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  • Books line the shelves in the Lee Library of the British Academy, on 17th September 2017, at 10-12 Carlton House Terrace, in London, England. The British Academy was proposed in 1899 for the promotion of Historical, Philosophical and Philological studies library is now used for study and research (and even for licensed marriage ceremonies). It moved to 10-12 Carlton House Terrace in 1998 but the address was built during the late 1820s and early 1830s on land previously occupied by Carlton House, the residence of the Prince Regent, who became George IV. The neoclassical terrace was conceived by architect John Nash.
    british_academy-03-17-09-2017.jpg
  • Books line the shelves in the Lee Library of the British Academy, on 17th September 2017, at 10-12 Carlton House Terrace, in London, England. The British Academy was proposed in 1899 for the promotion of Historical, Philosophical and Philological studies library is now used for study and research (and even for licensed marriage ceremonies). It moved to 10-12 Carlton House Terrace in 1998 but the address was built during the late 1820s and early 1830s on land previously occupied by Carlton House, the residence of the Prince Regent, who became George IV. The neoclassical terrace was conceived by architect John Nash.
    british_academy-02-17-09-2017.jpg
  • Books line the shelves in the Lee Library of the British Academy, on 17th September 2017, at 10-12 Carlton House Terrace, in London, England. The British Academy was proposed in 1899 for the promotion of Historical, Philosophical and Philological studies library is now used for study and research (and even for licensed marriage ceremonies). It moved to 10-12 Carlton House Terrace in 1998 but the address was built during the late 1820s and early 1830s on land previously occupied by Carlton House, the residence of the Prince Regent, who became George IV. The neoclassical terrace was conceived by architect John Nash.
    british_academy-01-17-09-2017.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-20-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-19-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-17-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-16-06-04-2018.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time. Sir Joshua Reynolds stands in the "Annenberg Courtyard" of Burlington House.
    royal_academy-15-06-04-2018.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time. Sir Joshua Reynolds stands in the "Annenberg Courtyard" of Burlington House.
    royal_academy-13-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-12-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-11-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-10-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-09-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-07-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-06-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-05-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-04-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-02-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-01-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-18-06-04-2018.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time. Sir Joshua Reynolds stands in the "Annenberg Courtyard" of Burlington House.
    royal_academy-14-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-08-06-04-2018.jpg
  • Antiquarian copies of The New English Dictionary on Historical Principles edited by Sir James Murray, line shelves in the Lee Library of the British Academy, on 17th September 2017, at 10-12 Carlton House Terrace, in London, England. Sir James Augustus Henry Murray (1837-1915) was a Scottish lexicographer and philologist. He was the primary editor of the Oxford English Dictionary (OED) from 1879 until his death.
    british_academy-08-17-09-2017.jpg
  • Antiquarian copies of The New English Dictionary on Historical Principles edited by Sir James Murray, line shelves in the Lee Library of the British Academy, on 17th September 2017, at 10-12 Carlton House Terrace, in London, England. Sir James Augustus Henry Murray (1837-1915) was a Scottish lexicographer and philologist. He was the primary editor of the Oxford English Dictionary (OED) from 1879 until his death.
    british_academy-07-17-09-2017.jpg
  • Antiquarian copies of The New English Dictionary on Historical Principles edited by Sir James Murray, line shelves in the Lee Library of the British Academy, on 17th September 2017, at 10-12 Carlton House Terrace, in London, England. Sir James Augustus Henry Murray (1837-1915) was a Scottish lexicographer and philologist. He was the primary editor of the Oxford English Dictionary (OED) from 1879 until his death.
    british_academy-06-17-09-2017.jpg
  • Antiquarian copies of the English Dialect Dictionary line the shelves in the Lee Library of the British Academy, on 17th September 2017, at 10-12 Carlton House Terrace, in London, England. The English Dialect Dictionary (EDD) is a dictionary of English dialects compiled by Joseph Wright (1855–1930). The English Dialect Dictionary, being the complete vocabulary of all dialect words still in use, or known to have been in use during the last two hundred years; founded on the publications of the English Dialect Society and on a large amount of material never before printed was published by Oxford University Press in 6 volumes between 1898 and 1905. Its compilation and printing was funded privately by Joseph Wright, a self-taught philologist at the University of Oxford.
