myers, Robert Norris, Wayne McLaren, David McLean and Tom Mattox. Two of them, McLaren and McLean, died of lung cancer.
    RB-0170.jpg
  • Aerial view of street parade through downtown Atlanta celebrating the city's Braves baseball team's victory in the World Series.
    atlanta_parade01-05-11-1995.jpg
  • A driver in his gas-guzzling car and in the background, the skyline of downtown Atlanta.
    atlanta_city01-05-11-1995.jpg
  • Vertical view of downtown Atlanta with street glowing lights, tall office buildings, blurred traffic and fluttering US flag.
    atlanta_city-05-11-1995.jpg
  • The solitary figure of a man stands on the roof of an office building in downtown Atlanta during a victory parade for the city's baseball team. The man may be a security guard, keeping watch over the streets below as crowds gather to honour the Atlanta Braves Baseball team, after their 1995 World Series win. The figure is in his manmade environment and the high walls and windows of the buildings that make up this metropolis dwarf this tiny human who in the scale and perspective of a modern city looks incongruous, isolated and insignificant.
    roof_man01-10-11-1995.jpg
  • A Phillip Morros ad using the famous Marlboro Man cowboy character on a downtown Atlanta billboard. The Marlboro Man is a figure used in tobacco advertising campaign for Marlboro cigarettes. In the United States, where the campaign originated, it was used from 1954 to 1999. The Marlboro Man was first conceived by Leo Burnett in 1954. The image involves a rugged cowboy or cowboys, in nature with only a cigarette. The advertisements were originally conceived as a way to popularize filtered cigarettes, which at the time were considered feminine. The Marlboro advertising campaign, created by Leo Burnett Worldwide, is said to be one of the most brilliant advertisement campaigns of all time.
    atlanta_city02-05-11-1995.jpg
  • The solitary of a man stands on the roof of an office building in downtown Atlanta during a victory parade for the city's baseball team.
    roof_man02-10-11-1995.jpg
  • An officer from the Atlanta Police Department puts his boot on a man's chest who is lying still in the gutter on the street. He and another person have been fighting in the downtown area and the officer has arrived in his patrol car after reports that a street brawl needed his interception. The officer's belt with a gun secured in its holster  can be seen from a low ground level angle. It is a desolate and sinister place and the lights from a passing car and the green fluorescent glow from a parking lot (car park) is in the background. The police officer needs to calm the violent situation, pacifying the two men before the matter gets out of hand and preventing him from causing more trouble, he places his weight on the thorax to pin the male on the ground.
    RB-0174.jpg
  • Londoners use the precinct space at Stratford's train station with the Olympic kinetic Shoal artwork, installed at the older Stratford Centre opposite.
    olympic_stratford24-22-05-2012.jpg
  • Londoners use the precinct space at Stratford's train station with the Olympic kinetic Shoal artwork, installed at the older Stratford Centre opposite.
    olympic_stratford53-22-05-2012.jpg
  • Londoners use the precinct space at Stratford's train station with the Olympic kinetic Shoal artwork, installed at the older Stratford Centre opposite.
    olympic_stratford19-22-05-2012.jpg
  • Londoners use the precinct space at Stratford's train station with the Olympic kinetic Shoal artwork, installed at the older Stratford Centre opposite.
    olympic_stratford16-22-05-2012.jpg
  • Londoners use the precinct space at Stratford's train station with the Olympic kinetic Shoal artwork, installed at the older Stratford Centre opposite.
    olympic_stratford20-22-05-2012.jpg
  • Londoners use the precinct space at Stratford's train station with the Olympic kinetic Shoal artwork, installed at the older Stratford Centre opposite.
    olympic_stratford23-22-05-2012.jpg
  • Near the junction of the 400 to Buckhead, the 401 highway divides and splits during afternoon rush-hour traffic which slows and builds up so that vehicles and cars back-up as they head home and out of Downtown Atlanta, Georgia. The inner median is coned off during some construction work which slows the traffic even more. Crossing the 5-lane road comes a train of Atlanta's own mass-transit system, the MARTA network and it approaches the overpass with care. We see the infrastructure of a modern metropolis at the busiest time of day when the exodus to get home puts the roads and feeder lanes under the most pressure. Fortunately, the weather is fine with good visibility making drivers' journeys a little shorter and more tolerable but it shows too America's habit and dependency on car culture.
    atlanta_traffic11-10-1995.jpg
  • Two ladies are shopping in a tourist trinket store in the Plaka shopping centre, the largest official Olympic merchandising outlet in downtown Athens. The 29th modern Olympic circus is gearing up for business and official and unofficial souvenirs are on sale here, including postcards and table mats with various works of art available on a rack. We see the Parthenon on the Acropolis Hill, Michelangelo's 'Hands of God and Adam' image from the Sistine Chapel. 'Last Supper' by Leonardo da Vinci and a landscape from ancient Olympia, the birthplace of modern athletics and of the Olympic ideal. The Olympics came home to Greece in 2004 amid the woodland of ancient Olympia where for 1,100 continuous years, the ancients held their pagan festival of sport and debauchery. Corruption, politics, cheating and commercialism interfered with the ancient and modern games.
    greek_olympiad014-23-10_2003.jpg
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Richard Baker Photography

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