    british_academy-05-17-09-2017.jpg
  • Antiquarian copies of the English Dialect Dictionary line the shelves in the Lee Library of the British Academy, on 17th September 2017, at 10-12 Carlton House Terrace, in London, England. The English Dialect Dictionary (EDD) is a dictionary of English dialects compiled by Joseph Wright (1855–1930). The English Dialect Dictionary, being the complete vocabulary of all dialect words still in use, or known to have been in use during the last two hundred years; founded on the publications of the English Dialect Society and on a large amount of material never before printed was published by Oxford University Press in 6 volumes between 1898 and 1905. Its compilation and printing was funded privately by Joseph Wright, a self-taught philologist at the University of Oxford.
    british_academy-04-17-09-2017.jpg
  • With a grimace on her pained face, a female Officer Cadet at the Royal Military Academy Sandhurst splashes through a water obstacle during  an endurance race. Recruits are running a 5 mile steeplechase around the Academy grounds to assess individual stamina and accumulate team points. Sandhurst is an institution which has bred staff officers since 1800. Today it trains future officers for the demands of leadership and military understanding of military understanding. Students are tested for their command instincts, intellect, strength of character and physical endurance often under great psychological pressure - the demands asked of them in modern warfare. Failure in this test might not necessarily mean dismissal though perseverance or refusal to give up won't harm their prospects.
    sandhurst_cadet04-12-1996.jpg
  • The Sovereigns passing-out parade at the Sandhurst Royal Military Academy, on 16th June 1996, at Sandhurst, England. The Royal Military Academy Sandhurst (RMAS), commonly known simply as Sandhurst, is the British Army officer initial training centre. Sandhurst is prestigious and has had many famous alumni including Sir Winston Churchill, King Abdullah II of Jordan, Sultan Qaboos of Oman and, more recently, Prince Harry and Prince William. All British Army officers, and many from elsewhere in the world, are trained at Sandhurst. RMA Sandhurst was formed in 1947, from a merger of the Royal Military Academy in Woolwich (which trained officers for the Royal Artillery and Royal Engineers from 1741 to 1939) and the Royal Military College at Sandhurst.
    sandhurst_horse-16-06-1996.jpg
  • Oasis Academy students appear on posters above a bus stoip in the south London borough of Lambeth, where passengers of different ages sit waiting for the next bus, on 6th February 2018, in London, England.
    students_poster-01-05-02-2018.jpg
  • A curator inspects art canvasses leaning against gallery walls in the Royal Academy (RA) for its 'The Glory of Venice: Art in the Eighteenth Century' exhibition, a collection of important works of art by Italian artists such as Tiepolo, Canaletto, Piranesi, Piazzetta, and Guardi. In the privacy of the closed gallery, a lady official from the RA is bending down, resting her hands on knees and scrutinizing for possible damage after their removal from travel packing crates, whilst on the floor before hanging for public view. We see the largest picture on the right (Luca Carlevaris, The Bucintore Departing from S. Marco. 1710) of the Grand Canal in Venice and on the left is 'Domenico Tiepolo, The Institution of the Eucharist, 1753'. Polished wooden parquet flooring is protected by blocks that support the weight of each work of priceless art.
    RB_035-31-05-1994.jpg
  • An Officer Cadet at the Royal Military Academy Sandhurst is loaded into the back of a British Army Land Rover ambulance to join the downfacing trainers of a collapsed colleague, after retiring  from an endurance race. Recruits run a 5 mile steeplechase around the Academy grounds to assess individual stamina and accumulate team points. Sandhurst is an institution which has bred staff officers since 1800. Today it trains future officers for the demands of leadership and military understanding of military understanding,. Students are tested for their command instincts, intellect, strength of character and physical endurance often under great psychological pressure - the demands asked of them in modern warfare. Failure in this test might not necessarily mean dismissal though perserverence or refusal to give up won't harm their prospects.
    army02-15-12-2007 .jpg
  • A man uses his mobile phone beneath the figures of Gottfried Leibniz, Georges Cuvier and Carl Linnaeus at the rear of the Royal Academy in Burlington Gardens, on 30th April 2019, in London, England
    west_end-09-30-04-2019.jpg
  • As a visual pun, the statue of Sir Joshua Reynolds seeminly paints clouds in blue sky from outside the Royal Academy in Piccadilly during the Summer Exhibition, on 13th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshua's statue stands in the "Annenberg Courtyard" of Burlington House.
    joshua_reynolds-08-13-08-2019.jpg
  • As a visual pun, the statue of Sir Joshua Reynolds seeminly paints clouds in blue sky from outside the Royal Academy in Piccadilly during the Summer Exhibition, on 13th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshua's statue stands in the "Annenberg Courtyard" of Burlington House.
    joshua_reynolds-07-13-08-2019.jpg
  • As a visual pun, the statue of Sir Joshua Reynolds seeminly paints clouds in blue sky from outside the Royal Academy in Piccadilly during the Summer Exhibition, on 13th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshua's statue stands in the "Annenberg Courtyard" of Burlington House.
    joshua_reynolds-06-13-08-2019.jpg
  • As a visual pun, the statue of Sir Joshua Reynolds seeminly paints clouds in blue sky from outside the Royal Academy in Piccadilly during the Summer Exhibition, on 13th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshua's statue stands in the "Annenberg Courtyard" of Burlington House.
    joshua_reynolds-03-13-08-2019.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly during the Summer Exhibition, on 5th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshua's statue stands in the "Annenberg Courtyard" of Burlington House.
    reynolds_statue-05-05-08-2019.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly during the Summer Exhibition, on 5th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshua's statue stands in the "Annenberg Courtyard" of Burlington House.
    reynolds_statue-03-05-08-2019.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly during the Summer Exhibition, on 5th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshua's statue stands in the "Annenberg Courtyard" of Burlington House.
    reynolds_statue-04-05-08-2019.jpg
  • Dapper gentleman walks past American Gothic poster, outside the Royal Academy on Piccadilly, on 30th March 2017, in London, England.
    piccadilly_people-03-30-03-2017.jpg
  • Dapper gentleman walks past American Gothic poster, outside the Royal Academy on Piccadilly, on 30th March 2017, in London, England.
    piccadilly_people-04-30-03-2017.jpg
  • Statue of Sir Joshua Reynolds (1723-92) and Sculptor Conrad Shawcross's artwork entitled The Dappled Light of the Sun, canopy of welded-steel clouds in the Annenberg Courtyard outside the Royal Academy for the 2015 Summer Show.
    royal_academy05-04-06-2015.jpg
  • Statue of Sir Joshua Reynolds (1723-92) and Sculptor Conrad Shawcross's artwork entitled The Dappled Light of the Sun, canopy of welded-steel clouds in the Annenberg Courtyard outside the Royal Academy for the 2015 Summer Show.
    royal_academy04-04-06-2015.jpg
  • Sculptor Conrad Shawcross's canopy of welded-steel clouds artwork entitled The Dappled Light of the Sun, in the Annenberg Courtyard outside the Royal Academy for the 2015 Summer Show.
    royal_academy01-04-06-2015.jpg
  • In the foreground we see the strong forearm of a British army soldier whose blood group O-Negative has been tattooed in large letters beneath an image of a Japanese Geisha girl. He also wears a watch with aq green strap matching his working army fatigues uniform. Behind him are two part-time territorial army conscripts who are sitting on their  army-issued rucksack Bergens awaiting further orders to serve on active duty from Sandhurst military academy to the Balkans during Operation Resolute, the  National Support Element to support NATO action. The dominating figure in the foreground stands upright though we don't see his face. His two conscripts sit on the ground looking dejected or perhaps worried about their forthcoming duties. They are still in civillian clothing, jeans and t-shirts but will soon change into uniform.
    army06-15-12-2007 .jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly during the Summer Exhibition, on 5th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshua's statue stands in the "Annenberg Courtyard" of Burlington House.
    reynolds_statue-02-05-08-2019.jpg
  • Two workmen carry an outdoor gas restaurant heater below two statues of Adam Smith and John Locke by the Victorian William Theed. The two workers manhandle the heavy and awkward heater to a private function in a rear entrance of the Royal Academy in central London. Looking down on the two colleagues, the two statue figures from a bygone age of the Arts look stern: They are Scottish philosopher Adam Smith (1723 - 1790) and British philosopher John Locke (1632 - 1704) whose effigies are by William Theed, also known as William Theed, the younger (1804 - 9 September 1891) an English sculptor whose services were extensively used by the Royal Family.
    carying_heater1-08-September-2011.jpg
  • A woman checks herself after sitting beneath the statue of British Victorian philosopher John Locke (by William Theed) and a modern sculpture by Renzo Piano, with a full-size fibreglass reproduction of a 'gerberette', one of the die-cast rocker beams that cantilever from Paris' Georges Pompidou building, on 10th January 2019, in London, England. British philosopher John Locke (1632 - 1704) whose effigies are by William Theed, also known as William Theed, the younger (1804 – 9 September 1891) an English sculptor whose services were extensively used by the Royal Family.
    new_art-08-10-01-2019.jpg
  • The statue of British Victorian philosopher John Locke (by William Theed) and a modern sculpture by Renzo Piano, of a full-size fibreglass reproduction of a 'gerberette', one of the die-cast rocker beams that cantilever from Paris' Georges Pompidou building, on 10th January 2019, in London, England. British philosopher John Locke (1632 - 1704) whose effigies are by William Theed, also known as William Theed, the younger (1804 – 9 September 1891) an English sculptor whose services were extensively used by the Royal Family.
    new_art-06-10-01-2019.jpg
  • The statue of British Victorian philosopher John Locke (by William Theed) and a modern sculpture by Renzo Piano, of a full-size fibreglass reproduction of a 'gerberette', one of the die-cast rocker beams that cantilever from Paris' Georges Pompidou building, on 10th January 2019, in London, England. British philosopher John Locke (1632 - 1704) whose effigies are by William Theed, also known as William Theed, the younger (1804 – 9 September 1891) an English sculptor whose services were extensively used by the Royal Family.
    new_art-05-10-01-2019.jpg
  • The statue of British Victorian philosopher John Locke (by William Theed) and a modern sculpture by Renzo Piano, of a full-size fibreglass reproduction of a 'gerberette', one of the die-cast rocker beams that cantilever from Paris' Georges Pompidou building, on 10th January 2019, in London, England. British philosopher John Locke (1632 - 1704) whose effigies are by William Theed, also known as William Theed, the younger (1804 – 9 September 1891) an English sculptor whose services were extensively used by the Royal Family.
    new_art-03-10-01-2019.jpg
  • The statue of British Victorian philosopher John Locke (by William Theed) and a modern sculpture by Renzo Piano, of a full-size fibreglass reproduction of a 'gerberette', one of the die-cast rocker beams that cantilever from Paris' Georges Pompidou building, on 10th January 2019, in London, England. British philosopher John Locke (1632 - 1704) whose effigies are by William Theed, also known as William Theed, the younger (1804 – 9 September 1891) an English sculptor whose services were extensively used by the Royal Family.
    new_art-04-10-01-2019.jpg
  • A woman checks herself after sitting beneath the statue of British Victorian philosopher John Locke (by William Theed) and a modern sculpture by Renzo Piano, with a full-size fibreglass reproduction of a 'gerberette', one of the die-cast rocker beams that cantilever from Paris' Georges Pompidou building, on 10th January 2019, in London, England. British philosopher John Locke (1632 - 1704) whose effigies are by William Theed, also known as William Theed, the younger (1804 – 9 September 1891) an English sculptor whose services were extensively used by the Royal Family.
    new_art-07-10-01-2019.jpg
  • A couple and the statue of British Victorian philosopher John Locke (by William Theed) and a modern sculpture by Renzo Piano, of a full-size fibreglass reproduction of a 'gerberette', one of the die-cast rocker beams that cantilever from Paris' Georges Pompidou building, on 10th January 2019, in London, England. British philosopher John Locke (1632 - 1704) whose effigies are by William Theed, also known as William Theed, the younger (1804 – 9 September 1891) an English sculptor whose services were extensively used by the Royal Family.
    new_art-02-10-01-2019.jpg
  • Large arrows coloured red, green and yellow point north, west and east - or up, right and left - in three directions, to offer directions to seminars for accountants during their annual Academy Day held for 3,000 of company London employees at Excel in London's Docklands, England. The people are either confidently pacing forward, standing still to seek guidance or simply spontaneously emerging from the shadows to a brighter future, a moment when freedom of choice is offered and the road ahead dictates their fate. It is a scene of corporate theatre and each employee will attend this fair where motivational pep-talks from executives, outside speakers and gurus will talk to large groups of personnel so their presence on this day away from the office is vital for the year's business ahead.
    Ernst+Young_Academy123-21-09-2007 co...jpg
  • The Sense of Light, 2001 by the artist Christopher Le Brun RA (Royal Academy) in situ installed at the United Reform Church, Camberwell. The Sense of Sight is a bronze relief, an edition of 3. Christopher Mark Le Brun was born in Portsmouth in 1951. He studied at the Slade School of Fine Art (DFA) in London from 1970-74 and at Chelsea School of Art (MA) from 1974-75. Le Brun has exhibited in many significant surveys of international art, including Nuova Immagine, Milan 1981, Zeitgeist Berlin 1982, Avant-garde in the Eighties, Los Angeles 1987 Contemporary Voices, Museum of Modern Art New York 2005 and Watercolour Tate Britain 2011. From 1987-88 he received the D.A.A.D. award from the German government, living and working in Berlin for a year. He was elected to the Royal Academy in 1996 and in 2000 became the Academy's first Professor of Drawing. Le Brun is a former trustee of the Tate, the National Gallery, and the Dulwich Picture Gallery. He is currently a trustee of the Prince's Drawing School. In 2010 he was awarded an Honorary Fellowship by the University of the Arts London. in 2011 he was elected President of the Royal Academy.
    le_brun_art02-01-02-2012.jpg
  • The Sense of Light, 2001 by the artist Christopher Le Brun RA (Royal Academy) in situ installed at the United Reform Church, Camberwell. The Sense of Sight is a bronze relief, an edition of 3. Christopher Mark Le Brun was born in Portsmouth in 1951. He studied at the Slade School of Fine Art (DFA) in London from 1970-74 and at Chelsea School of Art (MA) from 1974-75. Le Brun has exhibited in many significant surveys of international art, including Nuova Immagine, Milan 1981, Zeitgeist Berlin 1982, Avant-garde in the Eighties, Los Angeles 1987 Contemporary Voices, Museum of Modern Art New York 2005 and Watercolour Tate Britain 2011. From 1987-88 he received the D.A.A.D. award from the German government, living and working in Berlin for a year. He was elected to the Royal Academy in 1996 and in 2000 became the Academy's first Professor of Drawing. Le Brun is a former trustee of the Tate, the National Gallery, and the Dulwich Picture Gallery. He is currently a trustee of the Prince's Drawing School. In 2010 he was awarded an Honorary Fellowship by the University of the Arts London. in 2011 he was elected President of the Royal Academy.
    le_brun_art01-01-02-2012.jpg
  • Seventeen officer cadets march in line wearing full dress uniform with their rifles on shoulders past guests and VIPs at their passing out parade in the Royal Military Academy Sandhurst. The recently-graduated soldiers march in a near-perfect line looking over their right shoulders towards their commanding officers and VIP guests which sometimes includes Her Majesty the Queen. We see every face clearly and notice their different heights and sizes.  Sharp focus is centred on the smallest man in the parade. The Royal Military Academy Sandhurst (RMAS), commonly known simply as Sandhurst, is the British Army officer initial training centre. Sandhurst is prestigious and has had many famous alumni including Sir Winston Churchill, King Abdullah II of Jordan, Sultan Qaboos of Oman and, more recently, Prince Harry and Prince William. All British Army officers, and many from elsewhere in the world, are trained at Sandhurst. RMA Sandhurst was formed in 1947, from a merger of the Royal Military Academy in Woolwich (which trained officers for the Royal Artillery and Royal Engineers from 1741 to 1939) and the Royal Military College at Sandhurst.
    RB-0074.jpg
  • Female officer cadets march in line with their weapons on shoulders past guests and VIPs at their passing out parade in the Royal Military Academy Sandhurst. An honoured cadet strides in front holding a ceremonial sword vertically in her white glove while one cadet in the main line-up is of an ethnic minority. The Royal Military Academy Sandhurst (RMAS), commonly known simply as Sandhurst, is the British Army officer initial training centre. Sandhurst is prestigious and has had many famous alumni including Sir Winston Churchill, King Abdullah II of Jordan, Sultan Qaboos of Oman and, more recently, Prince Harry and Prince William. All British Army officers, and many from elsewhere in the world, are trained at Sandhurst. RMA Sandhurst was formed in 1947, from a merger of the Royal Military Academy in Woolwich (which trained officers for the Royal Artillery and Royal Engineers from 1741 to 1939) and the Royal Military College at Sandhurst.
    RB-0071.jpg
  • Pedestrians walk below a large construction hoarding for the Royal Academy in central London, England.
    pace_london-02-23-09-2016.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor46-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor45-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor44-17-09-2015.jpg
  • Chinese artist Ai Weiwei and his son. He and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor42-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor39-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor38-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor35-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor32-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor30-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor29-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor27-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor25-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor24-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor22-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor20-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor19-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor17-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor16-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor15-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor12-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor11-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor09-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor08-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor05-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor02-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor41-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor33-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor06-17-09-2015.jpg
  • A financial industry businessman walks past the sculpture entitled City Wing on Threadneedle Street in the City of London, the capital's financial district (aka the Square Mile), on 11th July 2019, in London, England. City Wing is by the artist Christopher Le Brun. The ten-metre-tall bronze sculpture is by President of the Royal Academy of Arts, Christopher Le Brun, commissioned by Hammerson in 2009. It is called ‘The City Wing’ and has been cast by Morris Singer Art Founders, reputedly the oldest fine art foundry in the world.
    city_people-08-11-07-2019.jpg
  • Financial industry businessmen walk past the sculpture entitled City Wing on Threadneedle Street in the City of London, the capital's financial district (aka the Square Mile), on 11th July 2019, in London, England. City Wing is by the artist Christopher Le Brun. The ten-metre-tall bronze sculpture is by President of the Royal Academy of Arts, Christopher Le Brun, commissioned by Hammerson in 2009. It is called ‘The City Wing’ and has been cast by Morris Singer Art Founders, reputedly the oldest fine art foundry in the world.
    city_people-21-11-07-2019.jpg
  • Financial industry businessmen walk past the sculpture entitled City Wing on Threadneedle Street in the City of London, the capital's financial district (aka the Square Mile), on 11th July 2019, in London, England. City Wing is by the artist Christopher Le Brun. The ten-metre-tall bronze sculpture is by President of the Royal Academy of Arts, Christopher Le Brun, commissioned by Hammerson in 2009. It is called ‘The City Wing’ and has been cast by Morris Singer Art Founders, reputedly the oldest fine art foundry in the world.
    city_people-19-11-07-2019.jpg
  • A financial industry businesswoman in red walks past the sculpture entitled City Wing on Threadneedle Street in the City of London, the capital's financial district (aka the Square Mile), on 11th July 2019, in London, England. City Wing is by the artist Christopher Le Brun. The ten-metre-tall bronze sculpture is by President of the Royal Academy of Arts, Christopher Le Brun, commissioned by Hammerson in 2009. It is called ‘The City Wing’ and has been cast by Morris Singer Art Founders, reputedly the oldest fine art foundry in the world.
    city_people-20-11-07-2019.jpg
  • A financial industry businesswoman in red walks past the sculpture entitled City Wing on Threadneedle Street in the City of London, the capital's financial district (aka the Square Mile), on 11th July 2019, in London, England. City Wing is by the artist Christopher Le Brun. The ten-metre-tall bronze sculpture is by President of the Royal Academy of Arts, Christopher Le Brun, commissioned by Hammerson in 2009. It is called ‘The City Wing’ and has been cast by Morris Singer Art Founders, reputedly the oldest fine art foundry in the world.
    city_people-17-11-07-2019.jpg
  • A financial industry buusinessman checks messages beneath the sculpture entitled City Wing on Threadneedle Street in the City of London, the capital's financial district (aka the Square Mile), on 11th July 2019, in London, England. City Wing is by the artist Christopher Le Brun. The ten-metre-tall bronze sculpture is by President of the Royal Academy of Arts, Christopher Le Brun, commissioned by Hammerson in 2009. It is called ‘The City Wing’ and has been cast by Morris Singer Art Founders, reputedly the oldest fine art foundry in the world.
    city_people-07-11-07-2019.jpg
  • Financial industry businessmen walk past the sculpture entitled City Wing on Threadneedle Street in the City of London, the capital's financial district (aka the Square Mile), on 11th July 2019, in London, England. City Wing is by the artist Christopher Le Brun. The ten-metre-tall bronze sculpture is by President of the Royal Academy of Arts, Christopher Le Brun, commissioned by Hammerson in 2009. It is called ‘The City Wing’ and has been cast by Morris Singer Art Founders, reputedly the oldest fine art foundry in the world.
    city_people-15-11-07-2019.jpg
  • Financial industry businessmen walk past the sculpture entitled City Wing on Threadneedle Street in the City of London, the capital's financial district (aka the Square Mile), on 11th July 2019, in London, England. City Wing is by the artist Christopher Le Brun. The ten-metre-tall bronze sculpture is by President of the Royal Academy of Arts, Christopher Le Brun, commissioned by Hammerson in 2009. It is called ‘The City Wing’ and has been cast by Morris Singer Art Founders, reputedly the oldest fine art foundry in the world.
    city_people-03-11-07-2019.jpg
  • A lady lights a cigarette as a younger, healthier woman walks past the sculpture entitled 'City Wing' on Threadneedle Street in the City of London, the capital's financial district, on 17th June 2019, in London, England. This ten-metre-tall bronze sculpture is by President of the Royal Academy of Arts, Christopher Le Brun, commissioned by Hammerson in 2009. ‘The City Wing’ and has been cast by Morris Singer Art Founders, reputedly the oldest fine art foundry in the world.
    city_people-21-17-06-2019.jpg
  • A businessman walks past the sculpture entitled 'City Wing' on Threadneedle Street in the City of London, the capital's financial district, on 17th June 2019, in London, England. This ten-metre-tall bronze sculpture is by President of the Royal Academy of Arts, Christopher Le Brun, commissioned by Hammerson in 2009. ‘The City Wing’ and has been cast by Morris Singer Art Founders, reputedly the oldest fine art foundry in the world.
    city_people-20-17-06-2019.jpg
  • Landscape painter Rob Pointon RBSA, MAFA who calls himself a 'Plein Air Artist' in Trafalgar Square, on 20th May 2019, in London, England. Rob Pointon (b1982) has been painting since he was a child under the tutelage of his artist Grandmother, and graduated in Fine Art from Aberystwyth University before studying at The Royal Drawing School in London. Rob is an Associate member of the ROI, a member of MAFA (Manchester Academy of Fine Arts).
    trafalgar_square-10-20-05-2019.jpg
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